Index
165 Index Acid House (book), 18 Albarn, Damon, 23 Alfie, 15 Alien, 105, 116, 120 Alien: Resurrection, 117 Aliens, 106 Allen, Jim, 12 Allen, Keith, 24 Allen, Woody, 141 Altman, Robert, 31 American Psycho, 57 Anderson, Wes, 140 Apocalypse Now, 59, 60 Are We There Yet?, 88 Au Revoir Les Enfants, 8 Austin, Jane, 81 Avatar, 124 Ballard, J. G., 75, 78 Barbershop, 126 Basketball Diaries, The, 50 Bates, Alan, 90 Batman, 132 Batman Begins, 126 BBC, 8 Beaufoy, Simon, 118, 132, 139–40, 146, 149 Before Sunrise, 26 Betjeman, John, 100 Blair, Tony, 51, 100 Blindness, 118 Blood Simple, 5, 40 Blur, 18, 25 Boogeyman, 88 Boorman, John, 59 Bouchez, Elodie, 58 Boyce, Frank Cottrell, 82, 90, 95, 100, 108 Boyle, Danny: on actors, 7, 18–19, 44, 91, 97–98, 101, 112, 114–15, 126, 148, 153; on almost directing Alien 4, 30, 37, 42, 47, 66, 105–6, 116–17; on America, 35, 49; on audience expectations/desires, 7–9, 12, 25, 33, 52, 59, 78, 107; on Britain’s film industry, 11, 122; on budgets, 6, 29–30, 66, 103, 115, 130, 150; on casting, 10, 44, 76–77, 87; on character development, 7, 20; on choosing projects, 94, 130–31; on cinema as a popular medium, 11, 23, 88; on cinematography, 22, 31, 112, 135, 147; on CG, 111–12; on class issues, 21–22; on collaboration, 6, 12–13, 29, 121; on commercial vs. art films, 51; on compromise, 10; on the difference between American and British films/industry, 12, 63, 88; on the difference between filming on a stage and filming on 166 index location, 17, 30; on Dramatic Need, xiii; on drugs, 16–17, 24, 32–33, 38; on DV, 68–69, 71, 75, 79–80, 147; on editing, 47, 81, 134–35; on the environmental controversy surrounding The Beach, 56; on family, 100, 161–64; on filming in India, 133–35, 138–43; on football (soccer), 100, 164; on guns, 12; on his television experience, 8, 31; on his theatre experience, 31; on his use of music, 18, 33–34, 81; humanitarianism, xiii, 57; on innocence, 83–85; on the inspiration of music, xi, 25; on morality, 86; on production design, 5, 111–12; on rehearsal, 10–11; on religion, 85, 95; on a sequel to Trainspotting, 103, 107, 127–28; on style, 31, 51, 133–34; on success, ix; on theme, 34, 36, 38, 62, 64, 72, 96, 100, 119, 132, 155; on tone, 20–21; on violence, 72, 81–82; on working with writers, 6, 100–101 Works: The Beach, 45, 50–55, 56–59, 60–65, 66, 69, 71, 74–75, 87, 98, 99–100, 102–3, 118, 122, 128, 130; A Life Less Ordinary, 12, 25, 39–45, 46–49, 51, 53, 61, 63, 99, 128–29, 130; Millions, 82, 83–89, 90–93, 94– 98, 99–104, 114, 130–31; Mr. Wroe’s Virgins, 8, 10, 66; Shallow Grave, 3, 5–13, 14, 16–18, 20–22, 23–24, 27, 30, 35, 37, 40–41, 46–47, 50–52, 54, 66–67, 78, 86, 93, 95–97, 99, 107, 116, 123, 128, 130; Slumdog Millionaire , 108, 118, 130–37, 138–44, 145–50, 151–60, 161–64; Strumpet, xvii, 67–69, 71; Sunshine, 87, 98, 103, 105–8, 109–15, 116–18, 119–23, 124–29, 130, 145; Trainspotting, 12, 14–22, 23–25, 26–34, 35–38, 39–42, 46–49, 50–52, 59, 60, 65, 66, 70–71, 78, 86, 94, 99–100, 103, 107, 113– 14, 116, 118, 122, 124, 127–28, 130, 135, 142, 151, 158–60, 162; 28 Days Later . . . , 69, 70–73, 74–77, 78–82, 85–86, 87–88, 92, 94, 98, 99, 101–2, 105–6, 116–17, 122, 124, 127–28, 130, 151, 162; Vacuuming Completely Nude in Paradise, 67–69, 71 Boyle, Frank (father), 161 Boyle, Maria (sister), 161 Branson, Richard, 114 Braveheart, 34, 37 Bremner, Ewen, 18 Bromeliad Trilogy (book), 108 Brown, Ian, 84 Bruton, John, 27 Buñuel, Luis, 51 Burns, Megan, 71 Byrne, Rose, 124 Cameron, James, 124 Campion, Jane, 59 Canet, Guillaume, 58, 61, 64 Cannes (film festival), 8, 15, 20, 35 Carlyle, Robert, 61 Carr, Martin, 67 Carrey, Jim, 44 Carry On, 24, 93 Cartwright, Jim, 67–69 Celebrity, 61 Chabrol, Claude, 51 Channel Four, 6, 14, 39 Chicago, 125 Christiane F., 16, 24 Chronicles of Narnia, The, 117 Clarke, John Cooper, 68 [18.222.69.152] Project MUSE (2024-04...
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