Nagai Kafū's Occidentalism: Defining the Japanese Self

2. Imagining Authenticity: Literature and Civilization in Kafū's France
Rachael Hutchinson
State University of New York Press
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CHAPTER TWO Imagining Authenticity Literature and Civilization in Kafū’s France X Amerika monogatari$% ] * /$]| ]]$ [ [ ] [ ] D G ?* [ [Amerika monogatari Furansu monogatari $ ! / > @ ~ / $% [ ] } ? @ D G ] Amerika monogatari $ ] _ ?[ ! ? [ ? [ [ ] X [] ? Q @ [ \@ ]# Furansu monogatari _ [ [ ] ] = ? \D[]X [ ? X@?] [ ? G ]#? % [ #? ] $ / [ [ Furansu monogatari [ $% / ] \[ \ ? "+ $% ? @ / [ ? ~ $@@ / [@ ?] [ / [ / X ] Fune to kuruma Q ^@ \[ ? ] ? 62 Nagai Kafū’s Occidentalism ? ?] La Passion, Mon oncle JulesPierre et Jean \ ] ? [ ] ;* ! ? [D\ []GV [ } ? [ \ \ ] ? D \\?] \ G;*/ \ } ] ] \ ] ?@ [ / ? ;* X D[ \/ [ ? G; [ / ][/ # ] [ \] @ ] Q@ & [@ ?] Q[ ! [ DX[ [ [] [ ! G ; [ ] @@ > = @] [ [ \ [ ?[ ^@ = @ La Bête HumaineV \ [ [ [@ ] ] ? @] ;"!@ ] ? ] [ [ @ & X ] ] # [ ?\ @ @ D[ ]\ X ]] G;";; ] @ @]D& [ [ @ §G? ] [ [] ?[ / ] D G [ ~ @ / [ ] @ ] [ @ @ / ] Fune to kuruma Furansu monogatari } 63 Imagining Authenticity $ ? @ ? @ / [ ] \ ] % [@[ Q] @ @ ] ] @ $ @ = ] $% = ?] ] ] @[]X ]+* 7 Q * ] $ [ [ ? ? @ [ ] @ @ V @ } ] ?]Q¤ D GFune to kuruma ] $ [ ? D G [ \ [ [ [[ ? Fune to kuruma [$ $ / @ [ } ] @ [ } X [] ? % + $ ? ] [[ / Fune to kuruma D G $% [ $% ? D_ G Fune to kuruma ] [ ? ] [ [ \ _ ] 66 Nagai Kafū’s Occidentalism [ [ ?] & ~ @ } / 6 \ ? ?[ ] ?] &@ ] \ [\ [ ? DX [ ??] ?] [>]?? []?] G " % [\ [ ? = ? ? [] Fune to kuruma[ ][ ]* ] ?@ @ [ [ [ ?]& @ @ ] [ @ ] ? @?\!@ @ & ^ [@ ? @ X] ] [ [[@ X] Q [18.118.9.7] Project MUSE (2024-04-25 08:08 GMT) 67 Imagining Authenticity \ [ ] '7" ?\ @] [ [ \? ? ] @ % [ % [ % [ [ % ? ?[ [ [ \ ? [ ?\ ® [ \ ? / DG[[@ ]@ @X] Q? \ [] ? [ @?] ] [ / [ Fune to kuruma [ DG D G / ] / [ $% ] [ _ @ Aki no chimata & Q @ [ @? * *?" * * @ = " effet sur moi” X ] ? ] "9 ] ] ] [] [ % [ X Hebi-tsukai ] ] \ ] ^ ? \ ? Q®@[ \ @ ] X $ ? ] ?\ @ @ } @ @D ] G ]? J/ @; ? ?? V [ @@ @ ] @ [ [ @ ? ? ] ? ! @ [ D@ \G@ [#] [ @ @] [] @10 ?] @ D J & [ ] [ ]§G ? ?] [ [ ^ [ ? ? @ ?] [ X \ ] & \ ] ??] @ [ ] ] \ % @ ] [ ^ [@ $% \ ] ] 71 Imagining Authenticity ?[ \ D ??]G ] % ] ] Q% } @ ] \ $ ] ? [ X [ [ \\ ? } @ ?@ % @ [ ] # ] @ @ ? ] [ ] % \ \ $% Q % ] % Furansu monogatari X $ ] ] @ X [ $ [ @ ? ] ?\ Hebi-tsukai\ _ ] ] % ] ] ? \ [] [ J ? @ @ ] ? \] X% \ ] ]X[ [ \][ [] \ ? #] ? [] ]@ ? @ X [ @ [ [ \ ] [ } \_% ] [ @\} ][\_? ] ][\?\ ®?] \_ Bansan are almost complete [ [ \ [ \ ] ] [ [ ^ ] ] ?