In lieu of an abstract, here is a brief excerpt of the content:

183 Works Cited Works Cited Acker, Kathy. Empire of the Senseless. New York: Grove, 1988. ———. In Memoriam to Identity. New York: Grove, 1990. Allen, Donald and George F. Butterick, eds. The Postmoderns: The New American Poetry Revised. New York: Grove, 1982. Allen, Woody. Without Feathers. 1972. New York: Warner, 1976. Anderson, Perry. The Origins of Postmodernity. London: Verso, 1998. Baker, Nicholson. The Mezzanine. New York: Vintage, 1986. ———. Vox. New York: Random House, 1992. Banks, Russell. Continental Drift. New York: Harper & Row, 1985. Barth, John. The End of the Road. 1958. New York: Bantam, 1969. ———. The Floating Opera. 1956. New York: Avon, 1967. ———. Giles Goat-Boy: Or, The Revised New Syllabus. 1966. New York: Fawcett, 1967. ———. “The Literature of Exhaustion.” 1969. The Friday Book: Essays and Other Nonfiction. New York: Putnam, 1984. 62–76. ———. “The Literature of Replenishment: Postmodernist Fiction.” 1980. The Friday Book: Essays and Other Nonfiction. New York: Putnam, 1984. 193– 206. ———. Lost in the Funhouse. New York: Bantam, 1969. ———. “Postmodernism Revisited.” 1988. The End of Postmodernism: New Directions . Proc. of the First Stuggart Seminar in Cultural Studies 04. 08.–18. 08. 1991. Dir. Heide Ziegler. Stuttgart: M & P Verlag für Wissenschaft und Forschung, 1993. 31–45. Barthes, Roland. Image-Music-Text. Trans. Stephen Heath. New York: Hill & Wang, 1977. ———. Mythologies. 1972. Trans. Annette Lavers. London: Granada, 1973. ———. S/Z. Trans. Richard Miller. New York: Noonday, 1974. Basker, Roy. Plato Etc.: The Problems of Philosophy and their Resolution. London: Verso, 1994. Baudrillard, Jean. The Illusion of the End. Trans. Chris Turner. Stanford: Stanford UP, 1992. ———. Paroxysm. Trans. Chris Turner. London: Verso, 1998. 183 184 Works Cited ———. Simulacra and Simulation. Trans. Sheila Faria Glaser. Ann Arbor: U of Michigan P, 1994. Baugh, Bruce. French Hegel: From Surrealism to Postmodernism. New York: Routledge , 2003. ———. “ ‘Hello, Goodbye’ ” Derrida and Sartre’s Legacy. Sartre Studies International 5. 2 (1999): 61–74. Bauman, Zygmunt. Postmodernity and Its Discontents. Cambridge: Polity, 1997. Beck. Odelay. Willowdale, ON: Geffen Records, 1996. Bertens, Hans. The Idea of the Postmodern: A History. London: Routledge, 1995. ———. “The Postmodern Weltanschauung and its Relation with Modernism: An Introductory Survey.” Approaching Postmodernism. Eds. Douwe Fokkema and Hans Bertens. Philadelphia: John Benjamins, 1986. 9–48. Bradbury, Malcolm. “Writing Fiction in the 90s.” Neo-Realism in Contemporary Fiction. Ed. Kristiaan Versluys. Amsterdam: Rodopi, 1992. 13–25. Bradley, Arthur. “Thinking the Outside: Foucault, Derrida and Negative Theology .” Textual Practice 16. 1 (2002): 57–74. Brooks, Neil and Josh Toth, eds. The Mourning After: Attending the Wake of Postmodernism . Amsterdam: Rodopi, 2007. Buford, Bill. “Editorial.” Granta 8: Dirty Realism (1983): 4–5. Burke, Kenneth. A Rhetoric of Motives. Berkeley: U of California P, 1969. ———. Language as Symbolic Action: Essays on Life, Literature, Method. Berkeley: U of California P, 1966. Calloway, Catherine. “ ‘How to Tell a True War Story’: Metafiction in The Things They Carried.” Critique 36. 4 (1995): 249–57. Caputo, John D. “Apostles of the Impossible: On God and the Gift in Derrida and Marion.” God, the Gift, and Postmodernism. Ed. John D. Caputo and Michael J. Scanlon. Bloomington: Indiana UP, 1999. 185–222. ———. and Michael J. Scanlon. “Introduction.” God, the Gift, and Postmodernism . Ed. John D. Caputo and Michael J. Scanlon. Bloomington: Indiana UP, 1999. 1–19. ———. “On Not Circumventing the Quasi-Transcendental: The Case of Rorty and Derrida.” Working Through Derrida. Ed. Gary B. Madison. Evanston: Northwestern UP, 1993. 147–69. ———. The Prayers and Tears of Jacques Derrida: Religion without Religion. Bloomington : Indiana UP, 1997. Carmichael, Thomas. “Postmodernism Reconsidered: The Return of the Real in John Barth’s Sabbatical and The Tidewater Tales.” Revue Française d’Etudes Américaines 17. 62 (1994): 329–38. Carver, Raymond. “Why Don’t You Dance?” What We Talk About When We Talk About Love. 1974. New York: Vintage, 1989. 3–10. Chen, Tina. “ ‘Unraveling the Deeper Meaning’: Exile and the Embodied Poetics of Displacement in Tim O’Brien’s The Things They Carried.” Contemporary Literature 39. 1 (1998): 77–98. Coen, Joel, dir. The Big Lebowski. Perfs. Jeff Bridges, John Goodman, and Julianne Moore. Polygram, 1998. [3.133.144.197] Project MUSE (2024-04-26 04:28 GMT) 185 Works Cited ———. The Man Who Wasn’t There. Perfs. Billy Bob Thorton, Frances McDormand , and James Gandolfini. Good Machine, 2001. Conte, Joseph Mark. Design and Debris: A Chaotics of Postmodern American Fiction. London: U of Alabama P, 2002. Conti, Chris. “The Confessions of Todd Andrews: Double-Directed Discourse in The Floating Opera.” Studies in the Novel 36. 4 (2004): 533–51. Couturier, Maurice. “From Displacement to...

Share