Nagai Kafū's Occidentalism: Defining the Japanese Self

5. Resistance: Defining and Preserving the Japanese Self
Rachael Hutchinson
State University of New York Press
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CHAPTER FIVE Resistance Deﬁning and Preserving the Japanese Self $% Q @ DNihon to iu OriginalitéG $% [ \ * ? [ ] $ ~Q|^ \ % |D | G$% _ ! ! 173 174 Nagai Kafū’s Occidentalism _ ?] ? ! * \ $% D ] >G ] @ Mita bungaku \ \ D>G DG @ [ " \ ? @ ' [ _ [ ! $ [ \ [ nagauta shimpa [ ?& J @ $@ ? ] [ ]@] ] $ D \ [ @ X [ [ ] ] ] G2 @? *& ! *% ? $% ] \ _ ! ~ ] $% @ Q # _ ] ! @[ \] $% ! [ \]? @ Q [ [ ] ] @ # 7 ? ?[ ] "! X # 7 X " @ ? * ?J % ] @ @ ] Histoires de Moeurs Parisiennes? ?X[ [ \& % ]L’Olympe % @La Prostituée @@ } ] ]& ?_ ? @\ &?? =@ % + 8 "& X @ % _ ;+;+ $ @ [ \ [ \ #@ Q ? ? = ! / ? ?] [ D] | ] G ( " ? #Amerika monogatari,# $ [ ?] ? [?]Q] X]Q \$ ? ?]/ [ ] ?[]} ! = $% D G ! ? \ / ] [ \ [ [ / ?~ G @ [ ~] [_ ! ! ] % _[! _ ] Mijika-yo [ # 7 ] ? [ Kaketori~V /? ] *G \ \ ] ?] ? $% ]? ? @ [ @] [ \ % \\ kotatsu \ \ > / Shunshoku umegoyomi \ \ ? ][ \ ? ? ] _ X = [ ] $ _ } ] [ ] ? % **& [ ]& [ [ ] 180 Nagai Kafū’s Occidentalism ] $ [ @ & ! ] ? [ ] @ >\ X $ *+*+** [ & ] ^ [@? ? @ [ ? ] [? = @ % & X ? D& [ raison d”être [ [ G* $ ?[ / [ @ ] ] Hirusugi&& ? ]* _ ] DNihon to iu Originalité.” $ Meika / / [ ? * @ ( ). [ D] ? > @ G * *" nagauta ] [ [ } 182 Nagai Kafū’s Occidentalism [ [ ] [ $ ] [ \ [ Q % @ & [ \ ? ] _ ] \_ \ [ @?@ @ [ \ V [ ?] [ ^ [ ? [ ^ | ] \_ ]& D \_G ] [? ] ] \_ @ [ _ ]? ?] [ \ [ & [ ? [ ] ] ? \_% ?] @ D ]G ? [ ] \_ ^ _ ? ] ?_ [ ] Q [ ] \ $ @ @ _ ] ? ] _ ] ? @ % [ " *; \ # [ [[D @ G Meika _ ] % D ]G ] [ ]? ?] \_ D ? gonge G*;Meika@ ' @ \_ ] ] X @ DNihon to iu OriginalitéG_ ] > $% $ @ Matsubadomoe & Q[ = ] * ? ?] ! D G \ ? Asase ] [ # \ # / } ? ? @ D! GD/ G[ \$% D G~ @ ] ? " ? [ / ? ? ? [ $ [ ] \ [ ? ! @ [ \ [ \ *G [ ]]? D G @ ! ~] \ ! ?_ # 7 $ [ ] [ DNihon to iu Originalité.” $% D! G ? X D>G V @?] [ ? > Q _ ]#7D! G ] ? ] \] ? ? \ \ Q? & | | *G \ @ > $ ? [@ D G/ \[ @ [ ! $ @ D [ G \] ?"+" X $% ! @] > ?]& = ! [ ] > $ ]~ [$ 188 Nagai Kafū’s Occidentalism [ > [ [ [[D G ! >[ ] ? ! [ ! > [[ D G? > ! [ _ ? _ ! > \ [ $ [? D G ! [ D ] G? [ ] $% } ] X ? $% [ > D ! > G [ @] > ;; & ' # 7 ] @ $% } ] } D>G ? [ $% ( @ @ _ ] [ ] [ D>G ! $ @ [ ?] % ] ?] [ \ ] > [ ] $ [ @ ?_ & $% D>G @ > " Q? * 189 Resistance \ ? # ] ukiyo-eMB*;*+ $ ? @ [ @ \ @?]> X D>G > \][! ? $\ [ ?> [ ? \ ? ! X @?] ? @ [ > [ [ ? ? ? ] ~ @ [ @ _ $% } " \ >" ! _ $% [ @ $ \ D> G X ?@ DNihon to iu OriginalitéG Q ! # 7 ? > X° V% * [ ?] @ } D G Q @ ]? ?]