In this Book

buy this book Buy This Book in Print
summary

In the work he considered his masterpiece, Persiles and Sigismunda, Cervantes finally explores the reality of woman--an abstraction largely idealized in his earlier writing. Traditional critics have perpetuated this disembodied ideal woman: "Every Man," claimed the translators of the 1706 Don Quixote, has "some darling Dulcinea of his Thoughts." As Diana de Armas Wilson shows, however, Cervantes himself envisioned the radical embodiment of "Dulcinea" in the later Persiles, a pan-European Renaissance allegory. Wilson illuminates Cervantes's strategic use of the ancient genre of Greek romance to contest various chivalric fictions about women, love, and marriage--fictions collapsing under the constraints of an emerging bourgeois culture. Taking as her subject Cervantes's erotic imperative--to leave behind "barbaric" notions of love in quest of a new conceptual space--Wilson demonstrates how the heroes of the Persiles, unlike Don Quixote, learn to cross the borders of difference. Their journey toward marriage is illustrated by thirteen inset "exemplary novels," perhaps the most exploratory of Cervantes's writings. Allegories of Love not only examines the fundamental importance of sexual and cultural difference in Cervantes's last romance, but also reveals the historical conditions of representation itself during the late Renaissance.

Originally published in 1991.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Table of Contents

restricted access Download Full Book
  1. Cover
  2. restricted access
    • Download PDF Download
  1. Title page, Copyright, Dedication
  2. restricted access
    • Download PDF Download
  1. Contents
  2. pp. vii-viii
  3. restricted access
    • Download PDF Download
  1. Acknowledgments
  2. pp. ix-x
  3. restricted access
    • Download PDF Download
  1. Introduction
  2. pp. xi-xx
  3. restricted access
    • Download PDF Download
  1. Part 1: Context and Subtexts
  1. 1 Kidnapping Romance
  2. pp. 3-23
  3. restricted access
    • Download PDF Download
  1. 2 Canonizing Romance
  2. pp. 24-44
  3. restricted access
    • Download PDF Download
  1. 3 Some Versions of Allegory
  2. pp. 45-77
  3. restricted access
    • Download PDF Download
  1. 4 Cervantes and the Androgyne
  2. pp. 78-106
  3. restricted access
    • Download PDF Download
  1. Part 2: The Text
  1. 5 Cervantes on Cannibals
  2. pp. 109-129
  3. restricted access
    • Download PDF Download
  1. 6 Plot and Agency
  2. pp. 130-150
  3. restricted access
    • Download PDF Download
  1. 7 Thirteen Exemplary Novels
  2. pp. 151-176
  3. restricted access
    • Download PDF Download
  1. Part 3: The Woman in the Text
  1. 8 A Romance of Rape: Transila Fitzmaurice
  2. pp. 179-199
  3. restricted access
    • Download PDF Download
  1. 9 Some Perversions of Pastoral: Feliciana De La Voz
  2. pp. 200-222
  3. restricted access
    • Download PDF Download
  1. 10 The Histrionics of Exorcism: Isabela Castrucha
  2. pp. 223-247
  3. restricted access
    • Download PDF Download
  1. Epilogue
  2. pp. 248-252
  3. restricted access
    • Download PDF Download
  1. Index
  2. pp. 253-260
  3. restricted access
    • Download PDF Download
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.