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title

Holdfast

At Home in the Natural World

Kathleen Dean Moore

Publication Year: 2013

Published by: Oregon State University Press

Title Page, Copyright, Dedication, Frontispiece, Quote

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pp. 1-7

Contents

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pp. viii-x

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Acknowledgments

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pp. xi-xii

It is often said that what a writer needs most is time alone to think, to write, to agonize: the writer chewing forlornly on a pencil, or walking snowy streets alone. Don’t believe it for a minute. ...

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Prologue

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pp. xiii-xiv

In the green, light-shot sea along the Oregon coast, bullwhip kelp lean toward land on the incoming tides and swirl seaward as the water falls away, never letting go of their grip on the ocean floor. What keeps each plant in place is a holdfast, a fist of knobby fingers that stick to rock with a glue the plant makes from sunshine ...

Connection

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pp. 1-2

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The Testimony of the Marsh

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pp. 3-6

At the upper end of a high desert lake, where spring runoff floods into dwarf willows and marsh grass, the coots are so noisy we don’t even try to talk. Two males lower their heads, run across the water, and charge at each other. Butting chests, they start to kickfight. ...

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Holdfast

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pp. 7-12

The sea otters at the coast aquarium drifted slowly in the currents, floating on their backs with their eyes closed and their hands clasped across their bellies. One bumped against a kelp, then gently rotated and drifted away. Another floated around the tank until its feet bumped into the wall. ...

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Howling With Strangers

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pp. 13-18

All 128 of us want to hear a wolf howl. So we are overflowing the bleachers and crowding around the edges of a room facing a picture window. Children sit on their heels under the window, their noses pressed against the glass. A young woman bounds in, wearing a plastic name tag like flight attendants wear. ...

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A Field Guide to Western Birds

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pp. 19-26

My son reads field guides at the breakfast table, leaning over his bowl and scooping cereal into his mouth while he scans the color plates of banded snakes or studies the pawprints of cats in snow. He will study the same set of drawings for long minutes, absorbing the differences between stingrays and sharks. ...

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The Thing About Dogs

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pp. 27-30

I have never liked dogs. One. They drool. Whenever you sit down, here comes a dog to rest its chin on your knee and leave behind a glistening tracery of saliva, like a tent caterpillar or something. Two. They smell like dogs. Three. They do uncivilized things, like lie on their backs, twist themselves up, and lick their own tail ends, setting a bad example. ...

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Field Notes for an Aesthetic of Storms

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pp. 31-40

Frank rolled down the window and shouted over hammering rain to a man who was lifting a chain saw from the bed of a pickup truck. “Any chance of getting through?” Rain drove in the open window, wetting our laps and filling the car with the smell of crushed bracken ferns and pines. ...

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The Western Singing Fish

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pp. 41-46

The first cut scrapes through hard sand that falls off the shovel with the shape of the blade still on it. The second push cuts into mud and clicks against pebbles and the rough edges of oyster shells. The hole fills with water, and the third shovelful flows off both sides of the blade, leaving clams scattered on the flat. ...

Separation

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pp. 47-48

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The Song of the Canyon Wren

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pp. 49-52

The song of the canyon wren is the sound of falling water. Its bright tones drop off the canyon rim and fall from ledge to ledge a step at a time, sliding down a pour-off bouncing onto a sandstone shelf, then dropping to the next layer of stone and down again—a falling scale, eight tones, a liquid octave of birdsong in the hard, sun-cut canyon. ...

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The Prometheus Moth

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pp. 53-58

I was standing with the doctor in the kitchen of my father’s house, leaning against the stove. The handle of the oven door was pressing into my back, and I was staring across the room at the moths and butterflies behind glass, framed and mounted on the kitchen wall. ...

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Traveling the Logging Road, Coast Range

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pp. 59-66

I’m driving between banks of forest duff, through a leafy tunnel lined with sword ferns and foxgloves. Morning fog spreads through the trees and along the narrow road, like milk poured in water. I turn on the windshield wipers and swerve to avoid a salamander. ...

