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Contents Note on the Text ...................................................................................................... x Introduction Carol Apollonio and Angela Brintlinger ...................................................... 1 Part I: Space Cathy Popkin The Spaces Between the Places: Chekhov’s “Without a Title” and the Art of Being (Out) There ................................. 13 Edyta Bojanowska Chekhov’s The Duel, or How to Colonize Responsibly ............................ 31 Vladimir Kataev Circuses and Cemeteries: Chekhovian Topoi ............................................ 49 Part II: Time Svetlana Evdokimova Being as Event, or the Drama of Dasein: Chekhov’s The Three Sisters ........................................................................... 57 Anatoly Sobennikov Classical Ideas of Fate in Chekhov’s Dramaturgy ..................................... 79 Igor Sukhikh The Death of the Hero in Chekhov’s World ............................................... 89 Jerome Katsell Nabokov’s Debt to Chekhov’s Art of Memory ........................................ 109 viii CONTENTS Part III: Person Michael Finke Of Interpretation and Stolen Kisses: From Poetics to Metapoetics in Chekhov’s “The Kiss” ....................................................... 127 Galina Rylkova Reading Chekhov Through Meyerhold’s Eyes ........................................ 149 Anna Muza The Marriage of Figaro, the Marriage of Lopakhin: The Hero’s Revolt ......................................................................................... 167 Nina Wieda Cultural Kenosis in Chekhov’s “The Wife” .............................................. 181 Part IV: Word Radislav Lapushin “Put Yourself in the Place of a Corncrake”: Chekhov’s Poetics of Reconciliation .......................................................... 197 Andrei Stepanov The Psychology of Chekhov’s Creative Method and Generative Poetics ................................................................. 211 Vera Zubarev Chekhov’s Style in Light of General Systems Thinking: The Steppe as a Positional Masterpiece ...................................................... 223 Part V: Transpositions Ronald Meyer The Cherry Orchard in the Twenty-‐‑First Century: New Adaptations and Versions ................................................................. 247 Cynthia Marsh Three Sisters as a Case Study for “Making Foreign Theater or Making Theater Foreign” ......................................................... 269 [3.144.48.135] Project MUSE (2024-04-19 11:50 GMT) CONTENTS ix Carol Apollonio Gained in Translation: Chekhov’s “Lady” ............................................... 281 Margarita Odesskaya Uncle Vanya: Life in Time (Reception and Interpretation) ...................... 299 Nena Couch Chekhov in the Jerome Lawrence and Robert E. Lee Theatre Research Institute .................................................. 317 Angela Brintlinger “A Cigar in the Fresh Air”: Chekhov’s Yasha Lives! .............................. 335 Sasha Waters Freyer Remixing Chekhov ....................................................................................... 349 Bibliography ......................................................................................................... 355 ...