The Paths of Folklore: Essays in Honor of Natalie Kononenko

A Selected List of Works by Natalie Kononenko

The Paths of Folklore: Essays in Honor of Natalie Kononenko. Svitlana Kukharenko and Peter Holloway, eds. Bloomington, IN: Slavica Publishers, 2012, 245–50.       A Selected List of Works by Natalie Kononenko Publications Books/Journals (Authored and Edited) Ukrainian  Dumy.  Toronto  and  Cambridge,  MA:  Canadian  Institute  of  Ukrain-­‐‑ ian  Studies  and  Harvard  Ukrainian  Research  Institute,  1979.   The  Turkish  Minstrel  Tale  Tradition.  New  York:  Garland  Publishing,  1990.   The  Magic  Egg  and  Other  Tales  from  Ukraine.  Englewood,  CO:  Libraries  Unlim-­‐‑ ited,  1997.  [With  Barbara  Suwyn]   Ukrainian  Minstrels:  And  the  Blind  Shall  Sing.  Armonk,  NY:  M.  E.  Sharpe,  1998.     Slavic  Folklore:  A  Handbook.  Westport,  CT:  Greenwood  Press,  2007.     Champions  of  Philanthropy:  Peter  and  Doris  Kule  and  Their  Endowments.  Edmon-­‐‑ ton   and   Ottawa:   Kule   Endowment   Group,   2009.   [Co-­‐‑editor   with   Serge   Cipko]   Folklorica,   Journal   of   the   Slavic   and   East   European   Folklore   Association.   [Editor,   2006–11]   Book Chapters “The   Techniques   of   Turkish   Minstrelsy:   Oral   Composition   versus   Memori-­‐‑ zation.”   In   Turk   Folklor   Bildirleri,   189–257.   Ankara:   Universite   Basimevi,   1976.   “The  Changing  Concept  of  the  Asik:  Repertory  and  Learning  Techniques.”  In   II  Milletlerarasi  Turk  Folklor  Kongresi  Bildirleri,  61–69.  Ankara:  Basbakanlik   Basimevi,  1982.   “Izha   ta   kul’tura   kharchuvannia”   [Food   and   food   behavior   in   Ukrainian   proverbs].  Introduction  to  Ukrains’ki  prykazky,  prysliv’ia  i  take  inshe,  by  M.   Nomys,   33–40.   South   Bound   Brook,   NJ:   The   Publishing   Fund   of   the   Ukrainian  Orthodox  Center,  1985.   “Mermaids   (Rusalki)   and   Russian   Beliefs   About   Women.”   In   New   Studies   in   Russian  Language  and  Literature,  edited  by  Anna  Lisa  Crone  and  Catherine   V.  Chvany,  221–38.  Columbus,  OH:  Slavica  Publishers.     “The  Goddess,  Prehistoric  and  Modern.”  In  Goddesses  and  Their  Offspring:  19th   and  20th  Century  Eastern  European  Embroideries,  edited  by  Merrill  Oliver,   16–27.  Binghamton,  NY:  Roberson  Center  for  the  Arts  and  Sciences,  1986.   246 BIBLIOGRAPHY OF WORKS BY NATALIE KONONENKO “Soviet   Concepts   of   Space.”   In   Folklore   Groups   and   Folklore   Genres:   A   Reader,   edited  by  Elliot  Oring,  87–97.  Logan:  Utah  State  University  Press,  1988.   “Women   as   Performers   of   Oral   Literature:   A   Re-­‐‑examination   of   Epic   and   Lament.”   In   Women   Writers   in   Russian   Literature,   edited   by   Toby   W.   Clyman  and  Diana  Greene,  17–33.  Westport,  CT:  Greenwood  Press,  1994.     “Dictated  Text/Sung  Text:  The  Learning  Techniques  of  Ukrainian  Minstrels.”   