The Work of Elmore Leonard
Publication Year: 2013
Published by: The Johns Hopkins University Press
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Title Page, Copyright
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I fi rst became interested in Elmore Leonard because I like to read crime fi ction and I’m originally from Detroit. It wasn’t until I was working as an En glish professor in Boston, married with family, that a friend told me to read Swag. What hooked me almost instantly was Leonard’s sense of place. This was Detroit just as I had left it: crowded, dirty, parochial, demographically diverse, ...
1 Being Cool: Learning Authenticity
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If you’ve heard the name Elmore Leonard, chances are you’ve also heard him described as “the Dickens of Detroit.” At one point in his career, this honorifi c appeared in the publicity pages of nearly every new paperback edition of an Elmore Leonard book and in the columns of nearly every fresh review. Anyone who’s read Leonard can see why, even in its original, diminished form—“A ...
2 Being Other(s): “Making” Imaginary Friends
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The most prominent features of Leonard’s Westerns refl ect the patterns of rela-tionship that shaped his childhood, adolescence, and young manhood. In sum-marizing that pro cess, we might begin with an imaginative and sociable boy, responsive to the nuances of the human voice and the vicarious thrill of adven-ture books, Western fi lms, and news accounts of legendary gangsters. This boy ...
3 Plays Well with Others: Take Five
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The fi rst de cade of Leonard’s career as a writer of crime fi ction was interrupted at several points by work that harkened back to his Western phase, such as Val-dez Is Coming (1970), Forty Lashes Less One (1972), and Gunsights (1979), and by work on screenplays. The latter include some that sold—The Moonshine War (1970, based on the novel of 1969), Picket Line (1970), American Flag (1971), Joe ...
4 Choruses: After 1980
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In jazz, a “chorus” is a single iteration of a basic song or tune, usually twelve to thirty- two mea sures long. A jazz per for mance can comprise dozens of cho-ruses, starting with the fi rst, or “head,” which is typically played as written, followed by successive improvisations on the head’s fundamental chord struc-ture. The results can both surprise and delight, incorporating melodies that ...
Conclusion: What Happens Next?
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Just after Bill Hill closes the deal in Touch that will make Juvenal a media star, Leonard oﬀ ers us a glimpse of the evangelical huckster’s thoughts, in free indi-rect discourse. Hill is glad to be back in the saddle and no longer selling motor homes, as he’s had to do ever since Uni- Faith folded: “Work work work. But damn he felt good. Bill Hill was promoting people again and not some dead- ass ...
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Page Count: 248
Illustrations: 12 b&w illus.
Publication Year: 2013