> ";]] Q @ $% } _ [ >X ]? > V% Q] $% ! # 7 ] ? Q [$ [ _ $% DNihon to iu OriginalitéG @ % ]? ?] ! ] ? ] _? D G V% > \ $% D! G? [ [ DG > 190 Nagai Kafū’s Occidentalism $% ! [] @ [ ] D G ! [ $ \ @ ] ? [ [ [] ?] D G [ _ $% D ! G _ } ? @ ?]$% ! [ \ * / ? [ $% [ _ @ ¦@ [ D GaiteD GtsuyoiD[\G7D GarasottaD[ ]Ghisshi ni natte arasouD G " " 7 @ ? $ [ ] ? * ? > /$]|% 0 "~Q % Q * \ @[ ? \ [ ~ ]* @ ?* [ ' % D ] >G @] \% ]In’ei raisanX= Q [ * $% Q| \ Q\| Q ]$ [@[ [ @] ? D [ ? G Q ^ [ ? ^ [ [ \ \] ] _ @ [$% D G _ % @ [ Q| \[ ! [ D [\G[% kaika[ Q| \ naihatsu-teki gaihatsu-teki D GD G % 206 Nagai Kafū’s Occidentalism ] [ ? D G @@@ Q| \% [ ? D @ G D ]G ? D G~ Q| \% [ ]@ ] ? ? _ ] @ ] ? ?] _ X $% [ @ ! [ [ @ !@ @ J] ^ $[ [ DNihon to iu OriginalitéG $ @ _ J Q| \ $ [ \ [ } [ [ ] $ [D G [ _ $% ! ] @ [ @ [ ? _ ] ~] ? $ @ + ?[ Q| \ $ ] ? \ ?] @ Q| \% @ ] gaihatsu-teki _ ?] naihatsu-teki @ @ Q| \% ?] [[ ] [ @ [ ] ] \ $% | ?] ] ? [ \ ( @ D G[ $ ? @[ _ [ ?] [ | Q|[ [ [@ ?] \ $% ?_ D @ G[ [] ? @ $% ! [ ] [ @? @ &? _ [$[ ? (] @ ] [18.116.239.195] Project MUSE (2024-04-24 08:07 GMT) 207 Resistance Edo geijutsuron ? @ Hiyori-geta [D! G @ ] \] _ [ \Udekurabe @]? Bunmei & * [ @ @] @] % @ ?[ ]] @ @ \ ] @ @ @ ? ! sharebon @ _ } ? [$% ] ] % X$ \! @ Udekurabe ] ] @ D! G D G ? @ ? [] Q \*? ? \ ] ? ?] [| [ > # ? [ @ ? ? ?_ [ benshi @ Q \*[ ?[ [ [ ? @? ? ] ? ] D ] [[ ? [ [ % ] G+"" @]? ] \ ?~ \?] ? [] [ # @ @ ] ! [ % ? \] [ [] @ \ ] D G [ ?[ ?] ] DX% % & ! ]G " D ! G " [@] \ } ] [ [ ! ] ] \ Q [ [ \ D_ \ @ ? ] G] \ ?] \ ~\% ? \ @ ? } ] [ 212 Nagai Kafū’s Occidentalism @ " ? ! ] ] \ ? ] ! @ D ? [ ? ]? \ [ G [ \ [_ @ D G ] V ; [ ] Q]X } [ [] [ ? \ ] \% [[ @] [ ] @ [ [ ]Q ? ] ? @ ] \ @ @ [ \] \ "; \ ? / } [ ] + \ [ \ $% ? # [[ @ ] [ \ \ ? ? \ [^ [@ @ @ ? * ] [ _ ?] \ ?] ? [ > ] \ @ ? $ ] [ [ > ] % [ [ @]] [ ]D ][ VV G ""+ @ @ \ ] [ ? ] ?] ] [ } Q X ** J [ @]] 214 Nagai Kafū’s Occidentalism [ D ]Gshakai D ]Gkokka). $ ? D[ G ]? ? ] @ ??] [ [ * ] % !} \> ] \ $ @ @ > ] % @ $% ";\ % ? @ ] @ * ^ [@ \ @ ] ]? [ \ [ [ \ % ? Hikage no hana ?] [ ? \ ][ ? ] \ [ $% \ " & Q ! @ [ Asahi [ & *] \ ?[;+] "] >] \ ] @ ?] [ @ @ ] [ \ bunjin [ ? [ []% @ ?] [ ? \ ] % [ = ?_ @ % @ ?] @ [ [18.116.239.195] Project MUSE (2024-04-24 08:07 GMT) 215 Resistance D G % [ ? % [ D G [ [ \#_ ] ??] [@\ [>] \ @] \ " ? ] ? $% [ Amerika monogatari ?@ Amerika monogatari ? \ @ @ \ " ? \ [ [ [ ?\ "?]$ ?@ @ ? ? \ [ Q " }7."] \ ] ? ] ? ? ][ @ @ @ @ \ ] @ [ ? ?]