Burdens of Proof: Faith, Doubt, and Identity in Autobiography

Autobiographical impostures, once they come to light, appear to us as outrageous, scandalous. They confuse lived and textual identity (the person in the world and the character in the text) and call into question what we believe, what we doubt, and how we receive information. In the process, they tell us a lot about cultural norms and anxieties. Burdens of Proof: Faith, Doubt, and Identity in Autobiography examines a broad range of impostures in the United States, Canada, and Europe, and asks about each one: Why this particular imposture? Why here and now?

Susanna Egan’s historical survey of texts from early Christendom to the nineteenth century provides an understanding of the author in relation to the text and shows how plagiarism and other false claims have not always been regarded as the frauds we consider them today. She then explores the role of the media in the creation of much contemporary imposture, examining in particular the cases of Jumana Hanna, Norma Khouri, and James Frey. The book also addresses ethnic imposture, deliberate fictions, plagiarism, and ghostwriting, all of which raise moral, legal, historical, and cultural issues. Egan concludes the volume with an examination of how historiography and law failed to support the identities of European Jews during World War II, creating sufficient instability in Jewish identity and doubt about Jewish wartime experience that the impostor could step in. This textual erasure of the Jews of Europe and the refashioning of their experiences in fraudulent texts are examples of imposture as an outcrop of extreme identity crisis.

The first to examine these issues in North America and Europe, Burdens of Proof will be of interest to scholars of life writing and cultural studies.
Doubting Thomas: The Implications of Imposture in Autobiography

Susanna Egan

Maps the issues in the book, explaining such terms as “faith,” “doubt,” and “textual identity,” exploring just how they serve our understanding of “autobiography.”   I suggest that textual identity cannot be divorced from patterns of faith, political power, or market forces.

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Faith, Doubt, and Textual Identity

Susanna Egan

Historical survey from early Christendom to the 19th c. provides our understanding of the author in relation to the text and how plagiarism and other false claims have not always been fraudulent as we consider them today.
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Sensational Identities: Made in the Media

Susanna Egan

Explores the role of the media in the creation of much contemporary imposture, examining in particular the cases of Jumana Hanna, Norma Khouri, and James Frey.
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“The Song My Paddle Sings””: Grey Owl and Ethnic Imposture

Susanna Egan

Ethnic imposture involves the autobiographer in “performance” of an assumed life and dramatises racial issues in the receiving culture. This chapter focuses on the creation of Grey Owl as comparatively benign and as valuable for Canadian national identity.
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“Frautobiography,” or, Discourses of Deception

Susanna Egan

Examines a range of texts that claim to be autobiographical but for which no pre-textual identity exists.  These works result from plagiarism, ghost writing, identity creation (for instance, on the web), and identity theft.
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In Search of the Subject: The Disappearance of the Jews

Susanna Egan

Both historiography and law failed to support the identities of European Jews during World War II, creating instability for Jewish identity and doubt about Jewish wartime experience such that the impostor could step in. This textual erasure of the Jews of Europe and the refashioning of their experiences in fraudulent texts focuses on imposture as an outcrop of extreme identity crisis.