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307 A A&M Records, 188, 225 ABC Network, 12 Abercrombie, John, 218 Adelphi Records, 139, 194, 196, 217, 220; recording sessions for, 199–200, 203 Adderly, Cannonball, 74 Adderly, Nat, 82 Aldahl, Richard, 271 Aldridge, Roy, 23 Allan, Chad, 113 Allan, Ted, 105–6 “All Blues,” 41, 62, 139 Allen, Rosalie, 15 Alone Again, 207 American Federation of Musicians Fund, 143 American Pacific Bank, 213 amphetamines, 103. See also Breau, Lenny Harold, drug use of Anchor Hotel, 215 Anderson, Stephen, 187–92, 196–97, 203, 215–16, 250, 273 “Anne,” 162 Anne Murray Band. See Richard Anne Murray Loves Dick, recording session for, 165. See also Richard “Any Old Time,” 22 “Any Time,” 248 Appleyard, Peter, 106, 146 Armstrong, Louis, 21, 152 ARC Records, 150 Arthur Godfrey Talent Show, 28 Art of Life Records, 82, 242, 249, 279 Atkins, Chet, 2, 17, 19, 112, 162–63, 168, 185, 190, 193, 196–7, 217, 220, 257 arranges recording date for The Velvet Touch of Lenny Breau. Live! 134 as vice president of RCA, 117 bio, 15 first meeting with Lenny Breau, 118–19 home studio recordings with Lenny Breau, 188, 195, 209, 220, 233 musical influence on Lenny Breau, 14, 18, 24–27, 37, 58, 72 personal influence on Lenny Breau, 119, 168, 182–84, 186, 192, 213, 224, 226, 244, 252 produces Guitar Sounds from Lenny Breau, 126–29, 131 reaction to Lenny Breau audition tape 116–17 signs Lenny Breau to RCA, 120 Atlanta, GA, 162, 196 Auburn, ME, 9, 21–22, 87 Breaus return to, 20 French Canadian migration to, 5, 6 Lenny Breau returns to live with mother in, 156–58, 179–80 Jewel and Lenny Breau in, 242 Audio Media Studios, 247 Augusta Jazz Festival, 242 Augusta Jazz Society, 210 Augusta, ME, 210 Augustine United Church, 164 Autry, Gene, 79, 212 “Autumn Leaves,” 164, 245 recording session for, 202 B Babineau, Alphie, 11 Babineau, Ida, 11 Babineau, Norman, 13–14 “Baby, Baby,” recording session for, 25–26 “Back in Indiana,” recording session for, 248 Index 308 Index “Back in the Saddle,” 79, 147, 181, 212, 263 Bach G minor Keyboard Suite, 59 Bach, J. S., 59, 83, 96 Bachman, Randy, 272 Bachman, Turner Overdrive, 272 “Bach’s Bouree,” 161 “Ba De Da-Da,” 131 Bailey, Charlie, 24 Baines, David, 107 Baked Potato, 259, 265 Baker, Chet, 218 Baker, Mickey, 56 Baldwin Guitars, 108 Baldwin Vibraslim guitar, 164, 302 n8 description of, 109 See also Breau, Leonard Harold, guitars of Baldwin Virginian guitar, 109. See also Breau, Leonard Harold, guitars of Balis, Peter, 180–81, 204, 206–7 Banff Records, 150 Bangor, ME, 6, 7, 9, 12, 244 Banks, Tommy, 140 Banning Street (Winnipeg), 100 Barbara McNair Show, The, 146. See also Breau, Leonard Harold, television appearances of Barbaro classical guitar, 195. See also Breau, Leonard Harold, guitars of Barham Boulevard (LA), 258 Barney Kessell Volume, 131 Baron, Joey, 218–19. See also Breau, Leonard Harold, Lenny Breau Trio Barret, Bucky, 203 Batten, Jack, 167–68 “Batucada,” 73, 234 Bath, ME., 206 Beatles, The, 108, 112, “Beautiful Love,” 202 Beckwith, Skip, 161–65, 170, 300 n22 Bellevue Hospital, 201 Bennett, Tony, 82–83 Lenny Breau auditions for, 80 Benny Goodman Sextet, 57 Benson, George, 265, 273 Lenny Breau plays with, 196–97 Benson, Ron, 262, 268 Bering, Johnny, 38 Berk, Dick, 138–39. See also Breau, Leonard Harold, Lenny Breau Trio Berklee School of Music, 232 Bertoncini, Gene, 247 Best of Chet Atkins, recording session for, 188–89 Bickert, Ed, 106 reaction to Lenny Breau performance , 78 recording with Lenny Breau, 125 See also Soft and Groovy “Bidin’ My Time,” recording session for, 164 Billboard Country Chart, 19 Bill Evans Trio, The, 261 “Billie’s Bounce,” 41, 96, 212 Binette, George, 222 Binstead, Gary 164, 176 Birch Cove Restaurant, 134 Birdland, 45, 79 Bird, Larry, 271 Bishop’s Corner Restaurant, 247 Bitches Brew, 152 “Black Mountain Rag,” 20 Black Spot, The, 98 Blair College, 219 Blakey, Art, 47 Blank, Bob, 199 Blank Studios, 199 Blood, Sweat and Tears, 152 Blue Angel, 87–88 “Blue ‘n Boogie,” 74 Bluebird Café, 198, 247, 272 Bluebird Label, (RCA) 12 Blue Note Records, 120 “Blues Doubled,” recording session for, 26–27 “Bluesette,” 112; recording session for, 136 Blythe, Arthur, 196, 199, 200 “Bonaparte’s Retreat,” recording session for, 248 Bonfa, Luiz, 73, 234 Boston, 160, 163, 231–32, 245 Bourbon Street Jazz Club (Toronto), 235–36, 238, 241–42, 251–54 Bourdeau, Paul, 273 Bowdoinham, ME, 244 Boy Wonder, recording sessions for...

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