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Barbara Lewalski argues that the Protestant emphasis on the Bible as requiring philological and literary analysis fostered a fully developed theory of biblical aesthetics defining both poetic art and spiritual truth.

Originally published in 1979.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. Foreword
  2. pp. ix-xii
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  1. List of Abbreviations
  2. p. xiii
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  1. List of Emblems
  2. pp. xiv-xvi
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  1. 1. "Is there in truth no beautie?": Protestant Poetics and the Protestant Paradigm of Salvation
  2. pp. 3-28
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  1. I. Biblical Poetics
  2. pp. 29-30
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  1. 2. Biblical Genre Theory: Precepts and Models for the Religious Lyric
  2. pp. 31-71
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  1. 3. The Poetic Texture of Scripture: Tropes and Figures for the Religious Lyric
  2. pp. 72-110
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  1. 4. The Biblical Symbolic Mode: Typology and the Religious Lyric
  2. pp. 111-144
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  1. II. Ancillary Genres
  2. pp. 145-146
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  1. 5. Protestant Meditation: Kinds, Structures, and Strategies of Development for the Meditative Lyric
  2. pp. 147-178
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  1. 6. Protestant Emblematics: Sacred Emblems and Religious Lyrics
  2. pp. 179-212
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  1. 7. Art and the Sacred Subject: Sermon Theory, Biblical Personae, and Protestant Poetics
  2. pp. 213-250
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  1. III. The Flowering of the English Religious Lyric
  2. pp. 251-252
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  1. 8. John Donne: Writing after the Copy of a Metaphorical God
  2. pp. 253-282
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  1. 9. George Herbert: Artful Psalms from the Temple in the Heart
  2. pp. 283-316
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  1. 10. Henry Vaughan: Pleading in Groans of My Lord's Penning
  2. pp. 317-351
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  1. 11. Thomas Traherne: Naked Truth, Transparent Words, and the Renunciation of Metaphor
  2. pp. 352-387
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  1. 12. Edward Taylor: Lisps of Praise and Strategies for Self-Dispraise
  2. pp. 388-426
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  1. Afterword
  2. pp. 427-428
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  1. Notes
  2. pp. 429-506
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  1. Index
  2. pp. 507-537
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