In lieu of an abstract, here is a brief excerpt of the content:

W o r k s C i t e d Adams, Hazard. Philosophy of the Literary Symbolic. Tallahassee: U Presses of Florida, 1983. Affron, Mirella Joan. “Text and Memory in Eclipse.” Literature Film Quarterly 9.3 (1981): 139–51. Agamben, Giorgio. “The End of the Poem.” The End of the Poem: Studies in Poetics. Trans. Daniel Heller-Roazen. Stanford: Stanford UP, 1999. 109–15. Agee, James. Agee on Film: Reviews and Comments. New York: MacDowell, Oblensky, 1958. Agosti, Stefano. “Introduzione alla poesie di Zanzotto.” Andrea Zanzotto, poesie (1938–1972). By Andrea Zanzotto. Ed. Stefano Agosti. Milan: Mondadori, 1973. 7–25. ———. “L’esperienza di linguaggio di Andrea Zanzotto.” Introduction to Zanzotto, Le poesie ix–xlix. Alicata, Mario, and Giuseppe De Santis. “Verità e poesia: Verga e il cinema italiano.” Cinema 6 (1941): 216–17. Andrew, James Dudley. “Adaptation.” Concepts in Film Theory. New York: Oxford UP, 1984. 96–106. ———. Film in the Aura of Art. Princeton, NJ: Princeton UP, 1984. ———. Foreword. Galt and Schoonover, Global Art Cinema v–xi. Angelucci, Gianfranco. “Su La voce della luna e altre fellinità.” Cineteca 6.2–3 (April– May 1990): 10–11. Antonioni, Michelangelo. “Author and Theme.” Leprohon 87–88. ———. “Cannes Statement.” Chatman and Fink 177–79. ———. “Colloquio con Michelangelo Antonioni.” 1958. Leprohon 88–89. ———. “Il ‘fatto’ e l’immagine.” Di Carlo and Tinazzi, Fare un film 50–52; English translation: “The Event and the Image.” Di Carlo, Tinazzi, and Cottino-Jones, Architecture 51–53. ———. Screenplays: “Il grido,” “L’avventura,” “La notte,” “L’eclisse.” New York: Orion, 1963. ———. “A Talk with Antonioni.” Interview by Hollis Alpert. Saturday Review of Literature 27 Oct. 1962: 27, 45. ———. “A Talk with Michelangelo Antonioni on His Work.” Di Carlo and Tinazzi, Architecture 21–47. Arecco, Sergio. Pier Paolo Pasolini. Rome: Partisan, 1972. 190 Works Cited Ariosto, Ludovico. Orlando furioso. Ed. Lanfranco Caretti. 2 vols. 2nd ed. Turin: Einaudi , 1992. Aristarco, Guido. “Notes on Michelangelo Antonioni.” Trans. Luciana Bohne. Film Criticism 9 (1984): 4–7. ———. “On Europa ’51.” Trans. Geoffrey Nowell-Smith. Forgacs, Lutton, and NowellSmith 156–57. Arnott, Peter D. Public and Performance in the Greek Theatre. London: Routledge, 1989. Arrowsmith, William. Antonioni: The Poet of Images. Ed. Ted Perry. New York: Oxford UP, 1995. Asor Rosa, Alberto. “Il neorealismo o il trionfo del narrativo.” Cinema e letteratura del neorealismo. Ed. Giorgio Tinazzi and Marina Zancan. 2nd ed. Venice: Marsilio, 1983. 79–102. ———. “Il primo e l’ultimo uomo del mondo.” Il caso Verga. Ed. Alberto Asor Rosa. Palermo: Palumbo, 1987. Attolini, Vito. Dal romanzo al set. Bari: Dedalo, 1988. Aumont, Jacques. Amnésies: Fictions du cinéma d’après Jean-Luc Godard. Paris: POL, 1999. Bachman, Gideon. “Films Are Animal Events: Bernardo Bertolucci Talks about His New Film 1900.” Film Quarterly 29.1 (1975): 11–19. Bachman, Gideon, Amos Vogel, Parker Tyler, et al. “On the Nature and Function of the Experimental (Poetic) Film.” Poetry and Film. New York: Gotham Book Mart, 1972. 17–26. Bacon, Henry. Visconti: Explorations of Beauty and Decay. New York: Cambridge UP, 1998. Bakhtin, Mikhail M. The Dialogic Imagination. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: U of Texas P, 1981. ———. “Discourse in the Novel.” Bakhtin, Dialogic Imagination 3–40. ———. “Epic and Novel.” Bakhtin, Dialogic Imagination 259–422. Bandini, Fernando. “Zanzotto dalla ‘Heimat’ al mondo.” Zanzotto, Le poesie lii–xciv. Bantcheva, Denitza, ed. Visconti dans la lumière du temps. Condé-sur-Noireau: Corlet , 2008. Barański, Zygmunt G., ed. Pasolini Old and New: Surveys and Studies. Dublin: Free Court, 1999. Bazin, André. “De la politique des auteurs.” Trans. Peter Graham. The New Wave. Ed. Peter Graham. New York: Doubleday, 1968. 137–55. ———. “De Sica: Metteur en scène.” Curle and Snyder 62–76. ———. “In Defense of Rossellini.” Bazin, What Is Cinema? 2:93–101. ———. “La strada.” Trans. Joseph E. Cunneen. Federico Fellini: Essays in Criticism. Ed. Peter Bondanella. New York: Oxford UP, 1978. ———. “The Ontology of the Photographic Image.” Bazin, What Is Cinema? 1:9–16. ———. What Is Cinema? Ed. and trans. Hugh Gray. 2 vols. Berkeley: U of California P, 1967–71. Bellour, Raymond. “The Film Stilled.” Trans. Alison Rowe with Elizabeth Lyon. Camera Obscura 24 (1990): 99–123. Benci, Jacopo. “Antonioni and Rome, 1940–62.” Rascaroli and Rhodes 21–63. [3.140.242.165] Project MUSE (2024-04-25 17:26 GMT) Works Cited 191 Ben-Ghiat, Ruth. Fascist Modernities: Italy, 1922–1945. Berkeley: U of California P, 2004. Benigni, Roberto. Interview by Anna Samueli. “La voce della luna.” Trans. Nathalie Sciardis. Cahiers du cinéma...

Share