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WB refers to William Blake; ch refers to a character within a work Index Ackroyd, Peter, 94, 102, 111, 157, 344n5, 347n24, 350n57; on politics, 80–81, 82, 83, 87, 90, 92, 93; on WB and Milton, 156, 166; on WB’s finances, 108, 109; on WB’s milieu, 100, 101 Adams, Hazard, 8 Adcock, Frederick, 102, 104, 106, 351n67 Addison, Joseph, 69 Adorno, Theodor W., 188, 213, 242, 244–46, 269, 282, 379n25; on second reflection, 245, 331–32n78; and velleity, 244, 379n31 affect, 11, 18, 33, 43, 56, 236, 243, 327–28n49; and agency, 23, 29, 36, 171, 273, 280, 299, 366n11; Altieri on, 328n50; and criticism, 186; Derrida on, 285; and disturbance, 2, 3–4, 6, 13, 49; and emotion, 304; faith-based, 274; and formalism, 282, 284; and historical change, 2; William James on, 29–32; and Massumi, 304, 305, 327n48; in Milton, 31; as moods, 14–17; and performativity, 173; precognitive, or autonomic, 23; as redemptive, 291; and self-deception, 36; and transformation, 32; turbulent, 23. See also emotions; feelings affective appraisals, 367–68n27, 374–75n46 affective ratification, 5–6 affect theory, 32, 261, 324n26, 359–60n145 agency, 3, 6, 20, 102, 232–33, 268, 314; and affect, 23, 29, 36, 171, 273, 280, 299, 366n11; Derrida on, 285; and emotion, 10, 11, 25, 35, 36, 180, 300, 301, 311; and enthusiasm, 2, 35; and Foucault, 152; and heart as vortex, 187; and history, 35, 74, 342–43n95; and Kant, 35; and Leys, 324n26; and Libet, 152; and Makdisi, 304; and Massumi, 304–5; in Milton, 26, 231, 234, 237; and Milton’s Samson Agonistes, 116; as only apparent, 292; and pulse, 236; Quinney on, 323n20; and Seligman, 208; urgent but suspended, 316; and WB, 29, 34, 35 Albion (ch), 6, 34, 51, 52, 53, 63, 123, 312, 376n8; as disemboweled, 383n57; fibres of, 61, 339n49; and Los, 259; machines of, 178, 182–83, 251; and mental fight, 60–61; Miltons’ fall through heart of, 187, 227, 251, 259, 286, 312, 313; self-sacrifice of, 87, 95; utopian vision of, 32 Althusser, Louis, 184, 185–86, 334n9 Altieri, Charles, 10, 24, 179, 328n50, 365n10 American Revolution, 87, 156 Ames, Alfred C., 323n19 Anderson, Benedict, 61, 339n49 antinomianism, 40, 81, 101, 107, 149, 150, 293, 323n20; and Annotations to Watson, 72; and Fish, 348–49n42, 354n95; in Jerusalem, 46, 69, 78; and Kant, 48, 66, 77; and Makdisi, 67, 295, 336–37n38, 339n50; Mee on, 111; and Milton, 116, 117, 354n95, 356–57n120; and Milton , 44, 48; and WB, 7–8, 34, 67, 336–37n38, 347–48n34, 348–49n42, 351–52n75; and WB and Hayley, 159; and WB and Milton, 95, 157; and WB’s daily life, 102 Arendt, Hannah, 73, 76, 237, 240, 334n11, 342n90, 342–43n95, 356n116 Areopagitica (Milton), 113 Aristotle, 194, 199, 203, 228, 229, 286; Poetics, 202, 227, 370n12 Armatrading, Joan, 188 Armstrong, Isobel, 271, 278, 282, 283, 300, 386n24 Arnold, Matthew, 6, 154, 163, 164, 269–70, 273, 276, 385n4; and creativity, 302; and criticism, 394 Index Arnold, Matthew (cont.) 270, 272; and disinterestedness, 269; and emotion, 278; and French Revolution, 315, 343n105; and happiness, 268–69; and liberal subject, 272; and Sartre, 308; and Wolfson, 283 artisans, 40, 81, 82, 101, 109, 110, 344–45n7, 352n82; and Coleridge, 38, 39 Auden, W. H., 26 Austen, Jane, 108; Sense and Sensibility, 246 Bachelard, Gaston, 220 Bacon, Francis, 37, 44, 248, 298 Balfour, Ian, 328n58, 329n60, 376n9, 388n45 Barnett, Douglas, 171 Barrell, John, 53, 336n32, 339n50 Barthes, Roland, 126 Basire, James, 110 Bataille, Georges, 159, 329n63 Beardsley, Monroe C., 5, 269, 321–22n6 Behrendt, Stephen C, 354n96 Benjamin, Walter, 132, 284, 335n24, 356n118, 356–57n120, 372–73n31, 378n21, 378–79n22 Bentley, G. E., 293, 346–47n22, 350n52, 351n65, 352n78 Bentley, Thomas, 101 Berlant, Lauren, 181, 195 Birch, John, 392n79 Blair, Hugh, 56 Blake, Catherine, 68, 103, 107, 109, 351n65, 352n83, 392n79 Blake, James (brother), 99 Blake, James (father), 110 Blake, Robert (brother), 100 Blake, William: and anti-Catholic bias, 347– 48n34; apprenticed to James Basire, 110; and artisans, 344–45n7; bourgeois aspirations of, 102; as bricoleur, 101–2; and commercial art world, 337n39; commercial failure of, 108; commercial independence of, 99; as dedicating his edition of The Grave to queen, 90; detachment of, 100; as engraver, 33, 38, 107–8, 167; family of, 100; finances of, 105, 108, 109–10; and Gordon Riots, 35, 82, 84, 88–94; and Hayley, 157–61, 162, 165, 166, 167, 361n167, 362n175, 362nn177, 178; impulse to...

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