African American Crime Literature and the Untold Story of Black Pulp Publishing
Publication Year: 2013
Gifford draws from an impressive array of archival materials to provide a first-of-its-kind literary and cultural history of this distinctive genre. He evaluates the artistic and symbolic representations of pimps, sex-workers, drug dealers, and political revolutionaries in African American crime literature-characters looking to escape the racial containment of prisons and the ghetto.
Gifford also explores the struggles of these black writers in the literary marketplace, from the era of white-owned publishing houses like Holloway House-that fed books and magazines like Players to eager black readers-to the contemporary crop of African American women writers reclaiming the genre as their own.
Published by: Temple University Press
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Title Page, Copyright Page
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Every intellectual endeavor is the product of many contributors; this project is no different. I first owe a debt of gratitude to Ross Posnock and Kenneth Warren, early mentors who transformed my understand-ing of race, literature, and American culture. Many teachers and schol-ars at the University of Virginia shaped my work and helped me clarify ...
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Late in Ralph Ellison’s 1952 classic of African American literature, Invis-ible Man, there is a scene that illustrates the contentious relationship between hip urban styles and black cultural politics that emerged in conversations about racial uplif_t in the twentieth century. Af_ter Invis-ible Man (IM) witnesses race leader turned sidewalk salesman of Sambo ...
1. “He Jerked His Pistol Free and Fired It at the Pavement”: Chester Himes and the Transformation of American Crime Literature
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In 1903, W.uni00A0E.uni00A0B. Du Bois predicted in his seminal The Souls of Black Folk that, “the problem of the twentieth century is the problem of the color line.”1 In doing so, he was anticipating a social and spatial crisis that came to define urban race relations in the United States. Indeed, we might characterize the twentieth century as the era of developing strate-...
2. Pimping Fictions: Iceberg Slim and the Invention of Pimp Literature
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In the final pages of Pimp: The Story of My Life (1967), the narrator Ice-berg Slim details his escape from the confines of a “steel casket,” a solitary confinement cell in the basement of the Cook County House of Correc-tions where he has been incarcerated for ten months. Having confessed the graphic details of his twenty-five-year career as a Chicago pimp, in ...
3. The Revolution Will Not Be Televised: Donald Goines, Holloway House Publishing Company, and the Radicalization of Black Crime Literature
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Toward the conclusion of Donald Goines’s first novel, a fictionalized pimp autobiography titled Whoreson: The Story of a Ghetto Pimp, there is a moment that reveals the literary inf_luence of Robert Beck’s Pimp: The Story of My Life.1 Having mastered the street arts of “Trickology” from an early age and having risen through the ranks to become one of Detroit’s ...
4. Black in a White Paradise: Utopias and Imagined Solutions in Black Crime Literature
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In 1976, Roland Jefferson published The School on 103rd Street, a novel that extended the black crime fiction genre established by Chester Himes, Robert Beck, and Donald Goines in important ways. As we have seen in the previous three chapters, Himes, Beck, and Goines each illustrated in their novels implicit connections between the carceral space of the ...
5. “For He Who Is”: Players Magazine and the Reimagining of the American Pimp
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In one of the early issues of Holloway House Publishing Company’s Players magazine—the first commercially successful men’s magazine targeted specifically toward African Americans—a reader provides an insightful analysis of the significance of the publication’s title: “Players is not a ‘demeaning’ name for the magazine for it is not really saying ...
6. The Women of Street Literature: Contemporary Black Crime Fiction and the Rise of the Self-Publishing Marketplace
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In Vickie Stringer’s third novel, Dirty Red (2006), eighteen-year-old Raven “Red” Gomez uses her charm and sexual magnetism to con vari-ous men into giving her gif_ts of clothes, cars, and cash. Reversing the usual gender dynamics of pimp literature invented by Iceberg Slim, Red uses cunning and deceit to exploit male rivals in an attempt to escape the ...
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Page Count: 216
Publication Year: 2013