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Bibliography This list includes works cited in Chapter 3 as well as recommended general reading on the subjects covered in this volume. Abrahams, Yvette. 1997. “The Great Long National Insult: ‘Science’, Sexuality and the Khoisan in the 18th and Early 19th Century.” Agenda 32:34–48. ———. 1998. “Images of Sara Bartman: Sexuality, Race, and Gender in Early-Nineteenth-Century Britain.” In Nation, Empire, Colony: Historicizing Gender and Race, ed. Ruth Roach Pierson and Nupur Chaudhuri, 220–236. Bloomington and Indianapolis: Indiana University Press. Adelson, Leslie. 1993. Making Bodies, Making History: Feminism and German Identity. Lincoln: University of Nebraska Press. Ahye, Molly. 1978. Golden Heritage: The Dance in Trinidad and Tobago. Petit Valley, Trinidad and Tobago: Heritage Cultures Ltd. Aletti, Vince. 1992. “Dark Passage.” Village Voice (22 December): 102. Alexander, Elizabeth. 1990. The Venus Hottentot. Charlottesville: University Press of Virginia. Alexander, M. Jacqui, and Chandra Talpade Mohanty, eds. 1997. Feminist Genealogies, Colonial Legacies, Democratic Futures. New York: Routledge. Altick, Richard D. 1978. “The Noble Savage Reconsidered.” In The Shows of London, 268–273. Cambridge, MA: Belknap. Appel, Tony. 1987. The Cuvier-Geoffroy Debate. Oxford: Oxford University Press. Archer-Straw, Petrine. 2000. Negrophilia: Avant-Garde Paris and Black Culture in the 1920s. New York: Thames and Hudson. Arnold, Marion. 1996. Women and Art in South Africa. New York: St. Martin’s Press. Asantewaa, Eva Yaa. 1998. “Upbeat Program Shakes Its ‘Batty’: Urban Bush Women, Aaron Davis Hall, NYC,” February 12–14. Retrieved October 19, 2002, from Dance Online Web site, http://www .danceonline.com/rev/bush.html. [Cited in Hobson, 2003.] Avalon, Jean. 1926. “Sarah, la Venus hottentote.” L’Aesculape 16. Badou, Gérard. 2000. “Sur les traces de la Vénus Hottentote.” Gradhiva 27. Bakhtin, Mikhail. 1981. The Dialogic Imagination: Four Essays. Austin: University of Texas Press. Banta, Melissa, and Curtis M. Hinsley, eds. 1986. From Site to Sight: Anthropology, Photography, and the Power of Imagery. Cambridge: Peabody Museum Press. Barnes, Natasha. 1997. “Face of the Nation: Race, Nationalisms, and Identities in Jamaican Beauty Pageants .” In Daughters of Caliban: Caribbean Women in the Twentieth Century, ed. Consuelo López Springfield , 285–306. Bloomington: Indiana University Press. Barnwell, Andrea. 1997. “Like the Gypsy’s Daughter, or Beyond the Potency of Josephine Baker’s Eroticism .” In Rhapsodies in Black: Art of the Harlem Renaissance, Richard J. Powell, David A. Bailey, and others. Berkeley: University of California Press; London: Hayward Gallery. Barrow, John. 1801. Travels in the Interior of Southern Africa. London. Bartra, Roger. 1997. The Artificial Savage: Modern Myths of the Wild Man, 254, 256. Ann Arbor: University of Michigan Press. Benitez-Rojo, Antonio. 1992. The Repeating Island: The Caribbean and the Postmodern Perspective, trans. James E. Maraniss. London: Duke University Press. Benner, Susan. 1992. “A Conversation with Carrie Mae Weems.” Artweek 23 (15; May 7): 4–5. Bentham, William. 1834. The Gael and the Cymbri. London. Bogdan, Robert. 1988. Freak Show. Chicago: University of Chicago Press. Brand, Dionne. 1994. “This Body for Itself.” In Bread Out of Stone: Recollections on Sex, Recognitions, Race, Dreaming and Politics, 31, 47–49. Toronto: Coach House Press. 216 Bibliography Braxton, Joanne M., and Andree Nicola McLaughlin, eds. 1990. Wild Women in the Whirlwind: AfraAmerican Culture and the Contemporary Literary Renaissance. New Brunswick, NJ: Rutgers University Press. Burchell, William. 1822. Travels in the Interior of Southern Africa. London. Burns, E. Jane. 1993. Body Talk. Philadelphia: University of Pennsylvania Press. Burnside, Madeleine. 1997. Spirits of the Passage: The Transatlantic Slave Trade in the Seventeenth Century, ed. Rosemarie Robotham. New York: Simon & Schuster. Cambridge, Alrick. 1992. “Black Body Politics.” In Where You Belong: Government and Black Culture, by Alrick Cambridge and Stephan Feuchtwang, 108–126. Aldershot: Avebury. Carby, Hazel V. 1999. Cultures in Babylon: Black Britain and African America. London: Verso. Carroll, George F . 1958. Mammy and Her Chillun. New York: Comet Press Books. Carroll, Noël. 2000. “Ethnicity, Race, and Monstrosity: The Rhetorics of Horror and Humor.” In Beauty Matters, ed. Peggy Zeglin Brand, 140–150. Bloomington: Indiana University Press. Chambers, Robert, ed. 1863. The Book of Days: A Miscellany of Popular Antiquities in Connection with the Calendar, Vol. 2, 621–622. London. Chase-Riboud, Barbara. 2003. Hottentot Venus: A Novel. New York: Doubleday. Cheng, William. 1995. Joyce, Race, Empire. Cambridge: Cambridge University Press. Clark, T. J. 1984. “Olympia’s Choice.” In The Painting of Modern Life: Paris in the Art of Manet and His Followers . London: Thames and Hudson. Clifford, James. 1989. “Histories of the Tribal and the Modern.” In The Predicament in Culture: TwentiethCentury Ethnography, Literature...

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