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As Hanks and Jesmok note in their introduction, “pursuing opponents and pursuing love move the Morte’s narrative, but the work’s richness comes from its romance and tragic elements: the human quest for maturity and fulfillment and those uncontrollable forces that undermine the quest and destroy the dream. Malory’s use of myth and magic to explore these themes has received extensive scholarly attention, but his views on and thematic use of Christianity have long needed a closer look.” The collection features essays by the editors and by Corey Olsen, Sue Ellen Holbrook, Karen Cherewatuk, Dorsey Armstrong, Fiona Tolhurst, K. S. Whetter, and Felicia Nimue Ackerman.

Table of Contents

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  1. Cover
  2. p. 1
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  1. Title Page, Copyright
  2. pp. 2-5
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  1. Contents
  2. pp. v-7
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  1. Prefatory Note
  2. pp. vii-9
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  1. Introduction
  2. pp. 1-8
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  1. “All maner of good love comyth of God”: Malory, God’s Grace, and Noble Love
  2. pp. 9-28
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  1. Adulterated Love: The Tragedy of Malory’s Lancelot and Guinevere
  2. pp. 29-55
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  1. Endless Virtue and Trinitarian Prayer in Lancelot’s Healing of Urry
  2. pp. 56-76
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  1. Christian Rituals in Malory: The Evidence of Funerals
  2. pp. 77-91
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  1. Rhetoric, Ritual, and Religious Impulse in Malory’s Book 8
  2. pp. 92-106
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  1. Christianity and Social Instability: Malory’s Galahad, Palomides, and Lancelot
  2. pp. 107-126
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  1. Slouching towards Bethlehem: Secularized Salvation in Le Morte Darthur
  2. pp. 127-156
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  1. Malory’s Secular Arthuriad
  2. pp. 157-179
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  1. “In my harte I am [not] crystynde”: What Can Malory Offer the Nonreligious Reader?
  2. pp. 180-190
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  1. Bibliography
  2. pp. 191-202
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  1. Contributors
  2. pp. 203-206
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  1. Index
  2. pp. 207-224
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  1. Back Matter, Back Cover
  2. pp. 225-226
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