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Bibliography
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London: Wallflower, 2003. Augustine. The Confessions of St. Augustine. Translated by John K. Ryan. Garden City, N.Y.: Image Books, 1984. 240 Scoring TranScendence Baillie, John. The Idea of Revelation in Recent Thought. New York: Columbia University Press, 1956. Barth, Karl. The Church Dogmatics. Translated by T. H. L. Parker, W. B. Johnston, Harold Knight, and J. L. M. Haire. Vol. II.1, edited by Geoffrey William Bromiley and Thomas Forsyth Torrance. Edinburgh: T&T Clark, 1957. ———. The Church Dogmatics. Translated by T. H. L. Parker, W. B. Johnston, Harold Knight, and J. L. M. Haire. Vol. III.3, edited by Geoffrey William Bromiley and Thomas Forsyth Torrance. Edinburgh: T&T Clark, 1960. ———. The Humanity of God. Louisville, Ky.: John Knox, 1967. ———. The Theology of Schleiermacher. Translated by Geoffrey W. Bromiley. Edited by Dietrich Ritschl. Grand Rapids : Eerdmans, 1982. Bauckham, Richard. The Theology of Jürgen Moltmann. Edinburgh : T&T Clark, 1995. Bazin, André. Qu’est-Ce Que Le Cinéma? Paris: Editions du Cerf, 1975. Begbie, Jeremy. Resounding Truth: Christian Wisdom in the World of Music. Grand Rapids: Baker Academic, 2007. ———. Theology, Music, and Time. Cambridge: Cambridge University Press, 2000. Berkouwer, G. C. General Revelation. Studies in Dogmatics. Grand Rapids: Eerdmans, 1955. Blackwell, Albert L. The Sacred in Music. Louisville, Ky.: Westminster John Knox, 1999. Blake, Richard Aloysius. Afterimage: The Indelible Catholic Imagination of Six American Filmmakers. Chicago: Loyola Press, 2000. Brecher, Daniel. “Finding Nemo: Review.” http://www .soundtrack.net/albums/database/?id=3270&page=review, August 25, 2003 (accessed May 15, 2010). Brown, Royal S. Overtones and Undertones: Reading Film Music. Berkeley: University of California Press, 1994. Brunner, Emil, and Karl Barth. Natural Theology. Eugene, Ore.: Wipf & Stock, 1946. [54.172.169.199] Project MUSE (2024-03-19 07:19 GMT) BiBliography 241 Buhler, James. “Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film.” In Film Music: An Anthology of Critical Essays, edited by K. J. Donnelly, 39–61. Edinburgh: Edinburgh University Press, 2001. ———. “‘Breakthrough’ As Critique of Form: The Finale of Mahler’s First Symphony.” 19th-Century Music 20, no. 2, Special Mahler Issue (1996): 125–43. ———. “Star Wars, Music, and Myth.” In Music and Cinema, edited by James Buhler, Caryl Flinn, and David Neumeyer, 33–57. Hanover, N.H.: Wesleyan University Press, 2000. Buhler, James, David Neumeyer, and Rob Deemer. Hearing the Movies: Music and Sound in Film History. New York: Oxford University Press, 2010. Carey, Melissa, and Michael Hannan. “Case Study 2: The Big Chill.” In Popular Music and Film, edited by Ian Inglis, 162–77. London: Wallflower, 2003. Chion, Michel. Audio-Vision: Sound on Screen. Translated by Claudia Gorbman. 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