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Winner, 2012 Sally Hacker Prize, Society for the History of TechnologyHotel Dreams is a deeply researched and entertaining account of how the hotel's material world of machines and marble integrated into and shaped the society it served. Molly W. Berger offers a compelling history of the American hotel and how it captured the public's imagination as it came to represent the complex—and often contentious—relationship among luxury, economic development, and the ideals of a democratic society.Berger profiles the country's most prestigious hotels, including Boston's 1829 Tremont, San Francisco's world-famous Palace, and Chicago's enormous Stevens. The fascinating stories behind their design, construction, and marketing reveal in rich detail how these buildings became cultural symbols that shaped the urban landscape.

Table of Contents

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  1. Cover
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  1. Contents
  2. p. v
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  1. Introduction
  2. pp. 1-10
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  1. 1. The Emergence of the American First-Class Hotel, 1820s: “All at Hand, and All of the Best”
  2. pp. 11-28
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  1. 2. The Tremont House, Boston, 1829: “A Style Entirely New”
  2. pp. 29-60
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  1. 3. The Proliferation of Antebellum Hotels, 1830–1860: “Every Thing Is on a Gigantic Scale”
  2. pp. 61-82
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  1. 4. The Continental Hotel, Philadelphia, 1860: “In Reference to the Building of a Monster Hotel”
  2. pp. 83-110
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  1. 5. Production and Consumption in an American Palace, 1850–1875: “To Keep a Hotel”
  2. pp. 111-140
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  1. 6. The Palace Hotel, San Francisco, 1875: “The Greatest Caravansary in the World”
  2. pp. 141-176
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  1. 7. The “New” Modern Hotel, 1880–1920: “It Is Part of the Hotel Business to Hide All These Things from View”
  2. pp. 177-216
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  1. 8. The Stevens Hotel, Chicago, 1927: “Virtually a Multiple of Twenty-Five Small Hotels”
  2. pp. 217-241
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  1. Conclusion
  2. pp. 242-258
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  1. Acknowledgments
  2. pp. 259-261
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  1. Notes
  2. pp. 263-296
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  1. Essay on Sources
  2. pp. 297-305
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  1. Index
  2. pp. 307-318
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