-
Bibliography
- Northeastern University Press
- Chapter
- Additional Information
••••• Bibliography Text Sources Ábrányi, Kornél. 1900. A magyar zene a 19—ik században [Hungarian Music of the Nineteenth Century]. Budapest: Pannonia nyomda. Adamski, Jerzy. 1986. Obrona teatru dramatycznego [In Defense of Dramatic Theater]. Cracow: Wydawnictwo Literackie. Adler, Laure. 1999. Życie codzienne w domach publicznych w latach, 1830–1930 [in the original French: Vie quotidienne dans les maisons closes, 1830–1930]. Translated by Renata Wilgosiewicz-Skutecka. Poznań: Wydawnictwo Moderski i S-ka. Altenburg, Detlef. 1986. “Liszts Idee eines ungarischen Nationalepos in Tönen.” Studia Musicologica Academiae Scientarum Hungaricae 28: 213–23. Angermüller, Rudolph. 1976. “Zigeuner und Ziegeunerisches in der Oper des 19. Jahrhunderts.” In Die ‘Couleur locale’ in der Oper des 19. Jahrhunderts, edited by Heinz Becker, 131–159. Regensburg: Gustav Bosse. Antonietto, Alain. 1994. Histoire de la musique tsigane instrumentale d’Europe central.” Etudes tsiganes 3: 104–33. Apel, Willi. 1974. “Gypsy music.” In Harvard Dictionary of Music, edited by Willi Apel, 364. Cambridge, Mass.: Belknap Press of Harvard University Press. Arnold, Ben. 1998. “Liszt as Reader, Intellectual, and Musician.” In Liszt and His World: Proceedings of the International Liszt Conference Held at Virginia Polytechnic Institute and State University, 20–23 May 1993, edited by Michael Saffle, 37–60. Stuyvesant, NY: Pendragon Press. Awosusi, Anita. 1996–1998. Die Musik der Sinti und Roma. Heidelberg: Dokumentations und Kulturzentrum Deutscher Sinti und Roma. Babral, Henryk. 1991. Postword to Królowa przedmieścia Konstanty Krumłowski [The Queen of the Suburbs, with Libretto by Konstanty Krumłowski]. Cracow: Wydawnictwo Secesja. Bachórz, Józef. 2004. “Miejsce Polski w cywilizacji europejskiej według Józefa Ignacego Kraszewskiego” [The Place of Poland within European Civilization as Seen by Józef Ignacy Kraszewski]. In Obrazy kultury polskiej w twórczości Józefa Ignacego Kraszewskiego [Images of Polish Culture in the Oeuvre of Józef Ignacy 228 Bibliography Kraszewski], edited by Barbara Czwórnóg-Jadczak, 11–26. Lublin: Wydawnictwo Uniwersytetu Marii Curie–Skłodowskiej. Baily, John. 1994. “Music and the Afghan National Identity.” In Ethnicity, Identity and Music: The Musical Construction of Place, edited by Martin Stokes, 45–60. Oxford: Berg Publishers. Balacon, Maira. 2005. “Style Hongrois Features in Brahms’s Hungarian Dances: A Musical Construction of a Fictionalized Gypsy Other,” PhD diss., University of Cincinnati. Bartók, Béla 1958. Béla Bartók: Eigene Schriften und die Erinnerungen der Freunde, edited by Willi Reich. Basel: Benno Schwabe & Co. Verlag. Bartók, Béla. 1972. Weg und Werk: Schriften und Briefe, edited by Bence Szabolcsi. Budapest: Corvina Verlag. —. 1992. Béla Bartók’s Essays, edited by Benjamin Suchoff. Lincoln: University of Nebraska Press. Basso, Alberto. 1984. “Scacciapensieri.” In Vol. 4 of Dizionario enciclopedico universal della musica e dei musicisti. Turin: Utet. Baumann, Max Peter. 2000. “Roma in Spiegelbild europäischer Kunstmusik.” In Music, language and literature of the Roma and Sinti, edited by Max Peter Baumann, 393–443. Berlin: VWB. Beaumont, Cyril W. 1951. Complete Book of Ballets. London: Putnam. Beckerman, Michael. 2001. “Music; Pushing Gypsiness, Roma or Otherwise.” New York Times, April 1. Becket Williams, Christopher. 1923. “Some Notes on Hungarian Gipsy Music.” The Musical Times 64 (962): 269–70. Bednorz, Adam. 1997. “Od mitu do rzeczywistości: Rozważania wokół głównego motywu “Chaty za wsią,” J. I. Kraszewskiego” [From Myth to Reality: Reflections on the Main Motif of The Cottage beyond the Village, by J. I. Kraszewski], DialogPheniben 1: 71–77. Bellaigue, Camille. 1887. Un siècle de musique francaise. Paris: Libraire Ch. Delagrave. Bellman, Jonathan. 1991. “Toward a Lexicon for the Style Hongrois.” The Journal of Musicology 9 (2): 214–37. —.1993. The “Style Hongrois” in the Music of Western Europe. Boston: Northeastern University Press. Berlioz, Hector. 1978. Correspondance Générale III: September 1842–1850 (nos. 776–1367), edited by Pierre Citron. Paris: Flammarion. Bertha, Alexandre M. 1878. “Musique hongroise et les Tsiganes.” Revue des deux mondes (28): 909–20. Bie, Oskar. 1920. Die Oper. Berlin: S. Fischer Verlag. Bielawski, Ludwik. 1999. Tradycje ludowe w kulturze muzycznej [Folk Traditions in Musical Culture]. Warsaw: Instytut Sztuki PAN. Bielawski, Ludwik, et al. 1995. Oskar Kolberg—prekursor antropologii kultury [Oskar [52.90.40.84] Project MUSE (2024-03-28 19:23 GMT) Bibliography 229 Kolberg: The Forerunner of Cultural Anthropology]. Warsaw: IS PAN– Akademia Muzyczna. Bobrownicka, Maria. 1995. Narkotyk mitu: Szkice o świadomości narodowej i kulturowej Słowian zachodnich i południowych [Narcotic Power of Myths: Studies on National and Cultural Awareness of the West and South Slavs]. Cracow: Universitas. Bohlman, Philip V. 1987. “The European Discovery...