[] \] ? ?[] @] \_ []\_ [ ] ] / ?]\ [ [ ? [] [ ? X ] [18.118.9.7] Project MUSE (2024-04-25 08:08 GMT) 73 Imagining Authenticity @/ ? ? & ? ^ Bansan ] ? [ Ichigatsu ichijitsu from Amerika monogatari#@]@[\ ? @ \ ^ [ \ @ ? @ @ ~ @ $% ] ?\[ \ DG [ % \ \ ?\ ® [ ] $% \ % @ ] @ @ \ ! @/ [[ \> [ ] ? @/ @?@] X $% ] [ ?] ? [ @ ?@~ @ ]* [ ] Furansu monogatari [ _ ] [ ] \ [\ [\@? ] @ ] [ [ [ ] [ \ ] ] ] ? [ @ ] $ \ [ ] [ / [ ? ^ \ % ] [\] Furansu monogatari ^ ] $% [ ? ]* $ \] ] [] ] } \Q¤ [ ~ & @ ? ] ]\ @] / Matsuri no yoru gatari / @ [ DG @ Amerika monogatariJibun []? \ []? / ? \ [ [ ] Jibun, [ ] @ J ? ] V®%& \ @ as boku ? [] [ @ / 74 Nagai Kafū’s Occidentalism ] @@ [ [ \ # ?] X] ] ?] &@ & [@ &@ _ ?] [ bokuD ] ]kinseiG \ ~ ";" D / G \] DX [ ] @? ] [ ? = ? ] = @ [@Q @? @ [ ] \] \ [ ?# / ? \? ] ]G ""+ D / G ] ? / > [ ] = & ] boku% [ ?? Q ] ? [ ? # D [ @[ Q G"+ ? [ ?? [ ? @ [ [& } ~ ] " [ ? ] @]? [ \ Q [@ ? [ ? @ @ D?] G 7 7 " [ \ [ [ ? [ @ ?[ Q [ ] @ [ @ ] $% [ @[ ! Q ] ] ? _ / / ? ? D GDQ G [ [ @ [ @ @[ [ Q 75 Imagining Authenticity &?\ [ @ ] = ][ ? [ [ @ ~ _ [V V % Q !] " @ / \ ] ? [ [ @ [ @ ? [ []\[ [ ? ? ?D ][ [ ? \ # X [ @ ][ ] @] G ""* ^? ? ?? ? [[ [ ? \ [ [ ? ] $% @ ] ? ]? ? \ ] \?] ?[ [ [ [ = ] ] [ [ /] ] D@ ? / G mattaku no minami Furansu e kita [ Q & [ [ J % [ \ V ?] ? \] ] [ @ ] ] @] % %[ @ \ = Q ] [ D ]? ? G@ [ / 76 Nagai Kafū’s Occidentalism ] @ @ [ @ ? ? & ] D / G ? @ @ ? ? @ @$ ? [ % _ ?[ ] [ > _ [ ] J % ] Kiri no yoru & / ] [ [*" J@ ] ?] ? [% \ ]~ \ [ \ [ ? ] ^ ? [ [ ? ? [X ] \ \ ] \\ [ % ] @] ?] ]] ^ @ [ ] ] ~ @@ [ [ @ > ] # ? \ \ @ [ [ % [ ]@ = ? \ ] ] ~ @ ?] [ [ ~ [ ? [ @ ? [ ? X [ @ [ [ \] [ ?\ @ &?\? ? \ [ [\ ] [[] X [ ? ] [ \ [ @ [ ? \ @? [ \ ] ] @ % \ @] &\ *@ $% ? ] [ [ @ [ \ ?_ Kiri no yoru [ \ \[ * * &$ [ [ ? \ \@ [ [ \ * ? X @= ? > ] 16 ~ [@ ? ] [ \/ ] / ]? @_ _ | &\ * [ @ = ? ? / [ @ \ X]*G @] X$% ? ? @ / = ] @ [ / [ & = ? ? $?? ? % \ ] > = [@$ ^@ [ [ & @ ? [ ] ?/ [@= $% ?_ [ ? ] [] ?/ ] [ [] D ??G$% / [ [ @= @] ??# [ ]_ ] = ] ] @ ?? [ ?_ [ \ ] ]?] ?] @ [ [ / _ % ? ? ]D= G ] [ !|Q$ \ % [V *+ $ [? ] [ ]?] / _ [ [] [ \] ]X]* jibun\ [] & jibun [ ] @ ?][ / @ [ ? @[ ] [ ] @ + @ [ $% _ ]?? = [ @] _ ] * $ ?] ] [ @ @ ? ] [ ?] ] % ] ] D % % ] G [] \ [ [ [ \ = [ ] "" X [ [ [ \ [[ = ] @ ] [ [ \ @ 81 Imagining Authenticity 19 [ ] D\~ ]G \ [ ] @ \ ]] % @ [ @ @ [ [ [ ? \ _ \ D ? G [ [] = _ ] @ "+& \ ? ? \ ? \ % Thaïs *?@ [ ] ? [ "+* Omokage @ ] = [ / [ omokage ? ] % ?[ [ ][ % ? ? ] [ [ @ \ \ !] > [ Matsuri no yoru gatari D ] [ G= ? [ ? ] ]>] } X ] ] / [ ¯ ? \ $% D>G ] ~ ] Omokage [ X \ [ ^ [@ [?