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Index
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Index affiliation, 7, 33 African Americans: and domesticity , 40–41; and experimentalism, 38–39, 55, 61; and gender, 45; and literary tradition, 37–39 “African Signs and Spirit Writing,” 39 Anzaldúa, Gloria, 101, 102, 145 Asian Americans: and autobiography, 145; expectations for writing by, 145; and experimentalism, 129 autobiographical pact, 100, 103, 107 autobiography, 27, 33; and authority, 100, 101, 103, 106, 118; conventions of, 28, 34, 99–101, 109, 117; as didactic , 100; experiments with, 98, 118; and memory, 99; and reader, 109; as subversive, 103; treatment of women of color’s writing as, 6, 130, 145; treatment of women’s writing as, 161; and unified I, 100–101, 109 Autobiography of Alice B. Toklas, 15, 31, 34, 52, 71, 72, 102–104, 105, 109, 118; and authorship, 72, 102, 103, 110; contemporary reactions to, 102–103; as conventional, 102; and gossip, 102; and humor, 102, 103; photographs in, 110; popularity of, 97, 104, 105; and reader, 103; as subversive , 102, 103, 104 avant-garde: definitions of, 8–10; and feminism 7, 10; and gender, 5, 6, 20; militaristic language of, 8, 9, 21, 25, 31, 35; and obsolescence, 9; and politics , 8, 9; and white male critics, 9 Barthes, Roland, 21–23 Benstock, Shari, 15–16, 101 Berry, Ellen E., 5, 12, 16, 25–26, 28, 32 body, 54; gendered, 47–50, 55, 56, 58, 91; material, 56, 132–33; raced, 41, 44–45, 47–49, 55 Bridgman, Richard, 69, 71, 74, 88 Butler, Judith, 28, 33, 92 Cha, Theresa Hak Kyung, 17, 18, 31, 34–35, 162; and autobiography, 6; biography, 137–138, 146; as immigrant , 126, 145; other influences on, 3, 125; and performance art, 138; and retranslation, 138, 156; and Stein’s influence, 32, 125, 129. See also individual works “Changing the Focus,” 81, 86, 93 Cheng, Anne Anlin, 125, 126, 139, 141, 155 Chessman, Harriet Scott, 21, 22, 23, 25, 26, 27, 31–32, 70, 76, 94, 110, 160 collaboration: and eroticism, 74; and Marlatt and Warland, 6, 34, 73–74, 78–80; with reader, 80, 113; scholarship on, 73; and Stein and Toklas, 70, 72, 103–104, 110; as subversive act, 73–74 colonialism, 84–85, 86–87, 88, 127, 129, 136, 138, 141, 151, 155 community, 17, 57 consumerism, 33, 52, 105; and gender, 44–45; and race, 44–45 Davidson, Michael, 15, 106 Dearborn, Mary V., 128, 145 210 . . . Index DeKoven, Marianne, 1, 5, 8, 11, 13, 15, 17–18, 23, 31, 35, 47, 127–128, 159 Derrida, Jacques, 136 desire, 56–57, 68–69, 75, 81, 92, 132, 161 dialogue, 74, 79; with reader, 26, 31, 35, 76 Dickie, Margaret, 75 Dickinson, Emily, 3, 13 DICTEE, 3, 12, 26, 28, 32, 34–35, 125–126, 129–130, 132–157; as autobiography , 130, 145–146; and body, 132–133, 134, 143; and Catholicism, 142–143; and desire, 132, 134, 136; as epic, 3, 126, 130, 132; and exile, 151; and gaps/absence, 136, 137, 142, 143, 149, 150, 151, 154; and history, 126, 130, 133, 135, 142, 146, 147, 150–151, 152; and home, 133, 142, 144–145, 149–150; and hybridity, 129, 138, 143–145, 147; and identity, 140, 143, 146–148, 149, 151, 152; and immigration , 126, 129, 146, 155; and intimacy, 139, 149, 150, 155–156; language in, 8, 35, 126, 133, 136–137, 140–142, 147–148, 153–154; and loss, 132, 133, 150; multiple beginnings of, 133–135, 138; and nation, 127, 134, 140, 143, 146, 147, 148, 150, 156; and origin, 126, 127, 132–134, 138–139, 143, 146, 148, 150, 152–153, 155, 156; as political, 132, 137, 140; and punctuation, 135–136, 137, 149; and reader, 139, 152, 154–156; and repetition, 140, 142–143, 144, 152, 156; and retranslation, 126, 135, 136, 141–142, 144, 146, 150, 156; and reunion, 150–151; and silence, 136, 137, 139–140, 143, 149, 157; sources in, 133, 134, 138, 154, 155; and translation , 127, 128, 134–145, 146, 147– 148, 149, 152, 154; and trauma, 139, 150, 156; and women, 139, 143, 152 domesticity, 27, 33, 45–46, 50, 70, 76–77, 161 Double Negative, 26, 28, 33–34, 66, 77–95; and collaborative writing , 78–81, 94; and colonialism, 84–87; and écriture feminine, 92; and eroticism, 68–69, 78–81, 90, 92–93; and history, 83–85, 94; and Lifting Belly, 80, 93; and love lyric, 66, 77–79, 89, 90; and pleasure, 81, 90–91, 92, 93; and polysemy, 81, 92...