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illustrations and other media
- State University of New York Press
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ix illustrations and other media Cover image, Adenike of Lagos, Arturo Lindsay, 2003. Digital print, 24" x 21", in the collection of the artist. Figure 6.1 Sanarte: Diversity’s Pathway, Juana Alicia ©2005. Suite of four murals and the double helix and cementatious tile walkway at UCSF medical Center, 400 Parnassus Avenue, San Francisco. 165 Figure 6.2 oLLin mural, detail of Sanarte: Diversity’s Pathway, Juana Alicia ©2005. Suite of four murals and the double helix and cementatious tile walkway at UCSF medical Center, 400 Parnassus Avenue, San Francisco. 166 Figure 6.3 MaestraPeace (1994 and 2000) by Juana Alicia, Edythe Boone, Susan Kelk Cervantes, meera Desai, Yvonne Littleton, and irene Perez. Photo Credit: marvin Collins, ruben Guzman, et al. All rights reserved. 169 Figure 6.4 MaestraPeace (Detail) (1994 and 2000) by Juana Alicia, Edythe Boone, Susan Kelk Cervantes, meera Desai, Yvonne Littleton, and irene Perez. Photo Credit: marvin Collins, ruben Guzman, et al. All rights reserved. 170 Figure 7.1 Sanctuary for the Children of Middle Passage, Arturo Lindsay, 2000. EXmA Centro Culturale D’Arte e Cultura, Sardinia, italy. mixed media installation, dimensions variable. 192 x Illustrations and Other Media Figure 10.1 iemanjá Festival, Praia da Paciência, rio Vermelho, Salvador, Brazil, 2 February 2012, photo by Jamie Davidson. 269 Figure 10.2 iemanjá Festival, on the Praia da Paciência, the great float of offerings grows. in the background, the Casa de Yemanjá, Salvador, Brazil, 2 February 2012, photo by Jamie Davidson. 270 Figure 10.3 iemanjá Festival. Flowers and gifts await departure. Praia da Paciência, rio Vermelho, Salvador, Brazil, 2 February 2012, photo by Jamie Davidson. 270 Figure 10.4 iemanjá Festival. on a beach strewn with flowers, an ecstatic devotee receives support. Praia da Paciência, rio Vermelho, Salvador, Brazil, 2 February 2012, photo by Jamie Davidson. 271 Figure 10.5 iemanjá Festival. Boats carry offerings to the sea. Praia da Paciência, rio Vermelho, Salvador, Brazil, 2 February 2012, photo by Jamie Davidson. 272 Figure 10.6 iemanjá Festival. “A muvuca.” revelers make music on the Praia da Paciência, rio Vermelho, Salvador. 2 February 2012, photo by Jamie Davidson. 272 Figure 10.7 iemanjá Festival. Song of praise with bead seller. Praia da Paciência, rio Vermelho, Salvador, Brazil, 2 February 2011, photo by Jamie Davidson. 273 Figure 10.8 iemanjá Festival. Drummers take the streets. rua João Gomes, rio Vermelho, Salvador, Brazil, 2 February 2012, photo by Jamie Davidson. 273 Figure 11.1 Yemaya Offering a Pearl of Wisdom, Erin Dean Colcord, 2004. Acrylic on canvas, 20" x 28", courtesy of the artist. 276 Figure 11.2 Mermaid Playing with Merbaby, Erin Dean Colcord, 2009. Jar Candle Sticker, color, 3" x 5", courtesy of the artist. 277 [54.160.244.62] Project MUSE (2024-03-19 09:01 GMT) xi Illustrations and Other Media Color Gallery follows page 186 Plate 1 La Llorona’s Sacred Waters, Juana Alicia ©2004. Acrylic mural on stucco, 30' x 60'. 24th and York Streets, San Francisco mission District. Plate 2 Yemaya Detail from MaestraPeace (1994 and 2000) by Juana Alicia, Edythe Boone, Susan Kelk Cervantes, meera Desai, Yvonne Littleton, and irene Perez. Photo Credit: marvin Collins, ruben Guzman, et al. All rights reserved. Plate 3 Bay of Portobelo at Sunset, Arturo Lindsay, 2002. Digital photography, 11" x 14", in the collection of the artist. Plate 4 Requiem in Portobelo, Bay of Portobelo, Panama, Arturo Lindsay, 2005. Bamboo, cayuco (hand-hewn wooden canoe), dried leaves, fire and water, 20' x 10' x 4'. Plate 5 The Voyage of the Delfina, a performance art ritual, Arturo Lindsay with poet opal moore, 2002. the Atrium of the Camille olivia Hanks Cosby Academic Center, Spelman College, Atlanta, Georgia, multimedia performance/installation, dimensions variable. Plate 6 Adenike of Lagos, Arturo Lindsay, 2003. Digital print, 24" x 21", in the collection of the artist. Plate 7 Retorno de las ánimas Africanas / The Return of African Spirits, Arturo Lindsay, installed by Amy Sherald, photo by Gustavo Araujo, 2000. museo de Arte Contemporaneo, Panama. mixed media installation, dimensions variable. Plate 8 Boli Catching the Skies #1, 2010 (the Sardine Fishing in Portobelo Series), Arturo Lindsay, 2012. Digital photography, 11" x 14", in the collection of the artist. ...