[ [ ] = [[ / = / ? ][ ? [ ? [ = ] Saikai [ ? @?] 82 Nagai Kafū’s Occidentalism \ _[] [ [ [? [ [ ? "+^] ?_ ?] [ \ ] @ jibun Q| [ } [ [ @ [ \ ] ? ] @ @ Q| ?] [ ?= [ \"+G $% [ \ & jibun Q| ? & $ ?] = > [ 83 Imagining Authenticity \ [ @ [ ] @ Xjibun% [ = ?[ \ #[ @ [ \[ @ [ = [ [ % @ "+ [] [@ D[ \ @ = G ?\ @ ? ?] = ?[ \ X] [ \? ][ ? & ? [] @ ? Salome \] $% ] [ ] @[] ~ $ [ = @[ ] [ Saikai was # ~ Q Q| % ^ [ ? D[ G ]"*? [ @ ] @ ?] ] & @ [ \ @ \ [ ]DX[ ?? @ ]? [\[ \ / ] ? [ @] ] X] % X \ \ X%? G"" Omokage % ¯ 84 Nagai Kafū’s Occidentalism Saikai \ [ @ = ~ ?]? \ [ Q| @ [ [ & [ \ @ X] @ [ D& X [ \? \ X] ][ ] G" & ? perspectives of jibun Q| $ [ = ] D ??G ?[ [ [$ ] [ ] Jibun% @/ @ = ]? $% [@ [ @] ?[ $[ ]= [ ][ @?[ \[ \] ? [ ] ]= [ [ = ] & @ Q| $ D ??>G ? [ ? @X $ ??> @] ] @ [ ] > ] ]D ??G ? ~ @= $ [ ]# @ Kumo Hitoritabi Q ] ] ] @ @] [ $ [ \ ? V ° [ [ [ V ¥] [ @ ] \ [ ] @ \ X] [ ] ? @ ? ] \ @ ? ] X] \ [ @ ] ] \ [][ [ D& [ ? @§Q ] ] ] G" ] @ @? \ [ # @ ? [] " ~ \ ]\? ] 87 Imagining Authenticity ] @ \ ] ? ? \ \ ? [ ] @ ] [ D @ [ G ! - no hageshii koi[ X D[[ G;*\ @] [X @ ^[ ] @] @ ] ] ;** ?@ _ ? Kumo\ ] \ @ ] ] [ [ V ] ;** ^ _ ? \ [ ]? [ @ ] [ ;*X \ _ [ ? [ ]\[ ] ;* \ _ [ @[ ? @ @ X (7Q G ; [ Matsuri no yoru gatari Omokage\ ? ] \??[ [[ \ D[ ? ? \ \ G; [\ ? D [ \ G; XV\ _ ] & X ] @ = ? [ \[ ] [ @ [ [ @ \ % ?\# ] @ @ [ ? ] \ \ ] $ ? ? ] D #? #[ @ [ 89 Imagining Authenticity @ G;;> [] \ \ \ \ X% ? ] [ \[& [@ \ @ ? \ [ ] [X_ \ @ ] @ ; [ \ % ?\ [ @] [ ] @?\ ] ] = [ ]] ?] @] % ]D& # #% ]\ G^ @?\ [ ^@?= ] ? [ = Q & Q[ ? ?[ ] ] [ [ Q @ ? / = [ ~ ] ? [ \ ] ;" Q \% * $ ] ?? > / @ [ bunmei ? $% ? D ]GD ]G? [ ] _ / $ D ]G @ ? # @ ?] @ ] [] [ % ] ] % ] @? ] [ } ]" ?[ \ @ [ ] @? D& ]G ? ? @ # [ ] ] ] @ \ [ % ? @ ] @ % [ [ ]@ ? [X$% ] / [ ] ? D ]GD ]G [ [ ] ?$% \[ [] @ [ $ @ @ [ \ @ # @ ] ? @ / [ _ ] $% [ \ ? [ ]# @ \ ] ? [ ? ? [ @ % [ [ @ ? [ ?] } D @ G]] [[ ~ $% Furansu monogatari \ @ > D G 92 Nagai Kafū’s Occidentalism ? ? _ / $ D @ G []/ @ ? ?[ @ ? [ [ @ \ ] ? @ $ = Furansu monogatari[ @ [ \] @ = [ $% [ \ * ] @ ! ! % X ? ! [ D! G [ ?# @ & @ ] D>G @ Furansu monogatari> ] Furansu monogatari [[ \ ! > / [ ] ]X X $% > ] ] $% >@ ¦@ XFuransu monogatari, Amerika monogatari$% \ @ ?] ?[ X $% ? [ [ } % ] D>G& [ \ [] $% D>G [] ] ?[$% ! [ \ ...

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Nagai Kafū's Occidentalism: Defining the Japanese Self

2. Imagining Authenticity: Literature and Civilization in Kafū's France

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