Index ABC (Nichol, visual poem), 137 Abeysekara, Ananda, 254, 257, 260, 261–62 abstraction: in Kuna cosmology, 82 Abyenayake, Rajpal, 245–46 accessibility: audience identification and, 227–28 Adams, Michael: Unlikely Utopia, 266–67 Adelman, Howard, 255, 257, 259–60, 269–70 Adiga, Aravind: The White Tiger, 115 Adorno, Theodor, 151 affirmation: self-affirmation through voice, 29 African American creative practice, 47–48 agency: of Canadian diaspora, 243; strategy of proximity and inclusion, 116–18 agonism, 19n2 Alexander, M. Jacqui: on alienation as misalignment, 64–65; spiritual regeneration, 68 Alfred, Taiaiake: First Nations language structure, 66, 71n11; Wasáse, 68–69 Alias Grace (Atwood), 152 alienation: as colonial legacy, 67–68; as misalignment, 64–65 allegorization, 123–24 allusion: in classical Chinese poetry, 100; cultural discourse and, 100–101 Almeida, Sandra, 16–17, 169–83, 194 alternative history, 185 alternative myth systems: Chinese cosmology, 188–90; First Nations spiritual cosmology, 65–68; Kuna spiritual cosmology, 81–83, 84, 87–88 Ambai: In a Forest, a Deer, 113 Amossy, Ruth: on literary clichés, 226, 229, 235 Anatol, Giselle Liza, 62–63 Anctil, Pierre, 255, 257, 259–60, 270 Anderson, Benedict: Imagined Communities, 5 “Andrea del Sarto” (Browning), 208, 210–11 Anil’s Ghost (Ondaatje), 249 Anthology of Concrete Poetry (Williams), 139 Appadurai, Arjun, 12; Modernity at Large, 17 Appiah, Kwame Anthony, 176, 179–80, 181; Ethics in a World of Strangers, 177 Arbiters of the National Imaginary (Halpe), 245 303 architextuality: use of intertexts, 118, 119–20 Arctic: in Changing Heaven (Urquhart), 215; as national fantasy, 218–19, 220, 223n11; postcolonial perspective of, 219 Arendt, Hannah: Between Past and Present, 70n2 Armstrong, Jeannette, 151–52 Artaud, Antonin, 229 artialisation: greyness in, 210, 211–12; literature and visual arts, 153, 165n3; of space and place, 17 artistic production: Chinese art forms, 157–58, 182; of diaspora, 5; graffiti, in urban context, 160, 166n14; politics of, 151–53; sociality and, 3–4 artists: as agent of disorder, 207; depictions of by Atwood and Urquhart, 152–53; as spokesperson, 153–55 assimilation: cultural loss and, 59, 60 Atwood, Margaret: death by landscape, 204, 213n5, 222n1; dialogic interrelations , 10; imaginary construction of the North, 219; nationalism, 136; shift from first person to third, 114 Atwood, Margaret: works: Alias Grace, 152; The Blind Assassin, 127; Bodily Harm, 152; Cat’s Eye, 152; The Edible Woman, 114; Moral Disorder, 114, 116, 121, 123–26, 127, 133n36; Oryx and Crake, 127; The Penelopiad, 118; Surfacing, 152 authenticity: in cultural contexts, 238, 240n11, 241; imitation and, 242 authorship: artist as spokesperson, 153–55; authorial voice of narrator, 112, 115, 126–27, 133n36, 133n38; autobiographical “I,” 98–99, 102, 103, 104, 106–7; constructions of, 96–97, 108n1; process of appropriation, 121–22; relationship between writer and society, 151–53; ventriloquism, 117, 124–26 The Autobiography of My Mother (Kincaid), 115 Away (Urquhart), 200 Aylward, David, 138 Badami, Anita Rau: Tamarind Mem, 113, 130n8 Bailey, Derek, 41 Baker, Graham, 123 Baker, Marie Annharte, 152 Bakhtin, Mikhail: nondirect speaking, 118; principles of interdiscursivity, 43, 125 Baldwin, Shauna Singh: What the Body Remembers, 113, 131n13 Ballads of the Restless Are (Nichol), 142 Barbour, Douglas, 137, 141 Barometer Rising (MacLennan), 118 Barreto-Rivera, Rafael: Canadada (LP), 138; The Four Horsemen, 15, 135; group sound poetry, 143; Voices, Noises, 136 Barthes, Roland, 97–98, 119; message types, 229–30 Basho, 136, 149n2 Bataille, George, 145 Battiste, Marie, 69; Reclaiming Indigenous Voice and Vision, 7 Beaulieu, Derek, 141 Beauregard, Guy, 191 Beck, Ulrich: “methodological nationalism,” 10 Beckett, Samuel, 129 Belgrad, Daniel: The Culture of Spontaneity, 49 Benjamin, Walter, 30 Benson, Eugene: Oxford Companion to Canadian Literature, 129 Bentley, D. M. R.: The Gay]Grey Moose, 210, 214n13 Beowulf (film), 123 Bergler, Edmund, 143 Bhabha, Homi, 175–76, 180; iterative doublings, 204; postcolonialism, and Freudian uncanny, 3; “third space” of cultural hybridity, 242–43, 250 Bill Jubobe (Cobbing), 138 Birney, Earle, 138 bissett, bill, 138, 140 Blaine, Julien, 139 Blew Ointment (journal), 138 The Blind Assassin (Atwood), 127 Bodily Harm (Atwood), 152 304 INDEX [54.157.61.194] Project MUSE (2024-03-19 06:36 GMT) Bök, Christian, 141; Eunoia, 102, 103, 108n6 “The Book as Machine” (Nichol/ McCaffery), 147 border fiction, 212, 214n16 Born Confused (Hidier), 242 Borson, Roo: Pain Not Bread, 97, 106–7 Bowering, George, 138, 139, 148, 212, 214n18 Boyle, Danny: Slumdog Millionaire (film), 113, 131n12 bp (also as Journeying and the Returns) (Nichol), 147–48 Brah, Avtar, 172 Brand, Dionne: cosmopoetics, 16–17, 178–83; intertextual references, 43; spatial...