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277 Copyrights and Illustration Credits The author wishes to thank the copyright holders, publishers, and libraries listed below for their permission to reproduce materials included in this book. Every reasonable effort has been made to trace the ownership of copyrighted material and to make full acknowledgment of its use. If errors or omissions have occurred, they will be corrected in subsequent editions, provided that notification is submitted in writing to the publisher. copyrights William Eshelman Papers. Courtesy of Pat Rom. William Everson Papers, William Clark Memorial Library, University of California, Los Angeles. Courtesy of Jude Everson. “Allen Ginsberg Dancing to the Grateful Dead. The Gathering of the Tribes for a Human Be-In, Golden Gate Park, 1967.” © Lisa Law. Allen Ginsberg, Howl and Other Poems. Copyright ©1956 by City Lights Books. Reprinted by permission of City Lights Books. Morris Graves letters and paintings. “Sea, Fish and Constellation,” Seattle Art Museum, gift of Mrs. Thomas D. Stimson. All items courtesy of the Morris Graves Foundation. “Morris Graves, Painter, 1950.” © 1950, 2013 The Imogen Cunningham Trust. Kenneth Patchen, An Astonished Eye Looks Out of the Air. Copyright © 1944 by Kenneth Patchen. Courtesy of Special Collections, University Library, UC Santa Cruz. William Stafford, “Report from an Unappointed Committee” from The Way It Is: New and Selected Poems. Copyright © 1998 by the Estate of William Stafford. Reprinted with the permission of The Permissions Company, Inc. on behalf of Graywolf Press, Minneapolis, Minnesota, www.graywolfpress. org. Adrian Wilson Papers, Joyce Lancaster Wilson Papers, Bancroft Library, University of California, Berkeley; letters and photographs from Two Against the Tide. Courtesy of Melissa Marshall. 278 copyrights and illustration credits illustration credits Most of the photographs of Camp #56 do not have a photographer named, although many were taken by Bruce Reeves while he was assigned there. Unless noted, the photographer is officially unknown. Photos are identified by page number after the permissions grantor or collection from which they came. If more than one image is on a page, each is further identified by short description. Associated Press: Page 30. Author’s collection: Pages 76 (both), 78, 79 (both), 125, 150, 171, 201, 204, 205, 215, 239, 246, 253 (Compass 2, nos. 1 and 2), 257 (Harman: Compass 2, nos. 3 and 4). Francis Barr CPS Collection, Manchester University Archives and Brethren Historical Collection: Page 257 (Jackson). Brethren Historical Library and Archives: Pages 4, 7, 9 (both), 33 (top), 35, 38, 39, 40, 41 (right), 45, 58, 61 (both), 72, 94, 109 (top), 117 (both), 124, 152, 153 (both), 155, 210, 255 (Downs, Vlad Dupre, Ibby Dupre), 256 (Eshelman, Hackett), 258 (Reeves). Most of these photos were taken by Bruce Reeves. Eliza E. Canty-Jones: Page 128, 257 (Langley). Charles Cooley: Pages 31, 33 (bottom). Photos likely by Bruce Reeves. Imogen Cunningham Trust: Page 140 (Morris Graves, Painter, 1950. © 1950, 2013 The Imogen Cunningham Trust.) Vladimir Dupre: Pages 103, 109 (bottom), 129, 259 (Siemons, Joyce Wilson). William Eshelman: Pages 6, 13, 80, 87, 96, 111, 159, 256 (Everson). Most of these photos were taken by Bruce Reeves. Jude Everson: Page 3. Photographer possibly Waldo Chase. William Everson Papers, Clark Memorial Library, University of California, Los Angeles: Cover (group portrait). Pages 56, 67, 192. Lisa Law: Page 248 (Allen Ginsberg Dancing to the Grateful Dead. The Gathering of the Tribes for a Human Be-In, Golden Gate Park, 1967.) Copyright © by Lisa Law. Melissa Marshall: Pages 135 and 190 (Two Against the Tide), 235 (The Work and Play of Adrian Wilson). Kim Stafford: Page 243 (photo by Russ Hosking), 255 (Coffield). Seattle Art Museum: Cover (detail at top). Page 141. Courtesy of the Morris Graves Foundation. Siuslaw National Forest: Pages 41 (left), 50, 54. Photos likely by Bruce Reeves. The Untide: Pages 5 (1, no. 5); 10 (2, no. 1); 42 (1, no. 5); 44 (1, no. 5); 62 (1, no. 11). Aubrey Watzek Library Archives and Special Collections, Lewis and Clark College. Portland, OR: Pages 83, 107, 139, 145, 156 (photo by Henry Blocher), 179, 218 (photo by Bruce Dean), 256 (Erle photo by Henry Blocher), 257 (James), 258 (Miller, Mount, Mills, Nomland; Ponch photo by Henry Blocher), 259 (Sheets, Adrian Wilson). Most Camp #56 photos by Bruce Reeves. ...

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