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Index
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Index Note: Page numbers in italics refer to illustrations. Specific play titles appear under the names of the theatres and the playwrights. actors, 2, 11. See also specific individuals Albery, Donald, 86–87, 89, 91 Albery Theatre (formerly New Theatre ), 89, 91 Aldwych Theatre, 150, 151, 152, 155, 168, 169, 170, 171 Allen, Walter, 38 Almansi, Guido, 186 Almeida Theatre, 194–195, 196, 202, 253n127 Amis, Kingsley, 37, 38, 39, 42, 52, 55 Anderson, Lindsay, 42, 50, 55, 59, 124, 210; and Free Cinema, 44, 45, 46; and Serjeant Musgrave’s Dance, 121, 126; on Theatre Workshop, 80, 81, 105 Anderson, Michael, 149, 154, 157 Angry Young Man; Fearon’s remark, 33, 35, 37, 39, 52, 54; and literary image , 38; Osborne’s use of phrase, 135 Angry Young Man (Paul), 35 Angry Young Men (AYM), 38–43, 46, 49, 52, 54, 107, 115, 217, 227n104, 228n111 Appia, Adolph, 64 Appleyard, Bryan, 203–204 Arden, John, 119–160, 213, 214, 215, 216, 243n54, 244n95, 245n97, 246n140; Armstrong’s Last Goodnight, 131, 137, 139, 141–143, 144, 145, 156, 159, 218; Ars Longa, Vita Brevis (Arden and D’Arcy), 138, 139–140, 145; awards, 120, 121, 124, 128, 156; The Bagman , 148–149; The Ballygombeen Bequest (Arden and D’Arcy), 150; and break with London theatre, 143, 146, 150, 154; The Business of Good Government, 145; collaboration with D’Arcy, 119, 154, 157; construct of, 137, 139; and Devine, 60, 120, 124–125, 135; and Festival of Anarchy , 138; The Happy Haven, 121, 123, 125, 132, 134, 144; Harold Muggins Is a Martyr (Arden and D’Arcy), 145, 146, 149; The Hero Rises Up (Arden and D’Arcy), 144–146; interviews of, 120, 125, 126, 128, 132, 133, 134, 138, 141, 143, 148, 149, 150, 152, 159, 160, 218; Ironhand, 138; The Island of the Mighty (Arden and D’Arcy), 150, 151, 152–154, 155; Left-Handed Liberty, 137, 138, 140–141, 143, 149; The Life of Man, 120; Live Like Pigs (Arden and D’Arcy), 120–121, 122, 133; The Non-Stop Connolly Show (Arden and D’Arcy), 157; Pearl, 155–156, 217, 246n129; prefaces of, 137, 142, 148, 149; To Present the Pretence, 156–57; The Royal Pardon (Arden and D’Arcy), 145; and Royal Shakespeare Company, 150, 152–154, 155, 156, 160; scholarly assessment of, 121, 123, 124, 133, 134, 135–136, 139–140, 144, 146, 148, 149, 157–160, 246n139; Sergeant Musgrave’s Dance, 8, 50, 121, 122–123, 124, 126–132, 127, 280 index 134, 135–136, 142, 144, 145, 147, 160, 219; Soldier, Soldier, 121; Stealing Steps, 160; and television broadcasts , 138, 147; “Telling a True Tale,” 133–134; Vandaleur’s Folly (Arden and D’Arcy), 157; The Waters of Babylon, 120, 121–122; Wet Fish, 138; When Is a Door Not a Door?, 121; The Workhouse Donkey, 134–135, 136, 138, 142, 144, 147 Armitt, Alf, 64 Artaud, Antonin, 140 artistic directors. See specific individuals Arts Council, 22, 26, 54, 60, 70, 83, 107, 113, 114, 115, 209, 210, 216, 224n37; and the English Stage Company, 21, 25, 51, 92, 101, 224n37; and Theatre Workshop, 67, 77, 81, 83, 84, 88, 89, 91–92, 97, 101, 104, 106, 110, 234n54, 235n94, 236n112 Ashcroft, Peggy, 26, 128, 170, 172 Atkins, Eileen, 191 Attenborough, Richard, 101 awards. See prizes and awards Aynsley, Cyril, 36 Banham, Martin, 57 Barber, John, 39, 129, 154, 173–174, 182, 197, 242n47 Barker, Clive, 159, 232n3 Barker, Felix, 122 Barker, Granville, 223n32 Barnes, Philip, 15, 118, 241n232 Bart, Lionel, 87 Bates, Alan, 25, 32, 204 Baty, Gaston, 64 BBC (British Broadcasting Company), 35–36, 38, 107, 111, 121, 128, 148, 150, 166, 167, 204–205, 255n171 beat generation, 39, 226n95 Beauman, Sally, 19, 139 Beaumont, Hugh “Binkie,” 23, 223n26 Beckett, Samuel, 5, 8–9, 12, 33, 60, 125, 139, 165, 167, 168, 200, 219, 220, 221n16, 225n69 Behan, Brendan, 75, 77, 86, 89, 94, 95, 96, 104, 108, 109, 214, 218; The Hostage, 80, 84, 85, 86, 88–89, 91, 96, 109, 214, 219; The Quare Fellow, 77, 78, 79, 96, 103, 108 Bennett, Susan, 159 Bensky, Lawrence, 167, 248n34 Billington, Michael; on Betrayal, 161, 178; biography of Pinter, 201; on A Kind of Alaska, 187–188; on Mountain Language, 191; on No Man’s Land, 173; on Osborne, 56; on Pearl, 155–156, 246n129; on Pinter Festival, 200, 201; on political nature of Pinter’s work, 203; on Serjeant Musgrave’s Dance, 130 biographies, 14 Bites, Alan...