In this Book

summary

At the beginning of the twentieth century, the wild animal story emerged in Canadian literature as a distinct genre, in which animals pursue their own interests—survival for themselves, their offspring, and perhaps a mate, or the pure pleasure of their wildness.

Bringing together some of the most celebrated wild animal stories, Ralph H. Lutts places them firmly in the context of heated controversies about animal intelligence and purposeful behavior. Widely regarded as entertaining and educational, the early stories—by Charles G. D. Roberts, Ernest Thompson Seton, John Muir, Jack London and others—had an avid readership among adults and children. But some naturalists and at least one hunter—Theodore Roosevelt—discredited these writers as "nature fakers," accusing them of falsely portraying animal behavior.

The stories and commentaries collected here span the twentieth century. As present day animal behaviorists, psychologists, and the public attempt to sort out the meaning of what animals do and our obligations to them, Ralph Lutts maps some of the prominent features of our cultural landscape.

Tales include:
The Springfield Fox by Ernest Thompson Seton

The Sounding of the Call by Jack London

Stickeen by John Muir

Journey to the Sea by Rachel Carson

Other selections include esssays by Theoore Roosevelt, John Burroughs, Margaret Atwood, and Ralph H. Lutts.

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Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. pp. vii-viii
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  1. Preface
  2. pp. ix-xi
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  1. 1. The Wild Animal Story: Animals and Ideas
  2. pp. 1-22
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  1. I. TALES
  2. pp. 23-24
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  1. 2. On His Animal Stories
  2. pp. 25-30
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  1. 3. Do Seek Their Meat from God
  2. pp. 31-35
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  1. 4. The Rivals of Ringwaak
  2. pp. 36-44
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  1. 5. On His Animal Stories
  2. pp. 45-47
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  1. 6. Lobo: The King of the Currumpaw
  2. pp. 48-58
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  1. 7. The Springfield Fox
  2. pp. 59-70
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  1. 8. On His Animal Stories
  2. pp. 71-75
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  1. 9. A School for Little Fishermen
  2. pp. 76-80
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  1. 10. Trails That Cross in the Snow
  2. pp. 81-88
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  1. II. A Woodcock Genius
  2. pp. 89-90
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  1. 12. The Sounding of the Call
  2. pp. 91-102
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  1. 13. Stickeen
  2. pp. 103-116
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  1. 14. Journey to the Sea
  2. pp. 117-126
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  1. II. CONTROVERSY
  2. pp. 127-128
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  1. 15. Real and Sham Natural History
  2. pp. 129-143
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  1. 16. The Modern School of Nature-Study and Its Critics
  2. pp. 144-152
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  1. 17. The Fate of Little Mucky
  2. pp. 153-154
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  1. 18. The Writings of WilIiam J. Long
  2. pp. 155-157
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  1. 19. Truth Plain and Coloured
  2. pp. 158-160
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  1. 20. Nature as a Field for Fiction
  2. pp. 161-163
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  1. 21. Roosevelt on the Nature Fakirs
  2. pp. 164-171
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  1. 22. "I Propose to Smoke Roosevelt Out" —Dr. Long
  2. pp. 172-181
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  1. 23. Charles G. D. Roberts Defends His Nature Stories
  2. pp. 182-183
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  1. 24. Real Naturalists on Nature Faking
  2. pp. 184-191
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  1. 25. "Nature Fakers"
  2. pp. 192-198
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  1. 26. The Other Animals
  2. pp. 199-210
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  1. 27. Chipmunk Thoughts
  2. pp. 211-212
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  1. III. INTERPRETATIONS
  2. pp. 213-214
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  1. 28. Animal Victims
  2. pp. 215-224
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  1. 29. The Revolt Against Instinct: The Animal Stories of Seton and Roberts
  2. pp. 225-236
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  1. 30. The Realistic Animal Story: Ernest Thompson Seton, Charles Roberts, and Darwinism
  2. pp. 237-247
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  1. 3I. Stickeen and the Moral Education of John Muir
  2. pp. 248-267
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  1. 32. Will the Real Wild Animal Please Stand Up! The Nature Fakers
  2. pp. 268-290
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  1. About the Writers
  2. pp. 291-294
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  1. Index
  2. pp. 295-302
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