August Wilson: Completing the Twentieth-Century Cycle

Works Cited

works cited Adell, Sandra. Double-Consciousness/Double Bind: Theoretical Issues in Twentieth-Century Black Literature. Champaign-Urbana: U of Illinois P, 1994. ———. “Speaking of Ma Rainey/Talking about the Blues.” In May All Your Fences Have Gates: Essays on the Drama of August Wilson. Ed. Alan Nadel. Iowa City: U of Iowa P, 1994. 51–66. Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Trans. Daniel Heller-Roazen. Palo Alto: Stanford U P, 1999. Ambush, Benny Sato. “Culture Wars.” African American Review 31.4 (1997): 579–586. Anderson, Elijah. Code of the Street: Decency, Violence, and the Moral Life of the Inner City. New York: W.W. Norton, 1999. Andrews, Williams L., Frances Smith Foster, and Trudier Harris, eds. The Oxford Companion to African American Literature. London: Oxford U P, 1997. 781–783. Austin, Mildred. “Anybody Here Want to Try My Cabbage.” 1928. Female Blues Singers Vol. 1: A/B. Document 5505. Baker, James. “Iron Head” and “De Blue Goose.” Library of Congress, 1933. Baldwin, James. “Many Thousands Gone.” In Collected Essays. Ed. Toni Morrison . New York: Library of America, 1998. 19–34. Barnes, Sandra. “Yoruba: Political Representation in Old States and New Nations.” In Portraits of Culture. Ed. Melvin Ember, Carol R. Ember, and David Levinson. New Jersey: Prentice Hall, 1996. 25–50. ———, ed. Africa’s Ogun: Old World and New. 2nd ed. Bloomington: Indiana UP, 1997. Barthold, Bonnie. Black Time: Fiction of Africa, the Caribbean, and the United States. New Haven: Yale UP, 1981. Beale Street Sheiks. “You Shall.” 1927. Frank Stokes’ Complete Paramount Recordings in Chronological Order. Document DOCD 5012. Benjamin, Walter. Illuminations: Essays and Reflections. New York: Schocken, 1969. Bigsby, C. W. E. The Cambridge Companion to August Wilson. Cambridge Companion to Literature. Cambridge: Cambridge UP, 2007. 212 Works Cited “Black in America: The Black Man.” CNN Documentary. July 24, 2008. Bogan, Lucille. “Shave ’Em Dry.” 1935. Complete Recorded Works in Chronological Order Vol. 3. Document BDCD 6038. Bogle, Donald. Toms, Coons, Mulattos, Mammies and Bucks. New York: Continuum , 2002. Book of Revelation: Scripture’s Crescendo and Culmination. “Apocalyptic Liter­ ature and Revelation.” http://www.osl.cc/believe/revhome.htm. Boothe, Demico. Why Are So Many Black Men in Prison? Bloomington, Indiana: Xlibris, 2006. Boskin, J. Sambo: The Rise and Demise of an American Jester. New York: Oxford UP, 1986. Bourdieu, Pierre. In Other Words: Essays Towards a Reflexive Sociology. Stanford , California: Stanford UP, 1990. Bourne, Randolph. The State. 1918. New York: Resistance Press, 1946. Branch, William. Crosswinds: An Anthology of Black Dramatists in the Dias­ pora. Bloomington: Indiana University Press, 1993. Brantley, Ben. “Wilson’s Gems, Memory’s Ocean.” New York Times. 20 May 2007. http://www.nytimes.com/ Brockett, Oscar. The Essential Theater. 6th ed. Austin, Texas: Harcourt Brace, 1996. 256–307. Broonzy, Big Bill. “Ash Hauler.” 1935. Complete Recorded Works in Chronological Order. Vol. 4. Document 5126. Brown, Othum. “Ora Nelle Blues.” 1947. Chicago Boogie! P-Vine PCD-1888. (Original version of song later recorded as “That’s All Right.”) Bryer, Jackson R., and Mary C. Hartig. Conversations with August Wilson. Literary Conversation Series. Jackson: UP of Mississippi, 2006. Carroll, Grace. Environmental Stress and African Americans: The Other Side of the Moon. Westport, Connecticut: Praeger, 1998. Carter, Stephen L. Integrity. New York: Basic, 1996. Cashmore, Ellis. The Black Culture Industry. London: Routledge, 1997. Clark, Keith. Black Manhood in James Baldwin, Ernest J. Gaines, and August Wilson. Champaign-Urbana: U of Illinois P, 2002. Davis, Gary. “Death Don’t Have No Mercy.” 1960. Harlem Street Singer. Prestige-Bluesville OBCCD-547. Dawson, M. C. Behind the Mule: Race and Class in African American Politics. Princeton: Princeton UP, 1994. DeMott, Benjamin. “Put on a Happy Face: Masking the Differences between Blacks and Whites.” In Gender through the Prism of Difference. Ed. Maxine Baca Zinn, Pierrette Hongdageneu-Sotelo, and Michael A. Messner. Boston: Allyn and Bacon, 2000. 358–365. Works Cited 213 Dezell, Maureen. “A 10-Play Odyssey Continues with Gem of the Ocean.” In Conversations with August Wilson. Ed. Jackson R. Bryer and Mary C. Hartig. Jackson: UP of Mississippi, 2006. 253–56. Dorsey, Georgia Tom. “If I Could Hear My Mother Pray Again.” 1934. Complete Recorded Works in Chronological Order. Vol. 2. Document BDCD 6022. Drewel, Henry John. “Performing the Other: Mami Wata Worship in Africa.” TDR 32.2 (1988): 161. DuBois, W. E. B. “Krigwa Players Little Theater: The Story of a Little Theatre Movement.” Crisis Magazine, July 1926. 134-136...