In lieu of an abstract, here is a brief excerpt of the content:

. 2 4 1 B I B L I O G R A P H Y Abelmann, Nancy. The Melodrama of Mobility: Women, Talk, and Class in Contemporary Korea. Honolulu: University of Hawaii Press, 2003. Adorno, Theodor. The Culture Industry: Selected Essays on Mass Culture. New York: Routledge , 2001. ———. “Letter to Walter Benjamin, 18 March 1936.” In Aesthetics and Politics, 63–65. London : Verso, 2007. ———, and Max Horkheimer. Dialectic of Enlightenment. New York: Continuum, 1987. Altman, Rick. “A Semantic/Syntactic Approach to Film Genre.” Cinema Journal 23, no. 3 (Spring 1984): 6–18. An, Jinsoo. “Popular Reasoning of South Korean Melodrama Films (1953–1972).” PhD diss., University of California, Los Angeles, 2005. Andrew, Dudley. Concepts in Film Theory. New York: Oxford University Press, 1984. Badiou, Alain. The Century. New York: Polity Press, 2007. Balio, Tino. “A Mature Oligopoly: 1930–1948.” In The American Film Industry, edited by Tino Balio, 130–59. Madison: University of Wisconsin Press, 1985. Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard Howard . New York: Hill and Wang, 1981. ———. The Fashion System. Translated by Matthew Ward and Richard Howard. New York: Hill and Wang, 1983. Bazin, André. “De Sica: Metteur en Scène.” In What Is Cinema? Vol. 2. Translated by Hugh Gray, 61–78. Berkeley: University of California Press, 1972. Berry, Chris. Postsocialist Cinema in Post-Mao China: The Cultural Revolution after the Cultural Revolution. New York: Routledge, 2004. Breen, Michael. Kim Jong-il: North Korea’s Dear Leader. Hoboken, N.J.: Wiley, 2004. Buscombe, Edward. “The Idea of Genre.” Screen 11, no. 2 (March–April 1970): 33–45. “The Careful Details of Shin Sang-ok’s Sŏng Ch’unhyang.” Han’guk Ilbo, January 29, 1961. Cho Chun-hyŏng, Kim Sŭng-gyŏng, Sin Sŏng-a, and Kwŏn Yong-suk. 2008 Korean Film History Oral History Records Series, Shin Films (2008-nyŏn Han’guk yŏnghwasa kusul ch’aerok sirijŭ Chujesa Sin p’illŭm). 2 vols. Seoul: Korean Film Archive, 2008. Cho Hŭi-yŏn. “Coercion and Control in the Park Chung Hee Period: Rethinking the Relationships between Control, Tradition, Coercion, and Consensus” (“Pak Chŏng-hŭi 242 . B I B l I o g r a p h y sidae ŭi kangap kwa tongŭi: chibae, chŏnt’ong, kangap kwa tongŭi ŭi kwangye rŭl tasi saenggak handa”). Historical Criticism (Yŏksa pip’yŏng), no. 67 (Summer 2001): 135–90. ———. Park Chung Hee and the Age of Developmentalist Dictatorship: From 5.16 to 10.25 (Pak Chŏng-hŭi wa kaebal tokjae sidae: 5.16 esŏ 10.25 kkaji). Seoul: Yŏksa Pip’yŏngsa, 2007. Ch’oe Tŏk-gyo. One Hundred Years of Korean Magazines (Han’guk chapji paeknyŏn). Seoul: Hyŏnamsa, 2004. Choi, Chungmoo. “The Minjung Culture Movement and Popular Culture.” In South Korea’s Minjung Movement, edited by Kenneth Wells, 105–18. Honolulu: University of Hawaii Press, 1995. ———. “The Politics of Gender, Aestheticism, and Cultural Nationalism in Sopyonje and The Genealogy.” In Im Kwon-taek: The Making of a Korean National Cinema, edited by David E. James and Kyung Hyun Kim, 107–33. Detroit, Mich.: Wayne State University Press, 2002. Ch’ŏn Chŏng-hwan. “Enlightenment Literature and the Modernization of ‘Entertainment ’” (“Kyemongjuŭi munhak kwa ‘chaemi’ ŭi kundaehwa”). Historical Criticism (Yŏksa pip’yŏng), no. 67 (2004): 343–64. Chŏng Chae-hyŏng, ed. Five Things You Wanted to Know about North Korean Film (Pukhan yŏnghwa e taehae algo sipŭn tasŏt kaji). Kyŏnggi-do, South Korea: Chimmundang, 2004. Chŏng Chong-hwa. Korean Film History Through Documents 2: 1955–1997 (Charyo ro pon Han’guk yŏnghwasa 2: 1955–1997). Seoul: Yŏlhwadang, 1997. ———. “1960s and 1970s Korean Film Technology History” (“1960, 1970 nyŏndae Han’guk yŏnghwa kisulsa”). In Korean Film History Studies, 1960–1979 (Han’guk yŏnghwasa kongbu, 1960–1979), edited by Yi Hyo-in, 244–45. Seoul: Korean Film Archive, 2004. Chŏng Nam-il. The Film Worlds of Korean Film Directors (Han’guk yŏnghwa kamdok ŭi chakp’um segye). Seoul: Inmul kwa sasangsa, 2000. Chŏng T’ae-su. “Stalinism and the Formation of North Korean Cinema” (“Sŭtallinjuŭi wa Pukhan yŏnghwa hyŏngsŏng kujo”). Film Research (Yŏnghwa yŏn’gu), no. 20 (February 2002): 7–30. Chow, Rey. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. New York: Columbia University Press, 1995. Chu Ch’ang-gyu...

Share