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4 Adam Ferguson from An Essay on the History of Civil Society PART FOURTH. OF CONSEQUENCES THAT RESULT FROM THE ADVANCEMENT OF CIVIL AND COMMERCIAL ARTS. Section I. Of the Separation of Arts and Professions It is evident, that, however urged by a sense of necessity, and a desire of convenience , or favored by any advantages of situation and policy, a people can make no great progress in cultivating the arts of life, until they have separated, and committed to different persons, the several tasks, which require a peculiar skill and attention . The savage, or the barbarian, who must build and plant, and fabricate for himself, prefers, in the interval of great alarms and fatigues, the enjoyments of sloth to the improvement of his fortune: he is, perhaps, by the diversity of his wants, discouraged from industry; or, by his divided attention, prevented from acquiring skill in the management of any particular subject. The enjoyment of peace, however, and the prospect of being able to exchange one commodity for another, turns, by degrees, the hunter and the warrior into a tradesman and a merchant. The accidents which distribute the means of subsistence unequally, inclination, and favorable opportunities, assign the different occupations of men; and a sense of utility leads them, without end, to subdivide their professions. The artist finds, that the more he can confine his attention to a particular part of any work, his productions are the more perfect, and grow under his hands in the greater quantities. Every undertaker in manufacture finds, that the more he can subdivide the tasks of his workmen, and the more hands he can employ on separate articles, the more are his expenses diminished, and his profits increased. The consumer too requires, in every kind of commodity, a workmanship more perfect than hands employed on a variety of subjects can produce; and the progress of commerce is but a continued subdivision of the mechanical arts. Ferguson: On the History of Civil Society 41 • Every craft may engross the whole of a man’s attention, and has a mystery which must be studied or learned by a regular apprenticeship. Nations of tradesmen come to consist of members who, beyond their own particular trade, are ignorant of all human affairs, and who may contribute to the preservation and enlargement of their commonwealth, without making its interest an object of their regard or attention. Every individual is distinguished by his calling, and has a place to which he is fitted. The savage, who knows no distinction but that of his merit, of his sex, or of his species, and to whom his community is the sovereign object of affection, is astonished to find, that in a scene of this nature, his being a man does not qualify him for any station whatever: he flies to the woods with amazement, distaste, and aversion. By the separation of arts and professions, the sources of wealth are laid open; every species of material is wrought up to the greatest perfection, and every commodity is produced in the greatest abundance. The state may estimate its profits and its revenues by the number of its people. It may produce, by its treasure, that national consideration and power, which the savage maintains at the expense of his blood. The advantage gained in the inferior branches of manufacture by the separation of their parts, seem to be equalled by those which arise from a similar device in the higher departments of policy and war. The soldier is relieved from every care but that of his service; statesmen divide the business of civil government into shares; and the servants of the public, in every office, without being skillful in the affairs of state, may succeed, by observing forms which are already established on the experience of others. They are made, like the parts of an engine, to concur to a purpose, without any concert of their own; and, equally blind with the trader to any general combination, they unite with him, in furnishing to the state its resources , its conduct, and its force.· · · It may even be doubted, whether the measure of national capacity increases with the advancement of arts. Many mechanical arts, indeed, require no capacity; they succeed best under a total suppression of sentiment and reason; and ignorance is the mother of industry as well as of superstition. Reflection and fancy are subject to err; but a habit of moving the hand, or the foot, is independent...

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