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Table of Contents

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  1. Title Page, Copyright, Frontispiece
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. About the Method of Translation and Transliteration
  2. pp. xi-xii
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  1. Abbreviations
  2. pp. xiii-xiv
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  1. Reel One: Sequence, Cameo, Prologue
  2. pp. 1-24
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  1. Reel Two: Birth of the Idea
  2. pp. 25-44
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  1. Reel Three: From Symbolic Iconography to “Insider” Cinema
  2. pp. 45-82
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  1. Reel Four: Dreams about Genuine Jewish “Cinemo”
  2. pp. 83-134
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  1. Reel Five: Shimele Soroker’s Bad Business Deal
  2. pp. 135-174
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  1. Epilogue
  2. pp. 175-178
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  1. Film Scripts
  2. pp. 179-180
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  1. The Bloody Jest: Кровавая шутка
  2. pp. 181-208
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  1. The World Is Going Backward (Di velt geyt tsurik) A Cinema-Fantasy for Hanukkah: די וועלט גייט צוריקא סינעמא-פ&
  2. pp. 209-214
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  1. Resilient Tevye: Тевье-молочник Неунывающий Тевель
  2. pp. 215-230
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  1. Chava, Tevye’s Daughter: Хава Тевелева дочь
  2. pp. 231-246
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  1. Ashmedaior:The Enchanted Tailor; Асмодай: или заколдованный портной
  2. pp. 247-264
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  1. The Afterworld עולם-הבאקינאָ-סצענאר Загробная жизнь
  2. pp. 265-272
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  1. The Dangerous Jest
  2. pp. 273-302
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  1. Little Motel Goes to America מאָטל פּייסי דעם חזנס
  2. pp. 303-310
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  1. The “Cinematographic” Correspondence of Sholem Aleichem
  2. pp. 311-354
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  1. Bibliography
  2. pp. 355-372
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  1. Index of Names and Places
  2. pp. 373-378
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  1. Index of Cinema Productions, Film Scripts, and Film Companies
  2. pp. 379-382
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  1. About the Author
  2. p. 383
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