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Bibliography Books and Articles Alyn, Glen (A. Glenn Myers). I Say Me for a Parable: The Oral Autobiography of Mance Lipscomb, Texas Bluesman. New York, W. W. Norton & Company, 1993. Barlow, William. Looking up at Down: The Emergence of Blues Culture. Philadelphia : Temple University Press, 1989. Basie, Count, as told to Albert Murray. Good Morning Blues: The Autobiography of Count Basie. New York: Random House, 1985. Boyd, Jean A. Dance All Night: Those Other Southwestern Swing Bands, Past and Present. Lubbock: Texas Tech University Press, 2012. ———. The Jazz of the Southwest: An Oral History of Western Swing. Austin: University of Texas Press, 1998. ———. “We’re the Light Crust Doughboys from Burrus Mill”: An Oral History. Austin: University of Texas Press, 2003. Brakefield, Jay F. “Birthday of a Bluesman: A Look Back at Life, Music of Blind Lemon Jefferson.” Dallas Morning News, September 23, 1993, 5C. Brewer, J. Mason. Heralding Dawn: An Anthology of Verse. Dallas: June Thompson Printing, 1936. Brown, Roger S. “Recording Pioneer Polk Brockman.” Living Blues 23 (1975): 31. Business and Professional Directory of Colored Persons in Dallas, 1911. Dallas: Published under the auspices of the Dallas Negro Business League, 1911. Carr, Patrick, ed. The Illustrated History of Country Music. New York: Doubleday, 1979. Cartwright, Gary. “Benny and the Boys.” Texas Monthly, October 1991: 134–139, 193–199. Charles, Ray, and David Ritz. Brother Ray: Ray Charles’ Own Story. New York: Dial, 1978. Charters, Samuel. The Bluesmen. New York: Oak, 1968. ———. The Country Blues. New York: Rinehart, 1959. Corcoran, Michael. All over the Map: True Heroes of Texas Music. Austin: University of Texas Press, 2005. 282 B I B l I o g r A p h y Cusic, Don. 2011. The Cowboy in Country Music: An [sic] Historical Survey with Artist Profiles. Jefferson, NC: McFarland. Dance, Helen O. Stormy Monday: The T-Bone Walker Story. New York: Da Capo, 1990. Daniels, Douglas Henry. One o’Clock Jump: The Unforgettable History of the Oklahoma City Blue Devils. Boston: Beacon, 2006. Dempsey, John Mark. The Light Crust Doughboys Are on the Air. Denton: University of North Texas Press, 2002. Dixon, Robert, and John Godrich. Recording the Blues, 1902–1940. New York: Stein and Day, 1970. Doolin, Kaleta. Fritos Pie: Stories, Recipes, and More. College Station: Texas A&M University Press, 2011. Driggs, Frank. “Budd Johnson, Ageless Jazzman.” Jazz Review 3(9) (November 1960). Enstam, Elizabeth York, ed. When Dallas Became a City: Letters of John Milton McCoy, 1870–1881. Dallas: Dallas Historical Society, 1982. Evans, David. “Musical Innovation in the Blues of Blind Lemon Jefferson.” Black Music Research Journal 20(1) (Spring 2000): 83–116. ———. “Ramblin.’” Blues Revue Quarterly 9 (Summer 1993): 16–18. Fly, Everett L. “Pittman, William Sidney.” The Handbook of Texas Online, Texas State Historical Association. http://www.tshaonline.org/handbook/online/ articles/fpi32. Ford, Shane. Shine a Light: My Year with “Blind” Willie Johnson. Lulu.com, 2011. Foreman, Ronald Clifford. Jazz and Race Records, 1920–32: Their Origins and Their Significance for the Record Industry and Society. PhD diss., University of Illinois, 1968. Fox, Ted. Showtime at the Apollo. New York: Holt, Rinehart and Winston, 1983. Gazzaway, Don. “Conversations with Buster Smith.” Jazz Review. Parts I, II, and III. (December 1959–February 1960). Ginell, Cary. Milton Brown and the Founding of Western Swing. Urbana: University of Illinois Press, 1994. Govenar, Alan. “Blind Lemon Jefferson: The Myth and the Man.” Black Music Research Journal 20(1) (Spring 2000): 7–21. ———. “Buster Smith: Dallas Jazz Patriarch.” Parkway (April 1983): 34–35. ———. Daddy Double Do Love You. Chicago: Jubilee, 1993. ———. “Hal Baker and the Gloomchasers.” Parkway (May 1983): 31. ———. “Herbert Cowens: USO Drummer, Extraordinaire.” Legacies 4 (Spring 1992): 32–36. ———. “The History of Deep Ellum.” In program booklet for the Dallas Black Dance Theatre production of Deep Ellum Blues, December 4–6, 1986. ———. Meeting the Blues: The Rise of the Texas Sound. Dallas: Taylor, 1988. ———. Portraits of Community: African American Photography in Texas. Austin: Texas State Historical Association, 1996. ———. Texas Blues: The Rise of a Contemporary Sound. College Station: Texas A&M University Press, 2008. [3.138.125.2] Project MUSE (2024-04-23 19:35 GMT) 283 Bibliography ———. “That Black Snake Moan: The Music and Mystery of Blind Lemon Jefferson.” In Bluesland: Portraits of Twelve Major American Blues Masters, ed. Pete Welding and Toby Byron, 16–37. New York: Penguin, 1991. ______. “Them Deep Ellum Blues: A Street, a Sound, and a Time.” Legacies 2 (Spring 1990): 4–9. ———. “Variants of Texas Blues.” Texas Humanist 7 (July–August 1985): 28–31...

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