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  | 155 Works Cited Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. San Franciso: Spinsters/ Aunt Lute, . Barnes, Kim.“Interview with Leslie Marmon Silko.” The Journal of Ethnic Studies, vol.  (winter, ): –. Reprinted in Yellow Woman: Leslie Marmon Silko, edited by Melody Graulich. New Brunswick: Rutgers University Press, . Barthes, Roland. Mythologies. New York: Farrar, Straus & Giroux, . Translated from the French Mythologies, Paris: Editions du Seuil, . Bascom, William.“The Forms of Folklore: Prose Narratives.” In Sacred Narrative: Readings in the Theory of Myth, edited by Alan Dundes. Berkeley: University of California Press, . Bell, Vereen M. The Achievement of Cormac McCarthy. Baton Rouge: Louisiana State University Press, . ———.“Between the Wish and the Thing, the World Lies Waiting.” Southern Review. vol.  (autumn, ): –. Bergland, Renee. The National Uncanny: Indian Ghosts and American Subjects. Hanover, N.H.: University Press of New England, . Berlant, Lauren. The Anatomy of National Fantasy: Hawthorne, Utopia, and Everyday Life. Chicago: University of Chicago Press, . Blake, William. William Blake: Selected Poetry and Prose. Edited by Northrop Frye. New York: Modern Library, . Castillo, Ana. Massacre of the Dreamers. Albuquerque: University of New Mexico Press, . ———. So Far from God. New York: Plume, . Castillo, Debra.“Borderliners: Federico Campbell and Ana Castillo.” In Reconfigured Spheres: Feminist Explorations of Literary Space, edited by Margaret R. Higonnet and Joan Templeton. Amherst: University of Massachusetts Press, . Clifford, James. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge: Harvard University Press, . Cooper Alarcón, Daniel. The Aztec Palimpsest: Mexico in the Modern Imagination. Tucson: University of Arizona Press, . Daugherty, Leo.“Gravers False and True: Blood Meridian as Gnostic Tragedy.” Southern Quarterly , no.  (): –. Douglas, Mary. Purity and Danger: An Analysis of the Concepts of Pollution and Taboo. London and New York: Routledge, . Dunaway, David King, and Sara L. Spurgeon. Writing the Southwest. New York: Plume Dutton/Signet, . 156 |   Dundes, Alan.“Introduction.” In Sacred Narrative: Readings in the Theory of Myth, edited by Alan Dundes. Berkeley: University of California Press, . Firth, Raymond.“The Plasticity of Myth: Cases From Tikopia.” In Sacred Narrative: Readings in the Theory of Myth, edited by Alan Dundes. Berkeley: University of California Press, . Gunn Allen, Paula. The Sacred Hoop: Recovering the Feminine in American Indian Tradition. Boston: Beacon Press, . Hall, Stuart.“Cultural Identity and Cinematic Representation.” Third Scenario: Theory and the Politics of Location. Rpt. from Framework . London: Turnaround Press, . Haraway, Donna J. Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge, . Honko, Lauri.“The Problem of Defining Myth.” In Sacred Narrative: Readings in the Theory of Myth, edited by Alan Dundes. Berkeley: University of California Press, . Jagose, Annamarie.“Slash and Suture: Post/Colonialism in Borderlands/La Frontera: The New Mestiza.” In Feminism and the Politics of Difference, edited by Ineia Gunew and Anna Yeatman. San Francisco: Westview Press, . Kirk, G. S.“On Defining Myths.” In Sacred Narrative: Readings in the Theory of Myth, edited by Alan Dundes. Berkeley: University of California Press, . Kolodny, Annette. The Land before Her: Fantasy and Experience of the American Frontiers, –. Chapel Hill: University of North Carolina Press, . ———. The Lay of the Land: Metaphor as Experience and History in American Life and Letters. Chapel Hill: University of North Carolina Press, . Limerick, Patricia Nelson. The Legacy of Conquest: The Unbroken Past of the American West. New York: Norton, . Luce, Diane.“‘When You Wake’: John Grady Cole’s Heroism in All The Pretty Horses.” In Sacred Violence: A Reader’s Companion to Cormac McCarthy, edited by Wade Hall and Rick Wallach. El Paso: Texas Western Press, University of Texas at El Paso, . Manley, Kathleen.“Leslie Marmon Silko’s Use of Color in Ceremony.” Southern Folklore (): –. McCarthy, Cormac. All the Pretty Horses. New York: Vintage International, . ———. Blood Meridian, or, The Evening Redness in the West. New York: Random House, . First Vintage International Edition, . ———. Cities of the Plain. New York: Alfred A. Knopf, . McDowell, Michael J. Finding Tongues in Trees: Dialogical and Ecological Landscapes in Henry David Thoreau, Robinson Jeffers, and Leslie Marmon Silko. Ph.D. diss., University of Oregon, . Ann Arbor: UMI, . DA. McWilliams, Sara E. Disturbances: Figures of Hybridity and the Politics of Representation . Ph.D. diss., University of Washington, . Ann Arbor: UMI, . . Nash Smith, Henry. Virgin Land: The American West as Symbol and Myth. Cambridge: Harvard University Press, . Nelson, Robert M.“Place and Vision: The Function of Landscape in Ceremony.” Journal of the Southwest (fall, ): –. [18.191.46.36] Project MUSE (2024-04-23 17:03 GMT)   | 157 Penzenstadler, Joan.“La Frontera, Aztlán, el barrio: Frontiers in Chicano Literature.” In The Frontier Experience and the American...

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