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This innovative study of the modern Hebrew writer, S. Y. Agnon, offers new insight into his literary transformations of Jewish themes and sources. With particular attention to Kafka, Hoffman situates Agnon in the context of twentieth-century literature and examines such central issues in Agnon’s art as the relationship of the literary text to traditions of sacred writings, the place of the book in culture, and the relationship of writing to the body.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. iii-v
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  1. Contents
  2. p. vii
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  1. Acknowledgments
  2. p. ix
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  1. 1. Introduction: "Like a Man Who Is Exiled From the Palace of His Father"
  2. pp. 1-20
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  1. Part I: Comparative Agnon
  1. 2. Scribal Fictions: Franz Kafka and S. Y Agnon
  2. pp. 23-39
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  1. 3. Dramas of Signification: Edmond Jabes, S. Y. Agnon, Franz Kafka
  2. pp. 41-54
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  1. Part II: Of Writing and the Writer
  1. 4. Autochthon of the Book
  2. pp. 57-75
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  1. 5. Housing the Past in A Guest for the Night
  2. pp. 77-103
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  1. 6. Inclusion and Exclusion: Three Stories
  2. pp. 105-122
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  1. Part III: Anatomies of Culture
  1. 7. Inscription and Madness in Only Yesterday
  2. pp. 125-148
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  1. 8. The Wound and the Book: Gender, Writing and Culture in Shira
  2. pp. 149-176
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  1. 9. "A Sanctioned Babel": Toward a Conclusion
  2. pp. 177-183
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  1. Notes
  2. pp. 185-207
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  1. References
  2. pp. 209-224
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  1. Index [Includes Back Cover]
  2. pp. 225-236
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