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Works Cited Alighieri, Dante. The Divine Comedy: The Inferno. Trans. John Ciardi. New York: Penguin, 1982. Allott, Kenneth, ed. The Poems of Matthew Arnold. London: Longmans, 1965. Print. Arnason, David. “Dorothy Livesay and the Rise of Modernism in Canada.” A Public and Private Voice: Essays on the Life and Work of Dorothy Livesay. Ed. Lindsay Dorney, Gerald Noonan, and Paul Tiessen. Waterloo: U of Waterloo P, 1986. 5–18. Print. Arnold, Matthew. “The Forsaken Merman.” 1849. Allott 95–100. ———. “The Scholar Gipsy.” 1853. Allott 331–44. ———. “Thyrsis.” 1865. Allott 496–508. Atwood, Margaret. “Bored.” Morning 91–92. ———. Cat’s Eye. Toronto: McClelland, 1988. Print. ———. The Circle Game. Toronto: Contact P, 1964. Print. ———. “Dire Things: An Interview with Margaret Atwood.” Poetry Canada Review 15.2 (1995): 1–3, 28–29. Print. ———. “Down.” Morning 72–75. ———. “A Fire Place.” Morning 116–17. ———. “Four Small Elegies.” Two-Headed Poems. Toronto: Oxford UP, 1978. 52–55. Print. ———. “Girl Without Hands.” Morning 112–13. ———. “Half-Hanged Mary.” Morning 58–69. ———. “Jay Macpherson: Poems Twice Told.” Books in Canada 11.4 (1982): 14–15. Rpt. in Second Words: Selected Critical Prose. Toronto: Anansi, 1982. 407–11. Print. ———. The Labrador Fiasco. London: Bloomsbury, 1996. Print. ———. “Man in a Glacier.” Morning 81–82. ———. “Morning in the Burned House.” Morning 126–27. 2 3 9 2 4 0 w o r k s c i t e d ———. Morning in the Burned House. Toronto: McClelland, 1995. Print. ———. Negotiating with the Dead: A Writer on Writing. Cambridge UP, 2002. Print. ———. “The Ottawa River by Night.” Morning 103–4. ———. “A Pink Hotel in California.” Morning 76–77. ———. Power Politics. Toronto: Anansi, 1971. Print. ———. Procedures for Underground. Toronto: McClelland, 1970. Print. ———. “The Signer.” Morning 115–16. ———. “Shapechangers in Winter.” Morning 120–25. ———. “Statuary.” Morning 118–19. ———. Surfacing. Toronto: McClelland, 1972. Print. ———. Two-Headed Poems. Toronto: McClelland, 1978. Print. ———. “Up.” Morning 110–11. ———. “Vermilion Flycatcher, San Pedro River, Arizona.” Morning 107–8. ———. “Wave.” Morning 83–84. ———. You Are Happy. Toronto: Oxford UP, 1974. Print. Auden, W. H. “Song of Master and Boatswain: The Sea and the Mirror.” For the Time Being. London: Faber, 1945. 26. Print. Babcock, Barbara A. The Reversible World: Symbolic Inversion in Art and Society. Ithaca: Cornell UP, 1978. Print. Baird, Jean and George Bowering, eds. The Heart Does Break: Canadian Writers on Grief and Mourning. Toronto: Random, 2009. Print. Banting, Pamela. “Daddy’s Girl: Dorothy Livesay’s Correspondence with her Father.” Canadian Poetry 22 (1988): 10–21. Print. Barber, Paul. Vampires, Burial and Death: Folklore and Reality. New Haven: Yale UP, 1988. Print. Barthes, Roland. Writing Degree Zero. 1953. Trans. Annette Lavers and Colin Smith. New York: Hill, 1977. Print. Bayer-Berenbaum, Linda. The Gothic Imagination: Expansion in Gothic Literature and Art. London: Associated UP, 1982. Print. Benjamin, Jessica. Like Subjects, Love Objects: Essays on Recognition and Difference. New Haven: Yale UP, 1995. Print. Benjamin, Walter. The Origin of German Tragic Drama. Trans. John Osborne. London: NLB, 1977. Print. Beyer, Charlotte. “Feminist Revisionary Mythology and Female Identity in Margaret Atwood’s Recent Poetry.” Literature and Theology 14.3 (2000): 276–98. Print. Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. New York: Oxford UP, 1973. Print. Boose, Lynda E. “The Father’s House and the Daughter in It: The Structures of Western Culture’s Daughter–Father Relationship.” Daughters and Fathers. Ed. Boose and Betty S. Flowers. Baltimore: Johns Hopkins UP, 1989. 19–74. Print. ———. and Betty S. Flowers. “Cultural Filialogy.” Daughters and Fathers. Ed. Boose and Flowers. Baltimore: Johns Hopkins UP, 1989. 9–18. Print. [3.15.190.144] Project MUSE (2024-04-25 16:02 GMT) w o r k s c i t e d 2 4 1 Bordo, Susan R. “The Body and the Reproduction of Femininity: A Feminist Appropriation of Foucault.” Gender/Body/ Knowledge: Feminist Reconstructions of Being and Knowing. Ed. Alison M. Jaggar and Bordo. London: Rutgers UP, 1989. 13–33. Print. Botting, Fred. Gothic. London: Routledge, 1996. Print. Brabon, Benjamin A. and Stéphanie Genz. Introduction. Postfeminist Gothic: Critical Interventions in Contemporary Culture. Ed. Brabon and Genz. Houndsmills: Macmillan, 2007. 1–15. Print. Brandt, Di. “The happiest reader in the world: David Arnason’s revisionary stories.” So this is the world and here I am in it. Edmonton: NeWest, 2007. 55–71. Print. ———. mother, not mother. Toronto: Mercury P, 1992. Print. ———. Wild Mother Dancing: Maternal Narrative in Canadian Literature. Winnipeg : U of Manitoba P, 1993. Print. Bromwich, David. “Parody, Pastiche, Allusion.” Lyric Poetry: Beyond New Criticism. Ed. Chavia Hosek and Patricia...

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