Teaching Subject, A
Composition Since 1966
Publication Year: 2011
Published by: Utah State University Press
Cover
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p. c-c
Title Page, Copyright Page
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pp. i-vi
Contents
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pp. vii-viii
Acknowledgments
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pp. ix-x
This book was previously published by Pearson Education, Inc., in 1997, as a volume in the Prentice Hall Series in Writing and Culture. I thank Pearson for assigning me the rights to this work. I am grateful to Kami Day for her careful eye as copy-editor, to Judy Martin for a useful and...
Preface to New Edition
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pp. xi-xiv
My aim in writing A Teaching Subject was to offer a brief and inexpensive history of our field. I succeeded in making it brief. But over the years, the price of what was, after all, only a slim volume grew higher and higher until the book finally faded out of print. Even still, several colleagues...
Foreword(s): Research and Teaching
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pp. xv-xviii
This book traces how the teaching of college writing has been theorized and imagined since 1966. I do so by looking closely at how five key words—growth, voice, process, error, and community—have figured in recent talk about writing and teaching. I believe that in tracing their meanings...
1. Growth
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pp. 1-31
In the late summer of 1966, some fifty American and British teachers met at the three-week Seminar on the Teaching and Learning of English at Dartmouth College (the Dartmouth Seminar). The seminar was organized by the Modern Language Association (MLA), the National Council...
2. Voice
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pp. 32-71
Picture two writing classrooms. In the first, students have simply been asked to write about something that interests them. In class they break into small groups and begin to read their texts aloud to one another. After a student has finished reading her piece, the members of her...
3. Process
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pp. 72-101
This brief, strained, and, I think, quite moving text was written almost twenty years ago by “Tony,” a young ex-Marine from the Bronx with a wife and child, who was at the time a student in a New York City community college— and the key subject in Sondra Perl’s influential 1979...
4. Error
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pp. 102-131
“How Rouse makes his living is none of my business, but I venture that if he manages a decent livelihood it is only because he has somewhere or other submitted to enough socialization to equip him to do something for which somebody is willing to pay him” (852). So thundered...
5. Community
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pp. 132-160
I have structured this chapter somewhat differently than the others in this book. For while community becomes a key word fairly late in the narrative of the field I am sketching here, it was in fact through tracing out some of the uses and implications of this term that I began my first work on this...
Afterword(s): Contact and Negotiation
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pp. 161-169
If Stanley Fish was the patron theorist of composition in the 1980s, Mary Louise Pratt is now. With his talk of interpretive conventions and communities, Fish was a key theorist behind what became known as the social constructionist view of teaching writing. And with her strong...
Coda, 2012: From Dartmouth to New London
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pp. 170-174
Google Maps tells us that New London, NH, lies about twenty miles south of Dartmouth College, straight down Route 89. In 1994, a small group of scholars met in New London to talk about the future of literacy teaching in an age of rapid globalization and technological change....
References
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pp. 175-184
Index
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pp. 185-191
About the Author
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p. 192-192
E-ISBN-13: 9780874218671
Print-ISBN-13: 9780874218664
Page Count: 156
Illustrations: none
Publication Year: 2011
Edition: 2nd Edition
Series Title: None


