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Image Plates
- State University of New York Press
- Chapter
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Plate 1. La Llorona’s Sacred Waters, Juana Alicia ©2004. Acrylic mural on stucco, 30' x 60'. 24th and York Streets, San Francisco Mission District. Plate 2. Yemaya Detail from MaestraPeace (1994 and 2000) by Juana Alicia, Edythe Boone, Susan Kelk Cervantes, Meera Desai, Yvonne Littleton, and Irene Perez. Photo Credit: Marvin Collins, Ruben Guzman, et al. All Rights Reserved. [44.213.99.37] Project MUSE (2024-03-19 09:21 GMT) Plate 3. Bay of Portobelo at Sunset, Arturo Lindsay, 2002. Digital photography, 11" x 14", in the collection of the artist. Plate 4. Requiem in Portobelo, Bay of Portobelo, Panama, Arturo Lindsay, 2005. Bamboo, cayuco (hand-hewn wooden canoe), dried leaves, fire and water, 20' x 10' x 4'. [44.213.99.37] Project MUSE (2024-03-19 09:21 GMT) Plate 5. The Voyage of the Delfina, a performance art ritual, Arturo Lindsay with poet Opal Moore, 2002. The Atrium of the Camille Olivia Hanks Cosby Academic Center, Spelman College, Atlanta, Georgia, Multimedia performance/ installation, dimensions variable. Plate 6. Adenike of Lagos, Arturo Lindsay, 2003. Digital print, 24" x 21", in the collection of the artist. [44.213.99.37] Project MUSE (2024-03-19 09:21 GMT) Plate 7. Retorno de las ánimas Africanas / The Return of African Spirits, Arturo Lindsay, installed by Amy Sherald, photo by Gustavo Araujo, 2000. Museo de Arte Contemporaneo, Panama. Mixed media installation, dimensions variable. Plate 8. Boli Catching the Skies #1 (The Sardine Fishing in Portobelo Series), Arturo Lindsay, 2012. Digital photography, 11" x 14", in the collection of the artist. ...