Justice, Dissent, and the Sublime
Publication Year: 2012
Published by: The Johns Hopkins University Press
Cover, Title Page, Copyright
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I am grateful for the questions and comments from several audiences who heard parts of this work as it unfolded—at meetings of the North American Society for the Study of Romanticism and the Modern Language Association, at the English...
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I begin with one of the most obvious features of Mary Shelley’s celebrated novel Frankenstein; or the Modern Prometheus (1818, rev. 1831). The monster, we’re told over and over again, is ugly. Surely his creator, Victor Frankenstein...
1. Beautiful People
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It would be both right and wrong to say that aesthetics has returned as a subject of urgent scholarly inquiry since the early 1990s. It would be right in the sense that recent critics—Peter de Bolla, Denis Donoghue, Umberto Eco, Elaine Scarry...
2. Justice and the Romantic Sublime
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I’ve said that recent writing on aesthetics has usually avoided the oppositional, dissenting position of writers on the sublime. If this is an “argument” that beauty theorists have had with the sublime, it is an argument that can best be understood...
3. The Reparative Impulse
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Kant’s encouragement of the formation of a corrective standpoint on legal and political institutions and discourses might stimulate us to modify the terms upon which the “public” is understood and addressed by the postmodern public...
4. Biopolitics and the Sublime
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Recent political theorizing has taken a surprising, often unrecognized interest in the legal and political innovations of the late eighteenth century. Michel Foucault certainly brought attention to the disciplinary technology of prisons...
5. Aesthetics and Animal Theory
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Thus far I have been examining the consequences of beauty’s privilege, because of its emphasis on symmetry, balance, and resemblance, as a model for justice or other political virtues. This aesthetic approach to social relations not only dominates...
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Page Count: 192
Publication Year: 2012