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Works Cited Research Archives Cinema Television Library and Archives of the Performing Arts, University of Southern California, Los Angeles. Cultural Resource Center, National Museum of the American Indian Archives, Suitland, MD. Film and Television Archive, University of California, Los Angeles. Film and Video Center, George Gustav Heye Center, Smithsonian/National Museum of the American Indian, New York. Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Beverly Hills, CA (ampas) Motion Picture, Broadcasting, and Recorded Sound Division, Library of Congress, Washington, DC. National Film Archive, Prague, Czech Republic. Published Sources $10,000,000 Merger of Movie Producers; Carewe and Inspiration Pictures Are Combined with the Tec-Art Studios.” New York Times 9 Nov. 1927, Amusements 23. “$25,000 Offer for Day in Movies; Bucharest Goodbye Deeply Stirs Queen.” New York Times 4 Oct. 1926, 1, 6. Abel, Richard. The Red Rooster Scare: Making Cinema American, 1900–1910. Berkeley : University of California Press, 1999 Adams, David Wallace. Education for Extinction: American Indians and the Boarding School Experience, 1875–1928. Lawrence: University Press of Kansas, 1995. Aleiss, Angela. “Hollywood Addresses Indian Reform: The Vanishing American.” Studies in Visual Communication 10.4 (Fall 1984): 53–60. ———. Making the White Man’s Indian: Native Americans and Hollywood Movies. Westport, CT: Praeger, 2005. 347 348 / Works Cited ———. “Native Americans: The Surprising Silents.” Cineaste 21 (1995): 34–35. ———. “ ‘The Vanishing American’: Hollywood’s Compromise to Indian Reform. Journal of American Studies 25.3 (1991): 467–72. Alexie, Sherman. The Lone Ranger and Tonto Fistfight in Heaven. New York: Harper Perennial, 1993. ———. Smoke Signals: A Screenplay. New York: Hyperion, 1998. Alison, Jane, ed. and introduction. Native Nations: Journeys in American Photography. London: Barbican Art Gallery, 1998. Allen, Chadwick. Blood Narrative: Indigenous Identity in American Indian and Maori Literary and Activist Texts. Durham, NC: Duke University Press, 2002. Allen, Michael. Family Secrets: The Feature Films of D. W. Griffith. London: BFI, 1999. Allred, Christine Edwards. Harper’s Indians: Representing Native America in Popular Magazine Culture, 1893–1922. Diss. University of California, Los Angeles, 2001. Babcock, Barbara. “First Families: Gender, Reproduction and the Mythic Southwest .” The Great Southwest of the Fred Harvey Company and the Santa Fe Rail‑ way. Ed. Barbara Babcock and Marta Weigle. Phoenix, AZ: Heard Museum, 1996. 207–17. Barclay, Barry. “Celebrating Fourth Cinema.” Illusions 35 (2003): 7–11. ———. Mana Tuturu: Maori Treasures and Intellectual Property Rights. Honolulu: University of Hawai’i Press, 2005. ———. Our Own Image. Auckland, NZ: Longman Paul, 1990. Barkan, Elazar, and Ronald Bush. Prehistories of the Future: The Primitivist Project and the Culture of Modernism. Stanford, CA: Stanford University Press, 1995. Barthes, Roland. Camera Lucida: Reflections on Photography. Trans. Richard Howard. New York: Farrar, Straus and Giroux, 1981. Bataille, Gretchen M., ed. Native American Representations: First Encounters, Dis‑ torted Images, and Literary Appropriations. Lincoln: University of Nebraska Press, 2001. Bataille, Gretchen M., and Charles P. Silet, eds. The Pretend Indians: Images of Native Americans in the Movies. Ames: Iowa State University Press, 1980. Beckman, Karen, and Jean Ma. Still Moving: Between Cinema and Photography. Durham, NC: Duke University Press, 2008. Beltrán, Mary. Latina/o Stars in U.S. Eyes: The Makings and Meanings of Film and TV Stardom. Urbana: University of Illinois Press, 2009. ———. “Dolores Del Rio, the First ‘Latin Invasion,’ and Hollywood’s Transition to Sound.” Aztlán 30.1 (Spring 2005): 55–85. Bendix, Regina. In Search of Authenticity: The Formation of Folklore Studies. Madison: University of Wisconsin Press, 1997. Benjamin, Walter. Illuminations: Essays and Reflections. 1955. New York: Harcourt, Brace, Jovanovich, 1968. Bergland, Renée L. The National Uncanny: Indian Ghosts and American Subjects. Hanover, NH: University Press of New England, 2000. [18.191.189.85] Project MUSE (2024-04-19 06:03 GMT) Works Cited / 349 Berkhofer, Robert F. The White Man’s Indian: Images of the American Indian from Columbus to the Present. New York: Random House, 1979. Bernardi, Daniel, ed. The Birth of Whiteness: Race and the Emergence of U.S. Cinema. New Brunswick, NJ: Rutgers University Press, 1996. Bernardin, Susan, Melody Graulich, Lisa MacFarlane, and Nicole Tonkovich, eds. Trading Gazes: Euro‑American Women Photographers and Native North Ameri‑ cans, 1880–1940. New Brunswick, NJ: Rutgers University Press, 2003. Bessire, Lucas. “Talking Back to Primitivism: Divided Audiences, Collective Desires.” American Anthropologist 105.4 (2003): 832–37. Bhabha, Homi. The Location of Culture. London: Routledge, 1994. Birchard, Robert S. Cecil B. DeMille’s Hollywood. Lexington: University Press of Kentucky, 2004. Bird, S. Elizabeth. The Audience in Everyday Life: Living in a Media World. New York...

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