In  Oral  Epic:  Ethnic  Traditions  and  Performance,  edited  by  Oleksandra  Bri-­‐‑ tsyna,  141–51.  Kyiv:  IMFE,  1997.   “Clothes   Unmake   the   Social   Bandit:   Sten’ka   Razin   and   the   Golyt’ba.”   In   Playing  Robin  Hood:  The  Legend  as  Performance  in  Five  Centuries,  edited  by   Lois  Potter,  111–35.  Newark:  University  of  Delaware  Press,  1998.   Preface  to  From  Chantre  to  Diak:  Cantorial  Traditions  in  Canada,  edited  by  Rob-­‐‑ ert  B.  Klymasz,  5–13.  Hull:  Canadian  Museum  of  Civilization,  2000.   “Goddess   Figures   in   Ukrainian   Folk   Art.”   In   The   Tree   of   Life,   The   Sun,   The   Goddess:  Symbolic  Motifs  in  Ukrainian  Folk  Art,  edited  by  Lubow  Wolynetz,   54–71.  New  York:  Ukrainian  Museum,  2005.   “Folk  Orthodoxy:  Popular  Religion  in  Contemporary  Ukraine.”  In  Letters  from   Heaven:  Popular  Religion  in  Russia  and  Ukraine,  edited  by  John-­‐‑Paul  Himka   and   Andriy   Zayarnyuk,   46–75.   Toronto:   University   of   Toronto   Press,   2006.   “Peter  and  Doris  Kule:  A  Biographical  Essay”  and  “The  Kule  Chair  of  Ukrain-­‐‑ ian  Ethnography.”  In  Champions  of  Philanthropy:  Peter  and  Doris  Kule  and   Their   Endowments,   edited   by   Natalie   Kononenko   and   Serge   Cipko,   3–21   and  91–107.  Edmonton:  Kule  Endowment  Group,  2009.   “When   Traditional   Improvisation   Is   Prohibited:   Ukrainian   Funeral   Laments   and  Burial  Practices.”  In  Musical  Improvisation:  Art  Education  and  Society,   edited  by  Gabriel  Solis  and  Bruno  Nettl,  52–71.  Urbana:  University  of  Illi-­‐‑ nois  Press,  2009.   “Ukrainian   Weddings   since   the   Soviet   Period”   and   “Ukrains’ki   vesillia   vid   radians’koho   periodu   do   s’ohodni.”   In   Invitation   to   a   Wedding/Zapro-­‐‑ shennia   na   vesillia:   Ukrainian   Wedding   Textiles   and   Traditions,   edited   by   Lubow  Wolynetz  and  Kononenko,  53–79.  New  York:  Ukrainian  Museum,   2010.  Exhibition  catalogue.   “Rushnyky:   Ukrainian   Ritual   Clothes   and   the   Hnatiuk   Collection”   and   “Ukrainian  Folk  Costume”  [with  Hanna  Chuchvaha].  In  The  Hnatiuk  Col-­‐‑ lection:   Textiles   at   the   Ukrainian   Museum-­‐‑Archive,   edited   by   Irene   Jarose-­‐‑ wich   and   Aniza   Kraus,   37–60   and   75–100   respectively.   Cleveland:   Ukrainian  Museum-­‐‑Archives,  2011.  Exhibition  catalogue.   “Field  Disasters:  Close  Call  in  Ukraine.”  In  Disasters  in  the  Field:  Preparing  for   and  Coping  with  Unexpected  Events,  edited  by  Gillian  H.  Ice  (forthcoming).   “Kobzari  ta  lirnyky  iak  predstavnyky  cholovichoi  subkul’tury.”  In  a  book  on   Ukrainian  Folk  Groups,  edited  by  Maryna  Hrymych  (forthcoming).         BIBLIOGRAPHY OF WORKS BY NATALIE KONONENKO 247 Encyclopedia Entries and Notes “Ukrainian  Dumy.”  In  the  Modern  Encyclopedia  of  Russian  and...