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summary
Traces the historical dimensions of Native North American drama using a critical perspective.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
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  1. Acknowledgments
  2. pp. ix-x
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  1. Performing Memory, Transforming Time: History and Indigenous North American Drama
  2. Birgit Däwes
  3. pp. 1-15
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  1. Part I. Indigenous North American Performance: Surveys and Methodologies
  1. Chapter 1 A Short History of Native Canadian Theatre
  2. Henning Schäfer
  3. pp. 19-37
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  1. Chapter 2 Native American Drama: A Historical Survey
  2. Ann Haugo
  3. pp. 39-61
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  1. Chapter 3 Burning Texts: Indigenous Dramaturgy on the Continent of Life
  2. Tamara Underiner
  3. pp. 63-73
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  1. Part II. Individual Hi/stories: Visions, Practice, Experience
  1. Chapter 4 Coyote Transforming: Visions of Native American Theatre
  2. Rolland Meinholtz
  3. pp. 77-97
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  1. Chapter 5 From SALVAGE to Selvage: The Restoration of What Is Left
  2. Diane Glancy
  3. pp. 99-105
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  1. Chapter 6 “Shakes Spear” Isn’t an Indian Name?
  2. Daniel David Moses
  3. pp. 107-114
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  1. Chapter 7 Theatre: Younger Brother of Tradition
  2. Floyd Favel
  3. pp. 115-122
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  1. Chapter 8 Chocolate Woman Dreams the Milky Way
  2. Monique Mojica
  3. pp. 123-139
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  1. Chapter 9 “I don’t write Native stories, I write universal stories”: An Interview with Tomson Highway
  2. Birgit Däwes
  3. pp. 141-155
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  1. Part III. Representations of History: Critical Perspectives
  1. Chapter 10 Voices of Cultural Memory: Enacting History in Recent Native Canadian Drama
  2. Marc Maufort
  3. pp. 159-176
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  1. Chapter 11 “If you remember me . . .”: Memory and Remembrance in Monique Mojica’s Birdwoman and the Suffragettes
  2. Günter Beck
  3. pp. 177-189
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  1. Chapter 12 Translating Ab-Originality: Canadian Aboriginal Dramatic Texts in the Context of Central European Theatre
  2. Klára Kolinská
  3. pp. 191-203
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  1. Works Cited
  2. pp. 205-218
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  1. Contributors
  2. pp. 219-224
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  1. Index
  2. pp. 225-234
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