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Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
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  1. Acknowledgments
  2. p. vii
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  1. Holy Foolishness as a Key to Russian Culture
  2. pp. 1-14
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  1. Lice in the Iron Cap: Holy Foolishness in Perspective
  2. pp. 15-40
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  1. Laughter as Spectacle
  2. pp. 41-53
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  1. Holy Foolishness as Spectacle
  2. pp. 54-98
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  1. Holy Foolishness as Social Protest
  2. pp. 99-147
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  1. The Fool and the King: The Vita of Andrew of Constantinople and Russian Urban Holy Foolishness
  2. pp. 149-224
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  1. The Absence of Holy Fools from Medieval Bulgarian Calendars
  2. pp. 225-244
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  1. Isaakii of the Kiev Caves Monastery: An Ascetic Feigning Madness or a Madman-Turned-Saint?
  2. pp. 245-268
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  1. Simon of lurievets and the Hagiography of Old Russian Holy Fools
  2. pp. 269-280
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  1. The Unmerry Widow: The Blessed Kseniia of Petersburg in Hagiography and Hymnography
  2. pp. 281-304
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  1. Illustrations to the Vita of Andrew the Holy Fool of Constantinople in the Tradition of Russian Old Believers
  2. pp. 305-327
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  1. The Pathos of Holy Foolishness in the Leningrad Underground
  2. pp. 337-352
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  1. Holy Foolishness and Postmodern Culture
  2. pp. 353-372
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  1. From Stylization to Parody: The Paradigm of Holy Foolishness (iurodstvo) in Contemporary Russian Performance Art
  2. pp. 373-389
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  1. Image Plates
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  1. Selected Bibliography
  2. pp. 391-405
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  1. Back Cover
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