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Contents
- University of Minnesota Press
- Chapter
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In lieu of an abstract, here is a brief excerpt of the content:
C O N T E N T S Introduction: Visible Ruptures, Invisible Borders 1 1 The Century’s Illuminations The Enlightenment Mode in Korean Cinema 21 2 Regimes within Regimes Film and Fashion in the Korean 1950s 47 3 Authorship and the Location of Cinema In the Region of Shin Films 83 4 Melodrama and the Scene of Development 129 5 “It’s All Fake” Shin Sang-ok’s North Korean Revisions 159 Conclusion: Postdevelopment Pictures 205 Acknowledgments 213 Notes 215 Shin Sang-ok Filmography 237 Bibliography 241 Index 253 This page intentionally left blank ...
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