Index
203 Aaron, Daniel, 92 Absalom, Absalom! (Faulkner), 4, 44–46, 48, 72–74, 93, 97, 111–12; Charles Bon, 44, 45, 46, 72; Henry Sutpen, 44, 45, 46, 72, 73; Judith, 45, 46, 72, 73; Mr. Compson, 45, 72, 111–12; Quentin Compson, 4, 44, 45, 63, 73–74; Shreve, 44, 45, 73–74; Thomas Sutpen, 44, 45, 51, 72 “Acrobats in the Park” (Welty), 162 “Ad Astra” (Faulkner), 114 “All the Dead Pilots” (Faulkner), 115 Allison, Dorothy, 197 “Ambuscade” (Faulkner), 89 American Institute of Arts and Letters, 7 Anxiety of Influence, The (Bloom), 4 As I Lay Dying (Faulkner), 48, 49; Addie Bundren, 49 Associated Press, 7 “At the Landing” (Welty), 135, 198 Austen, Jane, 133, 162 Balzac, Honoré de, 35, 36 Baris, Sharon Deykin, 191n3 Barnes, Djuna, 6 Barthes, Roland, 21 Bastard Out of Carolina (Allison), 197 “Bats Out of Hell Division” (Hannah), 5 “Bear, The” (Faulkner), 17, 78–79 Bleikasten, André, 38, 39 Blitzkrieg (Wernick), 104 Bloom, Harold, 4–5 Blotner, Joseph, 6 Bride of the Innisfallen, The (Welty), 18, 141–42, 157. See also individual stories “Bride of the Innisfallen, The” (Welty), 147–52, 156, 157 Brooks, Cleanth, 5 Bunting, Charles, 180n1 Butler, Judith, 46–47 Butterworth, Keen, 100, 120 “Carcassonne” (Faulkner), 163 Cézanne, Paul, 96, 97, 101–2, 104 Christ, 95, 98, 105, 112 “Circe” (Welty), 157 Civil War, 5, 9, 10, 75, 84, 86, 88–89, 90–91, 106, 109, 111 Communism, 85–86, 92, 93 Communist Manifesto, The (Marx and Engels), 86 Courbet, Gustave, 40 Crane, Stephen, 113 “Crevasse” (Faulkner), 114 critics, 4, 5, 68, 72, 89, 92, 191, 195; feminist , 8, 46; traditionalist, 5, 7, 8, 20 Curtain of Green, A (Welty), 169 Index Index 204 Darkness at Noon (Koestler), 93 “Death of a Travelling Salesman” (Welty), 176, 187 “Delta Autumn” (Faulkner), 74, 79 Delta Wedding (Welty), 135–36, 197; Dabney, 135–36; Troy, 136 Discipline and Punish (Foucault), 183 “Doll, The” (Welty), 176, 178–80 Dumas, Alexandre, 35 Eliot, T. S., 4 Elmer (Faulkner), 34 Engels, Frederich, 85, 86 Fable, A (Faulkner), 35n2, 93, 95–105, 108, 112–13, 115–32; the corporal, 95, 96, 102– 3, 104, 105, 113, 122, 129, 132; Gragnon, 115–16, 117, 118–19, 125–30; the lawyer, 96, 98, 99, 100–2; Mama Bidet, 118–19, 125, 126, 127; the old general, 95–96, 98, 99, 102–3, 104, 119–22, 124–25, 127, 128, 131, 132; the runner, 116–17, 129–31 Faulkner, William: blood as metaphor in, 79–80; childhood, 10; Communism in, 85–86; and critics, 4, 5, 8, 46, 68, 72, 89; cultural stasis in, 12; epic vision, 8, 9, 11–12; female body/sexuality in, 28, 32, 38–43, 48, 49, 53, 55, 56, 57, 59, 60, 63; and French writers, 35–36; gender in, 44–48; homoeroticism/homosexuality in, 23, 25–26, 27–28, 29, 45, 69, 71, 72, 77, 79; incest in, 69, 71–73; interaction with Welty, 6–7; language in, 26; letter to Welty, 6; love and hate in, 11–12, 18; masculinity in, 46–48, 49, 52, 56, 57, 58–59, 61, 66–67, 103; miscegenation in, 73–74, 77–78, 79; Modernism in, 97, 98, 101; property and blood in, 72; race/racism in, 44–45, 74, 75; respectability in, 50–51, 54, 56, 57, 58, 64; slavery in, 75; and southern writers, 3–5; statues in, 40–41, 42–43, 65. See also individual works “Fire and the Hearth, The” (Faulkner), 70 Fitzgerald, F. Scott, 33 Flags in the Dust (Faulkner), 37, 72 Flaubert, Gustave, 36 Foote, Shelby, 5 Ford, Richard, 5 Foucault, Michel, 183 France, 34, 35–38, 100, 101, 129. See also Paris Freeman, Douglas Southall, 5 Freud, Sigmund, 28–29, 77, 183 Fussell, Paul, 104 Gaudier-Brzeska, Henri, 95, 101–2, 103, 105 “Gilded Six Bits, The” (Hurston), 6 Go Down, Moses (Faulkner), 68–72, 74–81, 82; Boon Hogganbeck, 80; Buck, 68–71, 77; Buddy, 69–71, 77; Cass, 71, 73, 74, 75–77, 80; Eunice, 69–70; Isaac McCaslin, 68–71, 73, 74–81; L.Q.C. McCaslin, 68, 69, 70, 71; Lucas Beauchamp, 76, 80; Percival Brownlee, 69, 71, 77; Roth Edmond, 74, 80; Sam Fathers, 73, 76, 80; Sophonsiba, 77–78, 79; Tennie, 78–79, 80; Thucydus, 69; Tomey, 70; Turl, 70, 77; Uncle Hubert, 77–79. See also individual stories Godden, Richard, 68, 103 “Going to Naples” (Welty), 141, 142, 157–61 Golden Apples, The (Welty), 7, 13, 19, 137; King MacLain, 13, 19...
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