Index
Chandler, John Noel. “Reflections on/of Michael Snow.” artscanada 31 (Spring 1974): 49-52. Clark, T.J. The Painting of Modern Life: Paris in the Art of Manet and His Followers. Princeton: Princeton University Press, 1984. Colpitt, Frances. Minimal Art: The Critical Perspective. Seattle: University of Washington Press, 1990. Cook, Ramsay. Canada, Quebec, and the Uses of Nationalism. 2nd ed. Toronto: McClelland and Stewart, 1995. Cornwell, Regina. “Michael Snow: The Decisive Moment Revised.” artscanada nos. 23435 (April/May 1980): 1-9. ———. “Snow-Bound Camera.” Artforum 17 (April 1979): 42-45. ———. Snow Seen: The Films and Photographs of Michael Snow. Toronto: Peter Martin Associates, 1980. Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, MA: MIT Press, 1990. Damisch, Hubert. The Origin of Perspective. Trans. John Goodman. Cambridge, MA: MIT Press, 1994. Davis, Ann. The Logic of Ecstasy: Canadian Mystical Painting 1920-1940. Toronto: University of Toronto Press, 1992. de Duve, Thierry. “Echoes of the Readymade: Critique of Pure Modernism.” October 70 (Fall 1994): 60-97. ———. “Michael Snow: The Deictics of Experience, and Beyond.” Parachute 78 (April, May, June 1995): 28-41. de Lauretis, Teresa. Alice Doesn’t: Feminism, Semiotics, Cinema. Bloomington: Indiana University Press, 1984. Derrida, Jacques. Dissemination. Trans. Barbara Johnson. Chicago: University of Chicago Press, 1981. ———. Memoirs of the Blind: The Self-Portrait and Other Ruins. Trans. Pascale-Anne Brault and Michael Naas. Chicago: University of Chicago Press, 1993. ———. Of Spirit: Heidegger and the Question. Trans. Geoffrey Bennington and Rachel Bowlby. Chicago: University of Chicago Press, 1989. ———. The Post Card: From Socrates to Freud and Beyond. Trans. Alan Bass. Chicago: University of Chicago Press, 1987. Dompierre, Louise. “Toronto: A Play of History (Jeu d’histoire).” In Toronto: A Play of History (Jeu d’histoire), 11-29. Toronto: Power Plant, 1987. ———. Walking Woman Works: Michael Snow 1961-67. New Representational Art and Its Uses. Kingston, ON: Agnes Etherington Art Centre, Queen’s University, 1979. Dunning, William V. Changing Images of Pictorial Space: A History of Spatial Illusion in Painting. Syracuse, NY: Syracuse University Press, 1991. Eliade, Mircea, editor in chief. The Encyclopedia of Religion. 16 volumes. New York: MacMillan, 1987. Elder, Katherine. “Michael Snow: A Selective Guide to the Film Literature.” In Presence and Absence: The Films of Michael Snow, 1956-1991, ed. Jim Shedden, 208-49. Toronto: Art Gallery of Ontario and Alfred A. Knopf, 1995. 192 FIGURING REDEMPTION Bibliography 193 Elder, R. Bruce. Image and Identity: Reflections on Canadian Film and Culture. Waterloo, ON: Wilfrid Laurier University Press, 1989. Freud, Sigmund. On Metapsychology: The Theory of Psychoanalysis. Ed. and Trans. under James Strachey. Vol. 11 of The Pelican Freud Library. Harmondsworth, UK: Penguin, 1985. Foreman, Richard. “Critique: Glass and Snow.” Arts Magazine 44 (February 1970): 20-22. Fried, Michael. “Art and Objecthood.” Artforum 5 (June 1967): 12-23. Frye, Northrop. The Bush Garden: Essays on the Canadian Imagination. Toronto: House of Anansi, 1971. Gidal, Peter. “Beckett and Others and Art: A System.” Studio International 188, no. 971 (November 1974): 183-87. Gidal, Peter, ed. Structural Film Anthology. London: British Film Institute, 1978. Grant, George. Technology and Empire: Perspectives on North America. Toronto: House of Anansi, 1969. Greenberg, Clement. Art and Culture: Critical Essays. Boston: Beacon Press, 1965. ———. “Modernist Painting.” In The New Art: A Critical Anthology. Rev. ed. Ed. Gregory Battcock, 66-77. New York: E.P. Dutton, 1973. Grosz, Elizabeth. Jacques Lacan: A Feminist Introduction. London: Routledge, 1990. Heidegger, Martin. Basic Writings. Ed. David Farrell Krell. San Francisco: Harper and Row, 1977. ———. Being and Time. Trans. John Macquarrie and Edward Robinson. New York: Harper and Row, 1962. ———. On the Way to Language. Trans. Peter D. Hertz. New York: Harper and Row, 1971. ———. Poetry, Language, Thought. Trans. Albert Hofstadter. New York: Harper and Row, 1971. ———. The Question Concerning Technology and Other Essays. Trans. William Lovitt. New York: Harper and Row, 1977. Hill, Charles C. “The National Gallery, a National Art, Critical Judgement and the State.” In The True North: Canadian Landscape Painting 1896-1939, ed. Michael Tooby, 64-83. London: Lund Humphries/Barbican Art Gallery, 1991. Houston, C. Stuart, ed. Arctic Artist: The Journal and Paintings of George Back, Midshipman with Franklin, 1819-1822. Montreal and Kingston: McGill-Queen’s University Press, 1994. Hutcheon, Linda. Splitting Images: Contemporary Ironies. Toronto: Oxford University Press, 1991. Judd, Donald. “In the Galleries: Michael Snow.” Arts Magazine 38 (March 1964): 61. ————. “Specific Objects.” Arts Yearbook 8. Art Digest 1965, 23-35. Kilbourn, Elizabeth. “Michael Snow at the Isaacs Gallery.” Canadian Art 19 (May-June 1962): 178...
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