$[ [ ] ] ? @ @ [ ! \ " kidan ][Q] ? ] [ \D [ } G X @ ] @ *+* Q] ] $% ?] [ [% @ ]? [ ? ] ] ? [ *] \% ] [ ? D \ ] [ [ G ** $% 216 Nagai Kafū’s Occidentalism ] D G [ [ ?] ? ] [ @ \ [ ** [?] ] [ ? } @ [] * $ [ } D \] /] \ ? /] X @ [ ]] G* ? [ D G [ ][ ] #\ \?[\ " Q [ [ \\ @ [ $ @ Q>] \ D G [ ? [ ?_ [% \ ?_ \ ] ? ]? ? $% [] X $% ?[ >] \ ?] @][ \ [ @X [ ? ; X ] ?$]@ \ DX @ @ G + ] [ [ \ X *G ? ? } gesaku $% ! [ ? } _ ] ^ ! ? } _ [ Q X?@$% ! ] ? > ? $ ] _ @ Q / ? $ @ Q _ [ \ ] ? [ V D G > # > [ @ [ @ [@ $% ! [ _@ _! $ ! gesakusha ] X [ $ > ?]D G > ] } Conclusions X ? \ X @ $% [ *]? > _ @% } ]? D G> _ $% > ] ? [ Q$ D G[] [ X] of Amerika monogatari$ ] & & % D G ] _ & D ?]G [@$ ] & ] @ [ _ ? \[ @ $ # [ ? \D G DG& D G @ & @ ! ] ] = [ $ [ = & D G D>G ]? ] \ #? $ [ [ 219 220 Nagai Kafū’s Occidentalism $% [ \ [ ?] [ ] ] ] @ ] D? G$% ] ] ? [?[ ?] ] ?] opposites.* $ @ ?[ ][? > [ X ] [ @>$ ?] > discourse. Through Furansu monogatari $ ?] ] > D GD>GDG [ > ] ? ? > $% [ ] $% D> G [@ ? \ D@ > G? $@ > X > [ \ @ ¦@ > ?_ $% ? > ] ? [% ] [ Q% ?] ] ? ~] ] [$% [ \ ?] [$% ?] ] > > ? @ ] $% > } _ $% } _ Q * ] ? > ] ? } _ @ ]X > X@ [/ % ? X$% D G @ Q through to # 7 ! ? @ _ % $% ! ] ? Q 221 Conclusions_ ] ! ]? D G V% > $% D[[G ! * $% } _[ \ * [] > > } @ ? D G & > [ \ ] [$% [ \ ?J $ } > @ $ [ \ & @[] \ ?_ ] ? ?] @ ? ? ]@ X $% ? ? ? ] ? \ ? $% [ \ X [ Q \% ? ? _ Q [ ? X @ $% [ \ ? \] [ ? ? [ \ ?] $% [ ? & * @? @ Yashin& ]? $% [ \ from Yashin [ [@ @ @ $% [ \ @ } _ @ ? & $% [ \ } ? [ ] XX J@! ]$% D[]G ! $[ ? % ] @[D } [ ] ] ?G $ @ D @ G !*G[ ^ D G / @ \ Q% ] ? [ \ @ \ ? [ \ some previous readings. > ] $% [ \ [ @ ? ] @@[ [ \ ? @ $% V \ [ ]? @ $% ? @ $% [ \ } @ ? ] D]G [ _ ? $% [ \ [[ ] * ] / his turn to Japanese } X ? $[ becoming caught up in contradictions. $ [] } ? D G } X$[ [? D G ] ]_ [ the kokka, kokumin, and the margins of society, then is this not part ] $ ] [ ¯ $ \ [ ] X D G @ @ @ @ >@ ] ] [@ [ D G ? / % [ \ @ ] @ ? ? @ ] \ [ [ ?] ?_ ^ [@ @ [ ? D G$% [ \ ? / [ ] $% ] & ] } ] Q * ] ? @ ] ? X [ ] D G$X@ [ ?]Q \/ \ [ $% [[ \ ] [ \ @ ~] [ @ $% } D ] >G _ X @ $% ? ? [ @ X @ [ $ [ \ X@? ![Q \% argument. ! " # $% @ @ ? @] Q \% # 7 and Botan no kyaku [ \ [ that I have used them as references in this book. My objections to Q \ $% Q ][ \ @ $ ?D ??GX ]? Q \% [ \ ? X @ @ $ 227 Conclusions ^ [@ ![/ [ [Q \% [ \ [ ?] [ ? D>G and unthreatening, image of Japan. There is, therefore, a reason...

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Nagai Kafū's Occidentalism: Defining the Japanese Self

5. Resistance: Defining and Preserving the Japanese Self

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