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Cast Your Frog On the Water

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pp. 67-72

“How will I know?” Jonathan mumbles. He flops on his stomach in his sleeping bag, still sound asleep. I prop myself on an elbow and stare at him, waiting for another question to surface. It’s a black night, full of stars. The Big Dipper hangs handle-down behind Jonathan, ...

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Memory (The Boathouse)

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pp. 73-80

Snow this morning. A chickadee appears at the feeder, snatches a sunflower seed, flashes its wings and disappears. A pine squirrel crouches on a branch and chatters, its whole body vibrating with distress. The squirrel will cache piles of spruce cones and sunflower seeds that will sustain it through the winter. ...

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Baking Bread With My Daughter

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pp. 81-84

In the cabin, my daughter kneaded bread. The dough was thick, unwieldy, and it took all her strength to turn it. When I looked at her, I hardly recognized this woman-child, her face all planes and no softness. She reached across her body to rub her shoulder, leaving flour on her shirt. ...

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Pale Morning Dun (Ephemerella infrequens)

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pp. 85-90

I usually try to avoid estate sales, the whole of a person’s life reduced to things the next of kin don’t want, and then priced and spread out on planks. But at eight in the morning, when the line of women with pocketbooks stretches out to the street, I duck through the hedge and come in the back door of my neighbor’s house ...

Connection

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pp. 91-92

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On Being Afraid of Bears

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pp. 93-100

A branch cracks, over by the water. Another branch snaps, closer this time, on the game trail next to the marsh. Is a moose blundering into camp through the dark? A lost canoeist? Or is it a bear, heaving its weight along a trail filled with deadfall? My books say not to be afraid of bears, and so does Frank. ...

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Notes From the Pig-Barn Path

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pp. 101-106

Campus Way runs under the brick arch of the Ag Sciences Building in Corvallis, past the greenhouses and the small-fruits building, crosses Thirty-fifth Street, and at that point becomes a macadam bike path that cuts through the fields all the way to Fifty-third. ...

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The Man With a Stump Where His Head Should Be

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pp. 107-110

When you’re a middle-aged professor, a mother twice over, and fully five-and-a-half feet tall, it’s hard to disguise yourself as a little kid. But I didn’t want some lady to say, “Aren’t you a little old for trick or treat?” so I gave my costume a lot of thought. The real stumper was my height. ...

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The Only Place Like This

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pp. 111-116

As a bald eagle coasts over his head, a little boy walks along the boardwalk toward school, wearing a life jacket, clutching a handful of daffodils. He passes an old man on a four-wheeler. “Hiya,” the boy says. “How are you today?” ...

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Canoeing on the Line of a Song

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pp. 117-120

It’s an unsettling thing, to come so suddenly into a new landscape. Jackfish, Beartrap. Snowbank, Basswood. Moose River. The kitchen table is a chaos of yellow-tabbed guidebooks, forest service pamphlets, canoe route maps. I scan the names of lakes, matching them with their descriptions, trying to figure out where to go. ...

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Incoming Tide

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pp. 121-126

Seven A.M. on Easter morning, and time for the sunrise service. The congregation—just me so far—sits quietly on a damp pew, soaking up moisture from barnacles and bladder wrack. A few more parishioners float in, a gull, a bufflehead duck. They flutter their feathers, shoulder to rump, and we settle in, waiting for trumpets. ...

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Dead Reckoning

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pp. 127-136

Dead reckoning is navigation by deductive logic. When you can’t see the stars, when you don’t have any landmarks, you can sometimes figure out where you are by knowing where you started, how long you have traveled, and what course you have taken. ...

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Afterword

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pp. 137-144

I am drifting alone in my kayak on Davis Lake in the Oregon Cascade Mountains. It’s been almost fifteen years since I floated here one blue evening and scrawled notes about the lake’s chorus of frogs and ducks—notes that would become “The Testimony of the Marsh.” ...

Other Books in the Northwest Reprints series

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p. 160-160


E-ISBN-13: 9780870717093
E-ISBN-10: 087071709X
Print-ISBN-13: 9780870717086
Print-ISBN-10: 0870717081

Page Count: 176
Publication Year: 2013

Series Title: Northwest Reprints