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summary
As a writer of drama and short fiction, Edwards’ first collection of poetry is influenced by the character sketches of her earlier prose works, while maintaining a strong sense of lyricism. Like her influences, Sharon Olds, Rainer Rilke, and Sylvia Plath, Edwards’ poetry derives force from its candor and observational simplicity. A Kentucky native, Edwards continues in the tradition of great pastoral voices such as Robert Frost, drawing from his metaphorical, lyric and structural paradigms. Reading The Farmer’s Daughter evokes fields of space, filled with light and soft shadows.

Table of Contents

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  1. Frontmatter
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  1. Frontmatter
  2. pp. 3-6
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  1. Contents
  2. pp. 7-10
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  1. Seciton I
  2. pp. 11-12
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  1. Juliana To Her Lover
  2. p. 13
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  1. Meanwhile, Back at the Ranch
  2. p. 14
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  1. Low Tide
  2. p. 15
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  1. At Sea
  2. p. 16
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  1. The Sailor Considers the Sand
  2. p. 17
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  1. Adrift
  2. p. 18
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  1. When He Drops Off the German Teacher at School the Next Morning
  2. p. 19
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  1. Long Weekend
  2. p. 20
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  1. Before the Light Turns Green
  2. p. 21
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  1. Schumann in the Wings
  2. p. 22
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  1. Sexing the Poet
  2. p. 23
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  1. Barista Boy Blues
  2. p. 24
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  1. Sleeping with Rilke; or, The German Lover
  2. p. 25
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  1. Packing, As If For a Funeral
  2. p. 26
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  1. Section II
  2. pp. 27-28
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  1. The Farmer’s Daughter; or, Persephone’s Return
  2. p. 29
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  1. Into the Kill Pen
  2. p. 30
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  1. Beasts of Burden
  2. p. 31
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  1. Where the Barnyard Ends
  2. p. 32
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  1. Parable of the Tenants
  2. p. 33
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  1. Fixing Fence on Christmas Day
  2. p. 34
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  1. Farm Wife
  2. p. 35
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  1. Tenant Boy
  2. p. 36
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  1. Spilt Milk
  2. p. 37
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  1. Land Management
  2. p. 38
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  1. Interruption
  2. p. 39
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  1. Song of the Easy Life
  2. p. 40
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  1. Section III
  2. pp. 41-42
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  1. Florida Prophecy
  2. p. 43
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  1. This Time Delilah
  2. p. 44
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  1. On Telling Myself It Was Not a Ship of War
  2. p. 45
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  1. My Sylvia Plath Poem
  2. p. 46
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  1. Bianca, the Queen of Mean
  2. p. 47
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  1. Noah Afloat
  2. p. 48
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  1. Coach Sean Faces His Son at Bat
  2. p. 49
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  1. The Professor Prepares His Lecture
  2. p. 50
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  1. The Matter at Hand; or, We Shall All Hang Separately
  2. p. 51
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  1. Workshop Poem; or, Sorry, Austin
  2. p. 52
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  1. December 19
  2. p. 53
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  1. Song of Hannah’s Daughters
  2. pp. 54-55
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  1. Hands
  2. p. 56
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  1. Lasik Surgery; or, Under the Knife
  2. p. 57
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  1. Lecture Notes
  2. p. 58
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  1. Success, and What You Make of It
  2. p. 59
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  1. Andrea with Scarf
  2. p. 60
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  1. I Love You
  2. p. 61
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  1. June 1
  2. p. 62
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  1. Summer Chorus
  2. p. 63
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  1. Biographical Note
  2. p. 64
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