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INDEX Acting as a profession, 111-113 Actors: cast size, 128-130, 138 n. 8, 165, 175-176; children, 134; gender, 134; interpolations, 14 n. 15; physical size, 18, 134; vocal range, 131, 133-134, 137, 153 Aeschines, 10, 122, 124-125, 130 Aeschylus, 2, 3, 17, 26, 68, 112, 122, 128, 129-130,136; Agamemnon, 7,44,45,63, 70, 89, 92, 101, 120, 122, 125, 129, 132, 141, 176; Choephori, 132, 133, 136; Eumenides, 46, 70, 121, 132, 167; Oresteia, 70, 120, 131, 132-133; Persians, 2, 129, 143, 167; Prometheus Bound, 81, 121, 129; Proteus, 132; Seven against Thebes, 129; Suppliants, 121, 129; Women ofAetna, 117 n. 25 Afterpiece, 6, 13-14 n. 14 Agathon, 7, 9, 91, 112 Agyieus, 45- 46 Akurgal, Ekrem, 60 n. 23 Alexander, Margaret, 164 n. 8 Alkibiades,65 Altar, xv, 4, 7, 91, 95, 167, 169, 172; architectural evidence, 47-59; artistic evidence, 46 - 47; literary evidence, 45-46; location, 25,32, 42 ff., 59-60 n. 7; origins of the concept, 42- 44 Amphiktyonic Council, 112 Anavysos chous, 111 Ancients' Club, 1, 8, 12-13, 42, 101 Andokides, 57, 65, 79 n. 7 Andronikos, Manolis, 48 Anthesteria, 2, 111 Anti, Carlo, 26 -28 Antioch, 150, 164 n. 6 Archaeological remains, 15-17 Archelaus, 112 Aristophanes, 5, 7, 17, 26, 37, 45, 75, 81, 89, 112, 121; Acharnians, 8, 81, 90; Birds,S, 7, 81, 90, 166; Clouds, 7, 81, 89, 121; Frogs, 37, 166; Knights,s; Lysistrata, 121; Peace, 7, 81; Thesmaphoriazusae, 7, 75; Wasps, 8, 89, 121 Aristotle, 4, 8, 14 n. 21, 42, 112, 128, 145; happy and unhappy endings in tragedy, 166-167; misreading his writings, 166; number of actors, 6, 128; play length, 122-123, 129; spectacle, 9-10, 119 Arnott, Peter, xviii Artistic remains, 17-20 Artists of Dionysos, 112-113 Assignment of roles, 138 n. 8 Athenaeus, 12, 126 n. 2 Athens, classical sites, 36 - 39 Attica, 35-36 Azimuth, 108-110 Barish, Jonas, 9 Bean, George, 101 Bieber, Margarete, 17-18, 27, 37-38,47, 57, 82, 88, 139-145 Brockett, Oscar G., 40, 147 Buckham, Philip Wentworth, 42-43 Bulle, Heinrich, xviii, 66-67, 75, 82-83 Calder, W. M., 68-70 Campus Martius, 142 Charon's steps, 11 Classical sites, Athens, 36-39 Classic and Helenistic theatres, a comparison, 139-145 Cole, Susan Goettel, 116 n. 17 Comedies, 2, 5, 7-8, 12, 19-20,37-38, 64,77, 8~ 89, 12~124,130,134,165,166, 167-174, 175, 176-177, 179 Comic vases, 19, 47, 56, 74-75 Conductivity of materials, 116 n. 16 Csapo, Eric, 126 n. 2 Cult theatres, xiv, 55, 105, 115 n. 10 Dawn performances, 105, 109, 118-126 Demosthenes, 10, 63- 65, 68, 69, 113, 123- 125, 130, 137 n. 6, 176 Didaskalia, 2, 20 - 22 Diggle, James, 2 Dilke, O. A. W., 25, 35, 37, 41 n. 28 Dinsmoor, William Bell, 38-39, 75-76, 97 Dionysia, City (Great), 2, 3, 6, 13 n. 4, 21, 42, 57, 63-64, 108, 110-111, 113, 118-119, 121-123, 124, 125-126, 145 Dionysos, 42, 45, 48, 49, 50, 57, 68 - 69, 122, 123, 125, 141 Dithyramb, 10, 42, 63- 66, 68 - 69, 78, 79 n. 5, 111, 119 Dokos, 96 n. 11 Doorstones, 69, 79 n. 13 Dorpfeld, Wilhelm, 39, 43, 44, 57, 59- 60 n. 7, 145 "Dramateur," 8, 11, 14 n. 18, 167 Dubech, Lucien, 147 Eighth-century Greek sites, 30 Ekkyklema, 7, 70, 90-92 Elderkin, G. W., 164 n. 7 Eleos,45 Epicharmus, 13 n. 2 Epigraphic evidence, 20 -22 Euripides, 3, 4-5, 7, 9, 17, 26, 47, 68, 81, 89-90, 112, 120, 121, 122, 134, 135, 137, 165-179; Alexander, 168; Alkestis, 13 n. 13, 91-92, 122, 134, 167; Andromada, 120; Bacchae, 4; Cyclops, 4, 132, 134; Elektra, 4, 188 IN DE X 7,121, 129,132, 133, 167,168;liekuba, 4,5, 131; lielen, 4, 167; lierakleidae, 5, 46, 134, 167-168;lierakles, 4, 13 n. 13, 131; liippolytus, 131, 133; Ina, 13 n. 6; Ion, 4, 6, 45, 120-121, 130, 131, 165-179; Iphigenia at Aulis, 4, 134, 167, 176; Iphigenia in Tauris, 5,46-47,66-67, 68, 167, 168; Medea, 3, 7,87-88,101,131,134; Melanippe Sophe, 176; Oineus, 47; Orestes, 4, 89-90, 131, 167, 168; Rhesus, 70, 120, 130, 135, 136; Sthenoboia, 81; Suppliant Women, 4, 134135 ; Thersites, 4; Theseus, 13 n. 6; Thyestes, 13 n...

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