Art And Engagement

Index

INDEX absence, 115, 164 abstract expressionism, 20-22, 34,49, 55-56,61,79, Ill, 133-34, 144, 162-64,179,195,198-99,203,206 Acconci, Vito, Step Piece, 23 action painting, 19,23,39,40 activity, xiv, 3-5,9,10-12, 16-18,22, 23,26-28,31,32,35,39,40,42, 45-49,55,70,73,75-81,77,8590 ,92,95,9~99, 102, 109, Ill, 112,114-16,118-20,131,136, 141,147,148,151-55,157-59, 162, 165, 167-71, 182, 184, 189, 199,203,206-7,212-13 actor, 28,59,88, 187 aesthetic appreciation, 53, 56, 153,,212 aesthetic attitude, xii, 5, 12-13, 18,22, 25-26,28,33,55-56,64,69-70, 81-82,120,200 aesthetic axioms, 11, 13,20,43, 210, 217n aesthetic dimension, 2, 62, 92, 211 aesthetic experience, xi-xii, xiv, 3-4, 6,17-18,22,26,32,39,42,46-49, 60, 75, 92-93, 109, 112, 191, 208, 212-13 aesthetic field, xi, xii, 4-5, 40, 47, 49, 92,117,157,170,192,208,211-12 Aesthetic Field, The, xi, 220, 244n aesthetic function of art, xi, 196 aesthetic need, 2 aesthetic object, 17, 18, 113-14, 145, 193 ' aesthetic participation, xii, 4, 54, 149, 210 aesthetic qualities, 10, 25, 93 aesthetic realm, 6, 16,208 aesthetic sensibility, 39 aesthetic value, xii aesthetics, xii-xv, 1-6,9,10,12-15, 18-20,24,26,31,32,43-44,4850 ,66,73,77,82,84,91-92,98, 100,103,113,132,134,151-52, 163,167-68,191,194-95,208-II, 213; basic concepts of, 210; end of, 209, 211; traditional, xiv, 4, 14, 15, 18,19,24,63 aesthetics ofreception, 113 Copyrighted Material 247 Affektenlehre, 133 affordances for behavior, 90 African dance, 169, 171 Alberti, Leon Battista, 57, 64 aleatoric music, 40 Alexandria Quartet, The, 188 Allen, Woody, The Purple Rose ofCairo, 187-88 Altamira,2 Ames room, 58,220-21n, 227n an experience, 17,86 Andrews, John, 80 animism, 44 anthropic principle, 221n anthropology, 1,78,211 Apollinaire, Guillaume, 202 Apollonian, 73 appreciation, 4-5, 13, 15, 17-18,22, 26,28,31-33,38-39,45-46,4950 ,53-56,63,71, 78, 96, 103, 109, 11~ 122, 132-33, 147-50, 152-54, 168-69,172,192,209-10,212, 217n; in literature, 105-31 appreciative engagement, 22, 26, 33, 148 appreciative perception, 45, 103 appreciator, xii, 3,17-18,25-27,39, 45-46, 110, 208 Aquinas, St. Thomas, 13 Archaeology ofKnowledge, 120 architects, 80, 96 architectural elevations, 63 architecture, xiv, 5,19,31,41-42,45, 75,76-83,87,92,94-100,104, 10~ 133, 15~ 16~ 18~ 192, 194, 206-7,212; postmodern, 42; vernacular , 78, 80, 87 architecture, conceptions of: cellular, 79-80; ecological, 80-81, 87, 22324n , 227-28n; mon.olithic, 79; organic, 80, 87, 224n argument from art, xiii, 4, 49, 98, 150, 184-85 Aristotle, 9, 13, 49, 91, 109 Arnheim, Rudolf, xiv, 59,152,166, 182,221n,227n,237n,240n art, end of, 207, 211 art, the term, xii, 14,53, 113, 168, 191 art and life, 40, 47 art object, xii, 3-5, II, 13, 18,20,2223 ,25,34-36,39,47,56,82,110, 152,194-96,212 Artaud, Antonin, 28 arts, xi-xiv, 1-6,9-11, 14-15, 18-20, 22-23,25-26,31-35,37-40,4149 ,54,62,74-75,78,84,96-98, 106, 126, 129, 132-34, 138, 141, 145,150-54,158,163,166-68, 172,175,178,189,191-96,19899 ,205,207-13 Ashton, Frederick, 157, 164 assemblage, 25 Astarte, 219n audience, 19, 23, 27-28, 34, 37-40, 45,109,130,147,149,152-53, 155,159,167-71,176,184,186, 189,212 autonomy, 3,18,54,105-6,196,208 axioms of traditional aesthetics, II, 13, 20,43,21O,217n axonometric drawing, 71 Bach, J. 5., 136-40, 193 Bachelard, Gaston, 116-17, 120-21, 123,130, 148,200-201,232n,23334n ; quoted, 116, 126 Balanchine, George, 160, 169 Banes, Sally, 237n Barbizon school, 65 Baroque, 135, 137-40, 144, 146 Barthes, Roland, 149; quoted, 109 Bart6k, Bela, 139 Baudelaire, Charles, 132, 150 Bauhaus, 36, 78 beauty, 10-13,34,42,78,82, 165, 167-68,195-96,207 Beck, Julian, 28 Beckett, Samuel, 24 Beethoven, Ludwig van, 136, 137, 139, 140, 145-46 Bentham, Jeremy...