Mapping the Feminine: Russian Women and Cultural Difference

Subject Index

Subject Index actresses: admirers of 175; autobiographies of Russian 169n7; hurdles in work of 178- 79; lowly status of 168- 69, 168n4; marriage creates problems for 176-77; marriage to fellow actors 175; pregnancy as hazard for 177; serf 169n5; social class of actors 175; at theater schools 174-75. See also Russian performers' memoirs Addams, Jane 238, 239 adultery plots 5, 94n7, 104 "After You'" ("Za toboi!") (Kolosova) 256- 58 Agoult, Marie d' (pen name Daniel Stern) 161 Aivazova, Svetlana 311, 313 Akhmatova, Anna 138, l39, 141, 211n 251 Aksakov, Sergei 155 "Alas! like Prometheus" ("Uvy ! I ia kak Prometei") (Zhadovskaia) 274-75 Alexandrov, Vladimir E. 96n17 Alfrey, Shawn, Sublime of Intense Sociability, The 272-73. Allen, Elizabeth Cheresh 256 American Abstract Artists group 232, 243 American Association for the Advancement of Slavic Studies 317 Amour, L' (Michelet) 30, 48 androgyny l35, 136, 136nlO, 140, 143 AmID Karenina (Tolstoy) 93-111; Anna complicates established oppositions 99-100; Anna's conversation at ball 100- 01, 102-03, 106; Anna's discourse on adultery 101, 102-04, 106- 08; Anna's first conversation 97, 98, 100, 103-04,105-06; Anna's mysteriousness 100n101; on childhood 113, 114- 15, 126; dichotomized view of women prior to Anna's appearance 98-99; on "family idea" 95; feminist features of 93- 94; hermeneutic indices in 96; The Idiot compared with 53n9; implication of "double" structure of 94-96; Karamzin's "Poor Liza" compared with 84; on "Let him who is without sin cast the first stone" 74n; Levin seduced by Mikhailov's portrait of Anna 107; Levin's initial position on sexual transgression 101- 02; Moscow vs. Petersburg opposition in 5, 97-98, 97n21; permanently unmarried characters as incomplete persons 95n11; Petersburg society tales compared with 104-05; Pushkin's Eugene Onegin compared with 94n7; structural echoes help interpret enigmatic exchange 100-01; Tolstoy'S earliest idea for 108; "true" marriage in 93, 95, 108; two plot centers of 94 Anna's Notes (Zapiski Anny) (Sanzhar') 140 Annenkov, Ivan 236 Annenkov, Vladimir 236 "Another Look at Russia" (Breese) 23436 Anthology ofRussian Women's Writing 1777-1992, An (Kelly) 283 Antidote (anonymous [Catherine II]) 285, 286 Arbatova, Mariia 311, 313 Armstrong, Judith 94n8 Army ofSongs, An (Armiia pesen) (Kolosova) 249 Arnim-Baas, Annabel von 311, 312 Arsen'eva, V. V. 29, 29n3 Asenkova, Aleksandra 157, 169n7 Association of Women in Slavic Studies 317 Aucoutrier, Michel 72 Mapping the Feminine: Russian Women and Cultural Difference. Hi lde Hoogenboom, Catharine Theimer Nepomnyashchy, and Irina Reyfman , eds. Bloomington, IN: Siavica Publishers, 2008, 339- 57. 340 SUBJECT INDEX autobiographies: women's 215-16. See also Russian performers' memoirs "Awakening" ("Probuzhdenie") (Gotovtseva) 273 Azhgikhina, Nadezhda 306-D7, 311, 312, 315,317,318 Bakhmeteff, Boris 232n, 238 Bakhmeteff Archive 232, 232n Bakhtin, Mikhail 59n24 Bakunina, Praskov'ia: life dates of 265n1; male critics' references to 269; "The Storm" ("Groza") 272 ballerinas 186-90; Diaghilev's revolution dethrones 195; focal role of 186; as objectified submissive body 186-88; power in attracting admirer's gaze 189-90; sexual liaisons between royal balletomanes and 190 ballet 185-208; imperial precedent 19092 ; monarchy associated with 190, 201, 202; Russianness of Russian 192-93; Soviet 201-06. See also ballerinas; Ballets Russes Ballets Russes 192-201; audience of 194; casts its lot with the West 201; Cleopatra 186, 195-97, 200; The Firebird 195,197-200; narrative of Russianness performed by 193; Paris seasons of 185,193,201; reclaims ballet as high art 193-94; semi-Asiatic exotica-cumerotica of 195; sexual politics dramatized by 195-201; Sleepillg Beauty as formative experience for dancers of 192; Soviet ballet influenced by 7, 202, 204, 206 Balzac, Honore de 294 Banes, Sally 197-98 Bantysh-Kamensky, Dmitry, Dictiollary ofMemorable People of the Russiall Land (Slovar' dostopamiatnykh liudei russkoi zemli) 289-90 Baranskaia, Natalia, "Week Like Any Other, A" ("Nedelia kak nedelia") 314 "Baron Reichman" (Zhukova) 104n33 Barran, Thomas 55n Barrett, Fran 303, 304 Battersby, Christine 271 Bayle, Pierre, Historical alld Critical Dictionary (Dictionnaire historique et critique) 284 Bayley, John 72 Bazileva, Irina 311 "Beads" ("Busy") (Kolosova) 252 "Beast-god" ("Zverebog") (Gippius) 139-40 beautiful, the 271-72 Beauvoir, Simone de 94, 306n18 Belinsky, Vissarion 267--{j8, 269, 271, 293-95 Belknap, Robert 3, 54n13 Bellini, Vincenzo 63 Bendiksen, Anna Primrose 98n21 Benois, Alexandre 197 Benson, Ruth Crego 29n2, 29n3, 31n9, 41, 48-49 Berger, John, Ways of Seeing 33, 43, 43n23 Bernoulli, Johann 286 "Berta von Suttner" (Vengerova) 141, 142, 142n27, 143 Bethea, David M. 66n38...