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47 Venetian Amid the crush and glare of a Vegas escape where sacred and profane blur, a gallery offers refuge behind a massive Italianate door. In the last room, a long marble bench reflects the color field of Rothko’s Untitled (Violet, Black, Orange, Yellow on White and Red) when in a flash as luminous as vivid rectangles that hover on canvas, an image of home shifts and shimmers, like heat above asphalt. Constituted and reconstituted backgrounds where we make and remake our selves ourselves. ...

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