On Location in Cuba: Street Filmmaking during Times of Transition

Index

XXXX años después (40 Years Later), 246 Abello, Jorge, 253 Acosta, Aramis, 106, 123, 128 Acosta, Yunior, 139 Advertising, 181–82, 207 Afro-Cuban culture, 60–66 Alacrán, El, 62 Alba Noguera, Armando, 106, 122–25, 127, 130, 132–34, 137, 145 Al compás del pilón, 89 Alea, Tomás Gutiérrez, 7, 8 (ill.), 26, 43, 159, 179, 190, 223, 261, 290 (n. 15) Algo más que el mar de los piratas, 60 Alguien tiene que llorar, 173 Alma trémula y sola, El, 118 Alvarez, Adalberto, 100, 298 (n. 17) Álvarez, Felipe, 138 Álvarez, Santiago, 26, 35, 81, 223, 226, 228, 250, 253, 290 (n. 15) Al venir a la tierra, 118 American Friends of the Ludwig Foundation of Cuba, 73 Amigos del mal, 248 Amor vertical, 47, 70 Animation, 106–45; critical assessments of, 108–9, 298–99 (n. 1); preI n D e x 0 Index revolutionary attempts at, 109, 299 (n. 2); stop-motion, 128, 138, 140; Japanese influence in, 139–40 Animation studio, 28, 35, 76, 105–7; transformation of, 11, 107–8, 111–12, 133; establishment of, 109–12, 299– 300 (n. 3); decline and precarious state of, 112, 122–23; new facility, 126–28; recovery of in wake of Special Period, 133–34 Annichini, Gianfranco, 266 Árbol de la vida, El, 135 Arcos, Gustavo, 238–39, 245 Armas, Jesús de, 109–10, 112 Arráncame la vida, 180 Artex, 65, 181 Artistic property rights, 93, 192–93 Asociación Hermanos Saíz (AHS), 27, 36, 38, 49–56 Auteurs, 13, 28, 196; Juan Carlos Cremata Malberti, 150–51, 159, 166–67; Esteban Insausti, 207; Fernando Pérez, 223; Nicolás Guillén Landrián, 223–24, 262; Oscar Valdés, 262–63 Autochthonous culture, 39, 82, 176–77, 196, 279 Avant-garde filmmaking, 18, 72, 207, 223–24 Avilés, Cecilio, 120 Barba, Carlos, 10, 24, 25 (ill.), 252–54, 254 (ill.) Barriga, Susana, 24, 268–69 Batalla de Ideas, 113, 126, 165 Bay of Pigs invasion, 110, 213 Bedoya, Marcos, 99 Belafonte, Julie, 74, 136 Bella del Alhambra, La, 252–53 Benítez, Wilfredo, 67, 296 (n. 29) Benny, El, 55 Bernaza, Luis Felipe, 83 Bestia, La, 94, 268 Birri, Fernando, 40, 169 Bohío, El, 118 Bosch, Orlando, 132 Brugués, Alejandro, 24, 41–42, 69 (ill.), 255–60 Bunker, 265 Buscando a Céline Dion, 248 Buscándote Havana, 238 Cabrera Infante, Sabá, 262 Caiozzi, Silvio, 74 Calle G, 243 Calviño, Dolores “Lola,” 41 Canción para Rachel, La, 252–53 Candela, 149, 152, 164, 173 Cannes International Film Festival, 150, 159, 165 Cardinales de la ciudad, 138 Carreira Lamothe, Iván Alberto, 195 (ill.), 197 Casa de las Américas, 49, 273 Casal, Julián del, 54, 294 (n. 12) Casals, Melchor, 40–41 Castellanos, Tamara, 70 Castro, Fidel, 30, 48, 52, 79, 81, 131, 134, 165, 268; on politics and culture, 9– 10, 262; presence of in Cuban films, 45, 156, 158, 206–7, 211 Castro, Raúl, 273 Cecilín films, 120 Censorship, 272–78 Centro Martin Luther King Jr., 153, 292 (n. 2) Centro Teórico-Cultural Criterios, 273–74 Cero, El, 114 1 Index Chacón, Rogelio, 46 Chanan, Michael, 26, 84, 116 Chapuserías, 265 Chávez, Rebeca, 254, 254 (ill.) Chaviano, Paul, 69 Chijona, Gerardo, 18 Chivichana, La, 89–91 Cienfuegos, Camilo, 81, 156 Cine Chaplin, xxi, 42, 71, 186, 190–91, 255, 262 Cine Cubano journal, 26, 121, 197, 253 Cine de aficionados, 20 Cine Educativo (CINED), 72, 75 Cine imperfecto, 263, 313 (n. 20) Cine Plaza festival, 243 Cine Pobre festival, 10, 173, 243, 248, 253–54, 291 (n. 27) Cinergia, 153, 222, 304 (n. 3) Cine submergido, 20 Cine y la memoria, El, 53 Ciokler, Alberto, 184 Ciudad en rojo, 254 Clandestinos, 264 Clares, Zulema, 193, 218, 220 Cobas Arrate, Roberto, 118 Coffea arábiga, 224, 228, 262 Colina, Enrique, 18, 42, 144, 178, 264–67, 267 (ill.) Colmenita, La, 153 Community media, 28, 78–80; pitfalls of, 93–94; sustainability of, 102–5 Como construir un barco, 268 Como una gota de agua, 96 Computer-generated images, 28, 107, 125, 138–39 Contra el águila y el león, 136 Coppola, Francis Ford, 21, 41, 179, 194 Coproduction: as strategy for stretching limited resources, 10–11, 36, 38, 281–82; in Animation Studio, 133; as transnational media, 152...