The Newfoundland Diaspora
Mapping the Literature of Out-Migration
Publication Year: 2013
Out-migration, driven by high unemployment and a floundering economy, has been a defining aspect of Newfoundland society for well over a century, and it reached new heights with the cod moratorium in 1992. This Newfoundland “diaspora” has had a profound impact on the province’s literature.
Many writers and scholars have referred to Newfoundland out-migration as a diaspora, but few have examined the theoretical implications of applying this contested term to a predominantly inter-provincial movement of mainly white, economically motivated migrants. The Newfoundland Diaspora argues that “diaspora” helpfully references the painful displacement of a group whose members continue to identify with each other and with the “homeland.” It examines important literary works of the Newfoundland diaspora, including the poetry of E.J. Pratt, the drama of David French, the fiction of Donna Morrissey and Wayne Johnston, and the memoirs of David Macfarlane. These works are the sites of a broad inquiry into the theoretical flashpoints of affect, diasporic authenticity, nationalism, race, and ethnicity.
The literature of the Newfoundland diaspora both contributes to and responds to critical movements in Canadian literature and culture, querying the place of regional, national, and ethnic affiliations in a literature drawn along the borders of the nation-state. This diaspora plays a part in defining Canada even as it looks beyond the borders of Canada as a literary community.
Published by: Wilfrid Laurier University Press
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This research has been generously funded by a Social Sciences and Humanities Research Council (SSHRC) Canadian Graduate Scholarship, a Grant Notley Memorial Postdoctoral Fellowship, and a SSHRC Postdoctoral Fellowship. ...
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In the 1970s my parents, newly married, left their home province of New-foundland for Alberta. They expected to return in a few years. Two children and more than three decades later, they have not returned to Newfoundland to live. I grew up in Edmonton with my parents referring to Newfoundland as âhome,â eating Newfoundland meals, hearing traditional songs, and using ...
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I am not the first to apply the term âdiasporaâ to Newfoundland out-migra-tion. In their article on the use of the Internet in diaspora communities, sociologists Harry Hiller and Tara Franz define Newfoundland out-migration as a diaspora because of Newfoundland migrantsâ strong attachment to place, community affiliation, and âunique identityâ (747). Other instances, includ-...
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In 2006 Newfoundland photojournalist Greg Locke was commissioned by the Financial Post Business to do a photo series of Newfoundlanders on their way to jobs in Albertaâs oil sands. In the accompanying story that he later published in the magazine The Current, provocatively titled âMexicans with Contrary to what many of my mainland colleagues thought (some of ...
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...us Newfoundlanders exiled on the continent, especially in cities removed from the salt water. We call it the âgoing home againâ of nostalgic memory ââ to listen to the waves and smell the cool ocean ââ attacks us a year or so after we leave the island, as soon as the novelty of the new place wears off, and stays in most cases ...
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When E.J. Pratt left Newfoundland in 1907 at the age of twenty-five he was not unusual; Patricia Thornton estimates that in the first decade of the twentieth century net migration amounted to a loss of 16,700 people from Newfound-land, or 8 percent of the population (25). But Pratt was perhaps the first sig-nificant literary figure in the Newfoundland diaspora. Of course, at this time, ...
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While I have argued that the debate over Prattâs authenticity can be attributed to the cultural climate of the 1970s in Newfoundland and the rest of Canada, a similar debate has emerged much more recently around the work of Wayne Johnston. Johnston was born and raised in the small community of Goulds, just outside St. Johnâs. He moved to Toronto in his early thirties. Though he ...
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Newfoundland is no artistic utopia. I know that. But I was struck almost as soon as I got here by how much of the nation remains, and Iâve come to see how persistently itâs growing in a massive Wayne Johnstonâs The Colony of Unrequited Dreams is just one example of a number of recent Newfoundland literary texts that take the islandâs history, ...
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A more explicit privileging of art as the locus of the imagined community of Newfoundland occurs in Wayne Johnstonâs work. Here, as in Frenchâs play, diaspora and Confederation are often imagined as simultaneous, literal rup-tures. But diaspora and Confederation are also often metaphorically inter-twined, as both involve the loss of the Newfoundland nation and the threat of ...
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In Part III, I argued that Newfoundland nationalism is a central part of both a distinct Newfoundland identity and a diasporic consciousness. But Helen M. Buss / Margaret Clarkeâs 1999 Memoirs from Away: A New Found Land Girlhood raises the question of how Newfoundland diasporic identity can be understood outside of the discourse of nationalism.1 For Buss/Clarke, her pre-...
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If most diasporic Newfoundlanders are âwhite,â physically marked only by their accents, one may assume that their children, born outside of Newfound-land, do not feel marked by a particular Newfoundland ethnicity. Indeed, even diaspora theorists âof colourâ wonder about the affiliation of their own children in the new homeland. Rajagopalan Radhakrishnan distinguishes ...
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In 2002 I began writing my own family memoir of Newfoundland, collect-ing the voices of my parents, grandparents, and great-grandparents from interviews that I recorded and the poems, letters, and documents they left behind. I donât know where this impulse came from. Sure, their stories are fascinating ââ tales of shipwreck, war, the hardships of outport life during the ...
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Page Count: 218
Publication Year: 2013